Category: Project Spotlights
The Cinematography of "Christmas at the Kringles" with DP Brandon Cox
How cinematographer Brandon Cox and director Kevin Lewis made Christmas at the Kringles in 20 days in Los Angeles, with DZOFILM Pavo anamorphics, a lot of split diopters and a house full of Christmas lights.
The Cinematography of "The Terminal List" Season 2
Exploring globe-trotting action, international camera support, and the Ancient Optics TAMASHII lenses behind episodes one and two.
The Cinematography of "Killa of Laverne" with Stephen SmallWarner
Director and cinematographer Stephen Small-Warner on capturing Killa of Laverne—an eight-part native 9:16 vertical drama examining guilt and moral ambiguity through a one-act play structure—and how a package of Zeiss Supreme Primes Radiance and tactile in-camera optics from Keslow Camera brought classical cinematic craft to the mobile screen.
The Cinematography of "Primetime" with DP David Bolen
Shot by Dp David Bolen, "Primetime," a formally audacious and stylish interpretation of true events, follows ambitious TV host Chris Hansen (Robert Pattinson) as he pushes the boundaries of reality television and media ethics during the rise of sensationalist sting operations.
The Cinematography of "Solidarity" with DP Mark Mannschreck
DP Mark Mannschreck on shooting Solidarity - a five-year independent production about immigrants in LA's Fashion District, now premiering at Dances With Films 2026, and the camera and lens package Keslow provided across every phase.
The Cinematography of "One Spoon of Chocolate" with DP Brandon Cox
Shot on a complete camera, lens, and accessories package provided by Keslow Camera, One Spoon of Chocolate is now available on your streaming platform of choice.
The Cinematography of "A Tribe Called Love" with DP Liam Higgins
Cinematographer Liam Higgins paired the ARRI ALEXA 35 with Canon K35 lenses from Keslow Camera for A Tribe Called Love, director Mohamed Ahmed's feature debut set within Toronto's Somali community.
The Cinematography of "She Dances" with DP David Morrison
The Cinematography of "The Paper" with DP Chloe Weaver
We caught up with DP Chloe Weaver (episodes 4-10) to discuss the journey of bringing THE PAPER to life, from reinventing the iconic mockumentary style of THE OFFICE, to working closely with an all-star cast and crew.
The Cinematography of "Boots" (Part Two) with DP Pedro Gomez Millan, AMC
For part two of our coverage of Netflix's "Boots," we connected with DP Pedro Gomez Millan, AMC (Episodes 6 & 8) to discuss the season, from filming epic action (including food fights), to capturing intimate moments that form the heart of the series' story.
The Cinematography of "Boots" (Part One) with DP Bruce Francis Cole
In honor of the series premiere of "Boots," we connected with DP Bruce Francis Cole (Episodes 1-4, 5, 7) to discuss the season, from shooting the series in the elements on location in New Orleans, to finding inspiration in some of the iconic films of the 1980s and 90s.
The Cinematography of "Twisted Metal Season 2" (Part Two) with DP Fraser Brown, CSC
For the second installment of our feature on Peacock's "Twisted Metal" season two, we connected with CSC Award-winner DP Fraser Brown, CSC (Episodes 3-4, 7-8, 11-12) to discuss his approach to "Twisted Metal" — including unique first-person camera rigs, flashbacks to the 16th century, and channeling 80s horror vibes.