• Angenieux Optimo Ultra Zooms

    Angenieux new Ultra 12:1 replaces the traditional workhorse 24-290mm. The new Ultra offers improved optical performance and a unique Integrated Rear Optics system, which allows the lens sensor coverage and focal length to be adjusted. Available in 24-290, 26-320, and 36-435 and able to cover Super35 all the way to Large Format, the Optimo Ultra is a very versatile tool.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    24-290mm T2.8 4'1" 162mm 28.1
    26-320mm T3.1 4'1" 162mm 28.1
  • Angenieux Optimo Zooms

    Angenieux zooms have become the industry standard zoom lens throughout the years. The Optimo line of lenses is well known for their reliability, pleasing image quality, and color matching across the range of lenses.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15-40mm T2.6 2' 114mm 4.6
    16-40mm T2.8 2' 114mm 4.2
    17-80mm T2.2 2' 136mm 11
    28-76mm T2.6 2' 114mm 4.5
    30-90mm T2 2' 114mm 4.7
    45-120mm T2.8 3' 1" 114mm 4.3
    48-130mm T3.0 3' 1" 114mm 4.3
    19.5-94mm T2.6 2' 0.5" 136mm 12.3
    24-290mm T2.8 4' 162mm 24.5
    25-250mm T3.9 4' 136mm 17
    28-340mm T3.2 4' 0.5" 162mm 25.4
    29-351mm T3.5 4' 1" 162mm 25.2 lbs
  • Angenieux Zooms - Vintage

    The 25-250mm HR and HP Angenieux Lenses were industry standard workhorses for decades. Still in use because of their lower contrast warm vintage appeal, the HR and HP zooms are a great option for taking the edge off of modern digital cinema sensors.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    17-102mm (HR) T2.9 2' 6" 156mm 19.2
    25-250mm (HR) T3.5 5' 7" 136mm 10.5
    25-250mm (HP) T3.9 6' 10.3" - 11"mm 6.5
  • ARRI Ultra Wide Zoom

    ARRI’s first venture into lens design without the aid of a name brand company, the Ultra Wide Zoom is an optical engineering feat. It’s ultra wide focal length of 9.5-18mm exhibits very little distortion and covers up to ALEXA 3.4K Open Gate.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    9.5-18mm T2.9 1' 9" 134mm / 156mm 10.5
  • ARRI/Fujinon Alura Zooms

    A joint venture between ARRI and Fujinon, the Alura Zooms are robust, sharp, high quality lenses designed for the rigors of cinema production. Offering four focal lengths, two lightweight and two studios zooms, this range provides flexibility to filmmakers.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15.5-45mm T2.8 2' 114mm 4.85
    18-80mm T2.6 2' 4" 134mm 10.4
    30-80mm T2.8 2' 114mm 4.85
    45-250mm T2.6 4' 134mm 16.5
  • Canon Cinema Zoom

    Canon has recently re-entered the cinema lens market after decades-long hiatus. Their new Cinema Zooms are high quality, offering Canon’s classic warmth and sharpness without sacrificing contrast or image quality.

     

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14.5-60mm T2.6 2' 4" 136mm 11.6
  • Canon K-35 Zoom

    Introduced by Canon to serve as a complimentary zoom to their K-35 Primes, the 25-120mm K-35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25-120mm T2.8 4' (13" w/Macro) 136mm 11.5
  • Century Converted Zooms

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    17-35mm T2.8 16" 95mm 2.2
    28-70mm T3.0 3' 95mm 2.8
    150-600mm T6.7 10' 140mm 17
  • Cooke Zooms

    Cooke made an array of different zoom lenses during the 20th century. Each zoom offers the classic warm Cooke Look their lenses are known for, without being overly sharp or high contrast like modern zoom lenses.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15-100mm Varotal T3.0 2' 4" 150mm 13.8
    20-100mm Varotal T3.1 2' 4" 144mm 11
    20-60mm Varopanchro T3.1 2' 4" 121mm 6
    25-250mm Cine Varotal T3.9 5' 6" 136mm 10.8
    25-250mm Cinetal T3.7 5' 6" 150mm 15.5
  • Duclos Tokina Zoom

    Duclos Lenses in Los Angeles designed a new housing for the Tokina 11-16mm still photography lens. The lens has a declicked iris and gears added to the focus, iris, and zoom rings. This is an extremely versatile wide angle lens that features low distortion and breathing for a still photography lens.

  • Fujinon Cabrio Zooms

    Fujinon introduced their Cabrio line of zoom lenses to offer a lower cost alternative to their Fujinon Premiere zooms. The Cabrio’s offer three lightweight zoom options as well as a larger studio zoom. They offer a neutral color temperature, sharp focus, and minimal breathing.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19-90mm T2.9 2' 10" 114mm 6
    20-120mm T3.5 3' 8" 114mm 5.3
    85-300mm T2.9 (T4 at 260-300mm) 4' 114mm 5.8
    25-300mm T3.5 (T4 at 300mm) 4' 136mm 19
  • Fujinon Premier Zooms

    The Fujinon Premier zooms are extremely high quality lenses, exhibiting nearly zero breathing, sharp focus, and neutral color temperature throughout the entire range. Available in two lightweight and two studio designs, the Premieres offer exceptional performance for high end cinema production.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14.5-45mm T2.0 2' 4" 136mm 14.4
    18-85mm T2.0 2' 9" 136mm 16.2
    24-180mm T2.6 4' 1" 136mm 20.6
    75-400mm T2.8 (T3.8 at CF) 6' 9" 136mm 22
  • Sigma Zooms

    Sigma Zooms
    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18-35mm T2.0 11" 95mm 2.95
  • ZEISS Compact Zooms

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15-30mm T2.9 21" 114mm 5.5
    28-80mm T2.9 2' 9" 95mm 5.2
    70-200mm T2.9 5' 95mm 5.8