ARRI Shift and Tilt Bellows System
The ARRI Shift and Tilt Bellows System functions similar to other Shift and Tilt systems, allowing the lenses to be racked up down left and right on a frame. ARRI’s system is durable and specifically designed for cinema work.
ARRI Tilt Focus
ARRI produced a small set of Tilt Focus lenses designed specifically for cinema work, unlike previous Tilt Focus lenses which were converted still photography lenses. These ARRI lenses offer a unique creative tool to cinematographers.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) 24mm T4.0 .98" 87mm 2.18 45mm T2.8 1.31" 87mm 2.46 90mm T2.8 1.64" 87mm 2.71
Canon/Century Tilt Focus
The CCI Swing Shift Bellows System works similar to other bellows systems, allowing a lens to be racked up down left and right on a frame creating unique focus effects at the edges of the frame.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) 24mm T4 12" 80mm 2.2 45mm T2.8 16" 80mm 2.4
CCI Swing Shift Bellows System
Includes Swing Shift Bellows with the following lenses: 18mm T3.8, 24mm T3.8, 28mm T3.8, 35mm T3.2, 50mm T4.0, 60mm T3.5, 80mm T2.8, 110mm T2.4, 120mm Macro T4.0
Century Shift and Tilt Bellows System
Century Optics take on the Shift and Tilt Bellows System, it works the same as other bellows systems by racking a lens on a frame to create unique focus effects on the edge of the frame. This system is based on the original CCI Shift and Tilt Bellows System.
These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) 6mm Nikkor Fisheye T2.83 1’ 87mm 2.32 8mm Nikkor Fisheye T2.8 1’ N/A 2.86 8mm Nikkor Fisheye T3.2 1’ N/A 2.86
Infinity Long Distance Macro
A very unique photography tool, the Infinity Long Distance Macro was designed to allow macro photography without the subject being extremely close to the lens. This system allows the camera to be many feet away from a subject while still providing up to 10x magnification close-up.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) Magnification Range: 0.3x-10x T22 Varies by module N/A (Accepts 2x threaded 40.5mm Filters at rear) 5
The Kish Kaleidoscope Lens creates a kaleidoscope effect by taking the image from a normal PL Mount lens and manipulating it through a kaleidoscope relay.
For a video demo click HERE.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) 14mm T2.0 9" 110mm 4.8 16mm T.20 9" 110mm 5.4 25mm T.20 9" 110mm 3.5 27mm T.20 10" 110mm 3.5 32mm T.20 12" 110mm 4 40mm T.20 16" 110mm 4.4 50mm T.20 20" 110mm 3.3 100mm T.20 3' 110mm 4.6
Lensbaby 3GPL System
The original PL Mount Lensbaby was designed as a low cost alternative to more expensive and complex Swing and Shift bellows systems. The LensBaby also produces some unique Petzval effects not commonly provided by traditional swing shift systems.
Lensbaby Composer Pro PL
A more modern LensBaby with a PL mount, the Composer Pro was designed specifically for cinema work and offers multiple lens attachments to modify the focal length and effects provided by the system. Easy to use and unique among swing and tilt systems.
Much like the Kooky Cookes, the Raybenders are based on a Cooke S4 lens and modified by Keslow Camera to produce unique effects. These lenses render a softer outer field while maintaining a sharp center. Overall contrast is reduced and some veiling glare is present. 18mm, 27mm, 40mm, 50mm, and 65mm Raybenders are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.
Focal Length Aperture Close Focus Front Diameter Weight (lbs) 18mm T2.0 9" 110mm 3.85 25mm T2.0 9" 110mm 3.5 27mm T2.0 10" 110mm 3.5 32mm T2.0 12" 110mm 4 40mm T2.0 16" 110mm 4.4 50mm T2.0 20" 110mm 3.3 65mm T2.0 2'3" 110mm 3.5