The ARRI Shift and Tilt Bellows System functions similar to other Shift and Tilt systems, allowing the lenses to be racked up down left and right on a frame. ARRI’s system is durable and specifically designed for cinema work.

ARRI produced a small set of Tilt Focus lenses designed specifically for cinema work, unlike previous Tilt Focus lenses which were converted still photography lenses. These ARRI lenses offer a unique creative tool to cinematographers.

Century Optics retooled the original Canon Tilt Focus lenses for cinema work by adding an ARRI PL Mount and gearing to the lenses. These are perfect for cinematographers looking to add a unique effect to their project.

The CCI Swing Shift Bellows System works similar to other bellows systems, allowing a lens to be racked up down left and right on a frame creating unique focus effects at the edges of the frame.

Century Optics take on the Swing Shift Bellows System, it works the same as other bellows systems by racking a lens on a frame to create unique focus effects on the edge of the frame. This system is based on the original CCI Swing Shift Bellows System.

The Ethereal Lens System was designed to create unique optical effects similar to a tilt shift lens. The system includes three lens focal lengths and can produce a variety of tilt shift effects.

These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

A very unique photography tool, the Infinity Long Distance Macro was designed to allow macro photography without the subject being extremely close to the lens. This system allows the camera to be many feet away from a subject while still providing up to 10x magnification close-up.

The KesLOW Angle Mirror is an optical device that allows the camera to capture an image at an angle away from the position of the lens. A high grade front surface mirror is used to reduce aberrations and provide a clear image. Lenses as wide as 21mm can be used on full frame cameras, or 16mm for Super35 camera, depending on the model of lens used. The housing of the KesLOW Angle Mirror is made of carbon fiber, reducing the overall weight of the system. It is mounted to 15mm studio rods, and allows multiple angles.

Keslow Camera specially designed the Kooky Cooke’s using Cooke S4 lenses. These lenses produce unique flare effects. A wide range of Kooky Cooke’s are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.

The original PL Mount Lensbaby was designed as a low cost alternative to more expensive and complex Swing and Shift bellows systems. The Lensbaby also produces some unique Petzval effects not commonly provided by traditional swing shift systems.

The Lensbaby Burnside captures images with swirly petzal like bokeh, with the effect being adjustable using the aperture. It features a dramatic amount of focus fall off from the center, also adjustable with the aperture. Paired with the iris is an “Effects Slider” that allows you to control the amount of swirl effect present in the image. This lens pairs well with the Composer Pro and a Twist 60 optic.

A more modern LensBaby with a PL mount, the Composer Pro was designed specifically for cinema work and offers multiple lens attachments to modify the focal length and effects provided by the system. Easy to use and unique among swing and tilt systems. The Pro 2 verison introduces a more robust design over version 1.