• ARRI / ZEISS Master Macro 100

    The last lens in the Master Prime set, the 100mm T2.0 Master Macro is a unique piece of optical engineering, offering 1:1 magnification. Featuring the same color and contrast matching as the rest of the Master Prime set, as well as virtually zero breathing.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    100mm T2.0 (T4.3 at CF) 13.75" 114 mm 5.7
  • ARRI / ZEISS Master Primes

    In partnership with ZEISS, ARRI produced the Master Prime Lenses with uncompromising image quality. The entire range of Master Primes exhibits virtually no breathing, contrast shift, or color shift between lenses and are available from 12mm to 150mm with a fast stop of T1.3.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    12mm T1.3 16" 156mm 6.4
    14mm T1.3 14" 114mm 5.3
    16mm T1.3 14" 114mm 5
    18mm T1.3 14" 114mm 5
    21mm T1.3 14" 114mm 5.3
    25mm T1.3 14" 114mm 5.1
    27mm T1.3 14" 114mm 4.8
    32mm T1.3 14" 114mm 5.1
    35mm T1.3 14" 114mm 4.8
    40mm T1.3 16" 114mm 5.1
    50mm T1.3 20" 114mm 5.9
    65mm T1.3 2' 3" 114mm 5.7
    75mm T1.3 2' 9" 114mm 6
    100mm T1.3 3' 6" 114mm 6.2
    150mm T1.2 5' 134mm 9
  • ARRI Macro Primes

    ARRI has produced a range of Macro Prime lenses for cinema use. Each is capable of extreme close focus with the 50mm and 100mm lenses achieving 1:1 magnification. The unique ARRI design also offers an auto compensating iris function, eliminating stop loss quess work.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16mm T2.1(+2/3 at CF) 6" 80mm 2.5
    24mm T2.1 (+2/3 at CF) 7" 80mm 1.8
    32mm T2.1 (+2/3 at CF) 9" 80mm 1.6
    40mm T2.1 (+2/3 at CF) 10" 80mm 1.6
    50mm T3 (T5.6 at CF) 8" 80mm 3
    100mm T3 (T5.6 at CF) 1' 2" 80mm 3.5
    200mm T4.3 (T8.0 at CF) 1' 11" 80mm 4
  • Astro Berlin Primes

    Originally introduced in the 1930’s the Astro-Berlin’s were still photography lenses designed with low light photography in mind. Due to their age they are very much art/portrait lenses compared to today's modern cinema lenses. Keslow Cameras Astro-Berlin lenses have been modified with a modern PL Mount for use with digital cinema cameras.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25mm T2.0 2' 80mm 1
    32mm T2.0 3' 80mm 1
    50mm T2.3 2' 80mm 1.33
    75mm T1.8 6' 80mm 1.24
    125mm T2.3 7' 80mm 2.99
  • Blurtar Primes

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    28mm T2.3 2' 80mm .92
    40mm T2.3 2' 80mm .90
    50mm T3.0 2' 80mm .88
    75mm T3.8 4' 80mm .74
  • Cooke 5/i Primes

    The Cooke 5/i lenses were designed to offer superb optical and mechanical performance. Offering up Cooke’s traditional “Cooke Look” at a fast T1.4, the 5/i’s exhibit little breathing and the same robust design and i/ Data lens data system as previous Cooke lenses. The 5/i’s also feature a unique illuminated focus scale, eliminating the need for an external light source when shooting in dark environments.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.4 14" 110mm 6.67
    25mm T1.4 14" 110mm 6.56
    32mm T1.4 14" 110mm 6.21
    40mm T1.4 16" 110mm 6.07
    50mm T1.4 20" 110mm 7.11
    65mm T1.4 2' 110mm 6.68
    75mm T1.4 2' 3" 110mm 6.58
    100mm T1.4 2' 6" 110mm 6.36
    135mm T1.4 2' 9" 136mm 11.6
  • Cooke Mini S4/i Primes - Uncoated

    A low cost alternative from Cooke, the Mini S4/i’s T2.8 lenses offer similar optical properties as the Cooke S4/i’s, but in a smaller less expensive design. These are color-matched to other Cooke lenses and provide DP’s with a lower barrier to entry from a budgetary perspective without sacrificing the aesthetics that Cooke’s are known for. These lenses also feature the Cooke i/ Data protocol for delivering lens data to the camera system.

     

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm T2.8 10" 87mm 3
    25mm T2.8 10" 87mm 3
    32mm T2.8 12" 87mm 3.2
    40mm T2.8 16" 87mm 3.4
    50mm T2.8 20" 87mm 3.4
    65mm T2.8 2'3" 87mm 3.2
    75mm T2.8 2'6" 87mm 3.2
    100mm T2.8 3' 87mm 3.5
    135mm T2.8 3'3" 87mm 4
  • Cooke S4 and S4/i Primes

    Cooke S4 and S4/i Primes

    The award winning Cooke workhorse lens, the S4 & S4/i lenses exhibit superb Cooke lens characteristics, such as unique bokeh, warm pleasing skin tones, and medium contrast. Like other Cooke lenses the S4’s are color matched, and the i/ Data version allows lens metadata to be passed to the camera system without the need for external encoders.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    12mm T2.0 9" 156mm 6.2
    14mm T2.0 9" 110mm 4.8
    16mm T2.0 9" 110mm 5.4
    18mm T2.0 9" 110mm 3.85
    21mm T2.0 9" 110mm 4.4
    25mm T2.0 9" 110mm 3.5
    27mm T2.0 10" 110mm 3.5
    32mm T2.0 12" 110mm 4
    35mm T2.0 14" 110mm 4.2
    40mm T2.0 16" 110mm 4.4
    50mm T2.0 20" 110mm 3.3
    65mm T2.0 2'3" 110mm 3.5
    75mm T2.0 2'6" 110mm 4.2
    100mm T2.0 3' 110mm 4.6
    135mm T2.0 (+2/3 at CF) 2'9" 110mm 5
    150mm T2.0 (+1/2 at CF) 3'6" 125mm 7.3
    180mm T2.0 (+2/3 at CF) 4'3" 136mm 9.5
    300mm T2.8 7' 136mm 10.6
  • Cooke Speed Panchro Classic Primes

    Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes Cooke Speed Panchro Classic Primes

    The Panchro Classics are a modern reimagining of the original Cooke Speed Panchro primes. These new lenses are based on the original lens design schematics and use modern coatings to emulate the look of their vintage predecessors. The Classics feature the same i/ Data system as many other Cooke lenses. These are a true modernization without sacrificing the look of the original Speed Panchros.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T2.2 4.6" 110mm 3.5
    25mm T2.2 4.2" 110mm 3.3
    32mm T2.2 6.3" 110mm 2.6
    40mm T2.2 11" 110mm 3.1
    50mm T2.2 1' 3" 110mm 3.3
    75mm T2.2 1' 11.3" 110mm 4
    100mm T2.6 2' 5.3" 110mm 3.9
  • Leitz R Prime Lenses (GL Optix Conversion)

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm T2.8 11" 95mm 1.6
    28mm T2.8 9" 95mm 1.8
    35mm T1.4 2' 95mm 3.2
    50mm T1.4 1'8" 95mm 2.1
    80mm T1.4 2'3" 95mm 3
    100mm T2.8 1'6" 95mm 5.8
    135mm T2.8 5' 95mm 4.2
  • Leitz Summicron-C Primes

    Leitz’ new Summicron-C prime lenses are color matched to the Summilux-C lenses, designed to be used in conjunction with their more expensive big brothers. These new Leica’s are also 30% smaller and 20% lighter than the Summilux-C Primes. Mechanically these lenses are on par with the Summilux-C’s, designed with a premium feel in mind.

     

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15mm T2.0 1' 95mm 3.6
    18mm T2.0 1' 95mm 3
    21mm T2.0 1' 95mm 2.85
    25mm T2.0 1' 95mm 3.4
    29mm T2.0 1' 95mm 2.85
    35mm T2.0 1'2" 95mm 3
    40mm T2.0 1'6" 95mm 3
    50mm T2.0 2' 95mm 3.25
    75mm T2.0 3' 95mm 2.75
    100mm T2.0 3'4" 95mm 2.75
    135mm T2.0 5' 95mm 4
  • Leitz Summilux-C Primes

    Leitz’ flagship Super 35 lenses, the Summilux-C’s have become staples of the film business with their pleasing skin tones and medium contrast. They feature a fast aperture through the focal range of T1.4 and virtually no breathing. A unique focus design and use of exotic aspheric elements enable smooth focus pulls and exceptional performance in a compact package.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16mm T1.4 1' 2" 95mm 3.75
    18mm T1.4 1' 6" 95mm 3.7
    21mm T1.4 1' 3" 95mm 3.5
    25mm T1.4 1' 3" 95mm 4
    29mm T1.4 1' 6" 95mm 3.75
    35mm T1.4 1' 6" 95mm 3.6
    40mm T1.4 1' 6" 95mm 3.6
    50mm T1.4 2' 95mm 4
    65mm T1.4 1' 6" 95mm 3.75
    75mm T1.4 2' 6" 95mm 3.6
    100mm T1.4 3' 3" 95mm 3.5
    135mm T1.4 4' 7" 116mm 7.4
  • MiniHawk Hybrid Anamorphic Primes

    MiniHawk Hybrid Anamorphic Primes

    Vantage produced the MiniHawk lenses as the first set of Spherical Prime lenses that can be considered “Hybrid” in nature.  They feature an oval iris design to emulate anamorphic oval bokeh while still using spherical optics.  Due to this hybrid design the focal lengths printed on each lens are anamorphic equivalents.  The actual angle of view and functional spherical focal length is wider than the printed anamorphic focal length.  Spherical focal lengths are noted next to the anamorphic ones below.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    35mm (17.5mm Spherical) T1.7 10” 110mm 4
    40mm (20mm Spherical) T1.7 10” 110mm 4
    50mm (25mm Spherical) T1.7 10” 110mm 3.3
    65mm (32.5mm Spherical) T1.7 10” 110mm 3.3
    75mm (37.5mm Spherical) T1.7 10” 110mm 3.3
    100mm (50mm Spherical) T1.7 10” 110mm 3.5
    135mm (67.5mm Spherical) T1.7 10” 110mm 3.5
    180mm (90mm Spherical) T1.7 10” 110mm 4.2
  • Petzval Primes

    Based on vintage lenses from the mid-19th century, this modern reimagining of the Petzal prime lenses offer cinematographers a unique tool to add to their toolkit. Available in 58mm EF Mount or 85mm PL Mount, the Petzvals retain their portrait lens appeal of swirling smooth bokeh and sharp center focus.

     

    Lenses
    58mm – EF Mount
    85mm – PL Mount
  • Vantage ONE® T1 Primes

    Vantage ONE® T1 Primes Vantage ONE® T1 Primes Vantage ONE® T1 Primes Vantage ONE® T1 Primes Vantage ONE® T1 Primes Vantage ONE® T1 Primes Vantage ONE® T1 Primes

    Vantage is known for anamorphic lenses, but they entered the spherical lens world with their Vantage One Prime Lenses. These lenses, named after their ultra fast t-stop of T1.0, are particularly unique when compared to most modern lenses. Wide open these primes exhibit very unique qualities, from soft edge focus to lower contrast. Simply deepen the T-Stop to attain the desired amount of aberration. These lenses are distinctly unique and well suited for low light cinematography.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    17.5mm T1.0 1' 110mm 4.4
    21mm T1.0 1' 110mm 4
    25mm T1.0 1' 110mm 3.5
    32mm T1.0 1' 110mm 4
    40mm T1.0 1' 3" 110mm 3.3
    50mm T1.0 1' 110mm 3.1
    65mm T1.0 1' 6" 110mm 3.5
    90mm T1.0 2' 130mm 4.3
    120mm T1.0 2' 9" 156mm 8
  • ZEISS Compact Primes

    Introduced by ZEISS to address the growing need for lenses in the DSLR cinema market, the Compact Primes are lightweight, small form factor lenses that do not sacrifice quality for usability. These lenses are not only sharp, clean, and high contrast, but they also allow the use of either PL or EF mount depending on the needs of the production.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T3.6 12" 114mm 1.6
    21mm T2.9 10" 114mm 1.8
    25mm T2.9 7" 114mm 1.6
    28mm T2.1 10" 114mm 1.8
    35mm T2.1 12" 114mm 2.2
    50mm T2.1 18" 114mm 1.6
    85mm T2.1 3' 3" 114mm 1.8
    100mm T2.1 2' 6" 114mm 2.8
  • ZEISS Standard Speed Primes

    ZEISS Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast. Many iterations have been released through the years, with the most recent models featuring standard 0.8 gearing on the focus and iris rings.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    180mm T3.0 5' 80mm 3
    10mm T2.1 14" 156mm 6.6
    12mm T2.1 10" 135mm 2.5
    14mm T2.0 9" 114mm 3.2
    16mm T2.1 10" (CF modified) 80mm 1.2
    20mm T2.1 8" 80mm 2
    24mm T2.1 14" (CF modified) 80mm 1
    28mm T2.1 11" 80mm 2.25
    32mm T2.1 2' (CF modified) 80mm 1
    40mm T2.1 16" 80mm 1
    50mm T2.1 1' 6" 80mm 1
    60mm Macro T2.9 11" 80mm 1.75
    85mm T2.1 3' 80mm 1.5
    100mm T2.1 3' 4" 80mm 1.6
    135mm T2.1 5' 80mm 2.25
  • ZEISS Standard Speed Primes - Uncoated

  • ZEISS Super Speed Primes

    ZEISS Super Speeds released following the success of their Standard Speed lenses. The Super Speeds have become industry staples over the years and saw a resurgence in the early 2000’s due to their reasonable price and high T-stop of T1.3. Known for their high contrast cool image rendition the Super Speeds render a mildly muted image on today's modern digital cameras.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.3 10" 80mm 2.8
    25mm T1.3 10" 80mm 2
    35mm T1.3 1' 2" 80mm 1.8
    50mm T1.3 2' 6" 80mm 1.8
    65mm T1.3 2' 6" 80mm 2.2
    85mm T1.3 3' 80mm 2.2
  • ZEISS Super Speed Primes - Uncoated

  • ZEISS Ultra Primes

    Introduced in 1999, the ZEISS Ultra Primes have been a workhorse in the film business since their release. Small, lightweight, durable, reliable, and aesthetically appealing, the T1.9 Ultra Primes are very versatile. These lenses are a good lower cost alternative that don’t sacrifice quality in favor of cost reduction.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    8mm (8R) T2.8 1' 3" 135mm 3.4
    10mm T2.1 1' 3" 156mm 6.4
    12mm T2.0 1' 156mm 4.4
    14mm T1.9 9" 114mm 4
    16mm T1.9 1' 95mm 2.6
    20mm T1.9 1' 95mm 2.6
    24mm T1.9 1' 95mm 2.2
    28mm T1.9 1' 95mm 2.2
    32mm T1.9 1' 3" 95mm 2.4
    40mm T1.9 1' 3" 95mm 2.2
    50mm T1.9 2' 95mm 2.2
    65mm T1.9 2' 3" 95mm 2.4
    85mm T1.9 3' 95mm 2.6
    100mm T1.9 3' 3" 95mm 2.6
    135mm T1.9 5' 95mm 3.5
    180mm T1.9 8' 6" 114mm 5.7
  • ZEISS Ultra Primes (LDS)

    The LDS Ultra Primes are optically identical to the normal Ultra Primes, but integrate ARRI’s LDS (Lens Data System) to provide lens information to the camera system. This is key for visual effects heavy productions and also a great creature comfort for any job.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14mm T1.9 9" 114mm 4
    16mm T1.9 1' 104mm 3.3
    20mm T1.9 1' 104mm 3.3
    24mm T1.9 1' 104mm 3.9
    28mm T1.9 1' 104mm 3.3
    32mm T1.9 1' 3" 104mm 2.1
    40mm T1.9 1' 3" 104mm 2.1
    50mm T1.9 2' 104mm 2.6
    65mm T1.9 2' 3" 104mm 2.1
    85mm T1.9 3' 104mm 3.3
    100mm T1.9 3' 3" 104mm 3.3
    135mm T1.9 5' 104mm 4.4
  • ZEISS Ultra Primes (LDS) - Uncoated

    This uncoated version of the ZEISS Ultra Prime lens set offers a lower contrast alternative to the original Ultra Prime. These uncoated versions also feature ARRI’s LDS (Lens Data System) for transmitting lens information to the camera system. Uncoated elements also allow these lenses to flare more easily and increase the characteristics of their flares.

     

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16mm T1.9 12" 104mm 3.3
    20mm T1.9 12" 104mm 3.6
    24mm T1.9 11.8" 104mm 2.9
    28mm T1.9 12" 104mm 3.3
    32mm T1.9 15" 104mm 3.1
    40mm T1.9 15" 104mm 3.3
    50mm T1.9 2' 104mm 2.6
    65mm T1.9 2' 3" 104mm 3.1
    85mm T1.9 3' 104mm 3.3
    100mm T1.9 3' 3" 104mm 3.4
    135mm T1.9 5' 104mm 4.2