• Keslow Camera Renaissance Zoom

    The 27-128mm T3.6 Renaissance zoom is an enhanced 17-80mm Angenieux Optimo. Using the Optimo as a base lens, our Lens Team at Keslow Camera have modified it to increase various characteristics sought after by cinematographers, like increased edge falloff and slightly lowered contrast, with a beautiful painterly bokeh. The zoom has also been expanded to cover modern, full-frame camera sensors.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    27-128mm T3.6 2' 3" 136mm 13.5 lbs
  • Sony Venice Rialto 2 Extension System

    The Sony Venice Rialto 2 was designed with the 8K Sensor Block from the Venice 2 in mind. There are two models available, one with a 9.8 foot cable cable and one with a 39 foot cable. The Rialto 2 is compatible with both the Venice 1 and Venice 2 as well as both the 8K and 6K Sensor modules. All recording functionality is retained when in Rialto mode. The new extension module is perfect for unique rigging situations.

  • MasterBuilt SuperWide LF Prime

    The MasterBuilt SuperWide is a single 14.5mm full frame prime lens manufactured for use with the entire MasterBuilt range of lenses. The prime has a superwide angle of view, with a fairly sharp and even field, slight distortion, and a pleasing multi chromatic flare. Featuring a fast T1.9 stop and full frame coverage, it’s the perfect wide lens for use alongside any MasterBuilt lens.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14.5mm T1.9 10" 136mm 3.6 lbs
  • P+S Technik Technovision

    35 70mm PS Tech Lifestyle v4 DSC02459 v7

    The Technovision Classic 35-70mm is one of the early full frame anamorphic lenses made by P+S Technik. Featuring a squeeze of 1.5x, the zoom covers large format sensors well. It exhibits unique anamorphic bokeh and horizontal flaring, with pleasing edge fall off and exaggerated character. It feels almost vintage, while still being fairly sharp and modern in its design.


    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    35-70mm T3.2 6' 114mm 6.8 lbs
  • RED DSMC3 V-Raptor XL 8K VV

    RED V Raptor XL Lifestyle VRaptor XL 1 VRaptor XL 2 VRaptor XL 3 VRaptor XL 4 VRaptor XL 5

    The V-Raptor XL expands on the V-Raptor platform by introducing a body engineered specifically for large production environments. It features the new V-Raptor 8K VV large format sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The XL body features integrated power outputs, additional SDI outputs, dedicated timecode, genlock, and control ports, and a shimmable PL Mount. Features an all-new, built-in electronic ND system which allows cinematographers to precisely select their density in ¼, 1/3, and full stop increments for no-compromise exposure management.


    Sensor Size: VV - 40.96 x 21.60mm

    Maximum Resolution: 8K

    Sensor Frame Rates: 1-480 FPS (120 FPS @ 8K 17:9)

    Weight: 7.99 lbs (Body Only)


  • Kowa FF Primes

    Kowa FF 1 Kowa FF 2

    Manufactured as still lenses in the 1960’s and 70’s, TLS has rehoused these Kowa’s with new 16 blade irises and modern housings. The lenses are clean and perform well across the entire stop range without being overly sharp. Flares are full bodied and beautiful in nature and the lenses exhibit a smooth yet defined bokeh. The lenses perform well on all full frame cameras.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm T4 12" 110mm 2.25 lbs
    28mm T3.6 9" 110mm 2.06 lbs
    35mm T2.9 11" 110mm 2.02 lbs
    50mm T1.9 16" 110mm 2 lbs
    85mm T2.9 2' 3" 110mm 2.68 lbs
    100mm T3.6 3' 110mm 2.78 lbs
    135mm T3.9 3' 9" 110mm 3.12 lbs
  • Cooke S8/i Primes

    Cooke S8 Set 25mm Cooke S8 25mm Cooke S8 2 32mm Cooke S8 40mm Cooke S8 50mm Cooke S8 75mm Cooke S8 100mm Cooke S8 135mm Cooke S8

    Cooke’s S8/i primes are faster, lighter, and smaller than previous full frame Cooke lenses. They exhibit Cooke’s pleasing warmth and creative Cooke Look. Each lens features uniform high quality Cooke design and utilizes Cooke’s i/Data for intelligent metadata capture.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25mm T1.4 1' 10" 104mm 5.45 lbs
    32mm T1.4 2' 3" 104mm 5.36 lbs
    40mm T1.4 2' 3" 104mm 5.22 lbs
    50mm T1.4 2' 3" 104mm 4.76 lbs
    75mm T1.4 2' 9" 104mm 5.47 lbs
    100mm T1.4 2' 9" 104mm 5.40 lbs
    135mm T1.4 4' 104mm 7.14 lbs

    Alexa 35 2 Alexa 35 Alexa 35 Cage 1 Alexa 35 Cage 2 Alexa 35 Cage 3 Alexa 35 Cage 4 Alexa 35 Cage 5

    The ALEXA 35 introduces ARRI’s first Super35 4K sensor. The camera is equipped with a new body style, excellent high speed capabilities, and ARRI’s Texture functionality which acts as a digital film stock offering filmmakers an added layer of visual customization for their project. The camera shoots both ARRIRAW and ProRes and utilizes high speed Codex Compact Drives in both 1TB and 2TB flavors.

    Sensor Size: Super35 - 28mm x 19.20mm

    Maximum Resolution: 4.6K

    Sensor Frame Rates: 0.75 – 120 FPS (75 FPS @ 4.6K - 2TB Codex Compact Drive required for highest speeds)

    Weight: 6.4 lbs (Body Only)

  • Atlas Orion Anamorphic Primes - Silver Edition

    Atlas Orion Silver Edition Set Atlas Orion Silver 65mm Atlas Orion Silver 80mm v2 Atlas Orion Silver 100mm v2 Atlas Orion Silver 40mm Atlas Orion Silver Edition 32mm Atlas Orion Silver 50mm Atlas Orion Silver 32mm

    The Atlas Orion Silver Edition Anamorphics are a modified version of the original Atlas Orions. The Silver featuring a new coating process that produces monochromatic flares rather than the multi-colored flares of the original set. Orion Silvers perform optically similar to the original set and feature the same six focal lengths.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    32mm T2 1.75" 114mm 4.7
    40mm T2 2' 114mm 5.2
    50mm T2 2.5" 114mm 5
    65mm T2 2.75" 114mm 5
    80mm T2 3' 114mm 6
    100mm T2 3.5" 114mm 6.7
  • IB/E Raptor Macros

    IB/E’s Raptor Macros offer four full frame prime lenses that exhibit superb close focus, 1:1 magnification, and a 50mm image circle designed to cover all modern digital cinema full frame cameras. Each Raptor Macro is designed with special apochromatic lens elements for better chromatic aberration correction and minimal spherical aberration.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    60mm T2.9 (T5.3 at Close Focus) 7.48" 95mm 2.54 lbs
    100mm T2.9 (T5.3 at Close Focus) 12.3" 95mm 3.3 lbs
    150mm T2.9 (T5.3 at Close Focus) 15" 95mm 4.2 lbs
    180mm T2.9 (T5.3 at Close Focus) 18.5" 95mm 6.4lbs
  • RED DSMC3 V-Raptor 8K VV

    RED V Raptor 1 RED V Raptor 2 RED V Raptor 3 RED V Raptor 4 RED V Raptor 5

    The V-Raptor is the first DSMC3 camera from RED. It features the new V-Raptor 8K VV large format sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The DSMC3 platform is more compact than the previous DSMC2 platform, offering filmmakers a more versatile package.


    Sensor Size: VV - 40.96 x 21.60mm

    Maximum Resolution: 8K

    Sensor Frame Rates: 1-480 FPS (120 FPS @ 8K 17:9)

    Weight: 4.03 lbs (Body Only)


  • ARRI Signature Zooms

    Signature Zoom 1 v2 Signature Zoom 4 v2 Signature Zoom 2 v3 Screen Shot 2022 06 14 at 12.31.12 PM 65 300mm Signature Zoom 1 v2 Signature 45 135mm Outside v2 Signature 45 135mm Outside Signature 65 300mm Outside

    ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16-32mm T2.8 7.6" 156 mm 7
    45-135mm T2.8 3'4" 114 mm 8.25
    65-300mm T2.8 6' 156 mm 17.13
  • Sony Venice 2

    Screen Shot 2022 06 09 at 9.36.37 AM Screen Shot 2022 06 09 at 9.39.39 AM Screen Shot 2022 06 09 at 9.39.53 AM Screen Shot 2022 06 09 at 9.40.06 AM Screen Shot 2022 06 09 at 9.40.25 AM

    The Sony Venice 2 introduces a 8.6K Full Frame sensor with dual 800 and 3200 base ISO modes. It features the same built-in full spectrum ND filters as the original Venice. The R7 Raw Recorder is now built into the body of the camera, foregoing the use of SxS cards and proxy recording for the more robust X-OCN raw codec. The first generation 6K sensor module from the Venice is compatible with the Venice 2 as well.


    Sensor Size: Large Format – 35.9mm x 24.1mm

    Maximum Resolution: 8.6K

    Sensor Frame Rates with 8.6K Module: 1-90 FPS (30 FPS @ 8.6K Full Frame)

    Sensor Frame Rates with 6K Module: 1-120 FPS (60 FPS @ 6K Full Frame)

    Weight: 9.25 lbs (Body Only)

  • MasterBuilt Anastigmat Prime

    160mm Masterbuilt Anastigmat 1 160mm Masterbuilt Anastigmat 2

    The MasterBuilt Anastigmat is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll off and a warm aesthetic flare, with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    160mm T1.8 4'7" 114mm 6.4 lbs
  • Angenieux Optimo Ultra Compact Zoom

    Angenieux Ultra Compact 3 Angenieux Ultra Compact 2 Angenieux Ultra Compact Angenieux Ultra Compact Logo

    The 37-102mm Angenieux Optimo Ultra Compact is part of a new generation of high-end lenses, fully designed for the FF/VV format. Lightweight and compact, this zoom is among the lightest on the market and has completely new optical design and mechanics. Features well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. It's appealing cinematic look has low distortion, no ramping, minimal breathing, and also has a close focus of 2ft / 0.6m, enabling extreme close-up shots. 

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    37-102mm T2.9 2 ft 114mm 5.7 lbs
  • Caldwell Chameleon XC Series Anamorphic Primes

    Caldwell XC 150mm v2 Caldwell XC 112mm v2 Caldwell XC 90mm v2 Caldwell XC 75mm v2 Caldwell XC 60mm v2 Caldwell XC 48mm v2 Caldwell XC Solo 3 v2 Caldwell XC Solo 2 v2 Caldwell XC Solo v2 Caldwell XC Group v2

    The Caldwell Chameleon Anamorphic prime lenses offer a retro anamorphic look with modern mechanics. The entire 1.79x squeeze set, 48mm, 60mm, 75mm, 90mm, 112mm, & 150mm will cover full frame sensors and offer the traditional optical aberrations and flare characteristics unique to front anamorphic lenses. The Chameleon Primes employ a Stokes focus system that creates a fairly unique focusing experience compared to many other anamorphic primes. The aesthetic result is the compression of the subject in the vertical plane only. This creates an artistic “attention pull” without creating a “zoom” effect as well. Also, this system helps maintain a constant anamorphic compression across the entire field of view. This more uniform compression helps reduce the “mumps syndrome” that occurs in many other anamorphic lens designs.  The complete set can also be converted to Super 35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats. 

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    48mm T3 2’7” 114mm 6
    60mm T3 2’7” 114mm 6
    75mm T3 2’7” 114mm 6
    90mm T3 2’7” 114mm 6
    112mm T3 2’7” 114mm 6
    150mm T3 2’7” 114mm 6
  • Olympus - Zero Optik Primes

    Olympus Zero Optiz Prime Set Olympus Zero Optix Prime Profile 21mm Olympus Zero Optix Prime 24mm Olympus Zero Optix Prime 28mm Olympus Zero Optix Prime 35mm Olympus Zero Optix Prime 40mm Olympus Zero Optix Prime 50mm Olympus Zero Optix Prime 85mm Olympus Zero Optix Prime

    The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm T2.2 8" 95mm 1.34 lbs
    24mm T2.2 10" 95mm 1.63 lbs
    28mm T2.2 1' 95mm 1.57 lbs
    35mm T2.2 9" 95mm 1.43 lbs
    40mm T2.2 11" 95mm 1.34 lbs
    50mm T1.3 11" 95mm 1.8 lbs
    60mm T1.7 1' 2" 95mm 1.76 lbs
    85mm T2.2 2' 11" 95mm 2.07 lbs
    100mm T2.1 2' 4" 95mm 2.53 lbs
    135mm T2.9 2' 11" 95mm 2.25 lbs
    180mm T2.9 4' 10" 95mm 3.66 lbs
  • Angenieux Optimo Primes

    Angenieux Prime Set Angenieux Prime Side Angenieux Prime 18mm Angenieux Prime 21mm Angenieux Prime 24mm Angenieux Prime 28mm Angenieux Prime 32mm Angenieux Prime 40mm Angenieux Prime 50mm Angenieux Prime 75mm Angenieux Optimo 100mm Angenieux Optimo 135mm

    Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1'2" 95 mm 4.2
    21mm T1.8 1'2" 95 mm 3.96
    24mm 1.2' 1'2' 95 mm 3.7
    28mm T1.8 1'2" 95 mm 3.75
    32mm T1.8 1'2" 95 mm 3.75
    40mm T1.8 1'2" 95 mm 3.75
    50mm T1.8 1'4" 95 mm 3.75
    60mm T1.8 1’2″ 95 mm 3.75
    75mm T1.8 2' 95 mm 3.75
    100mm T1.8 2’4” 95 mm 3.96
    135mm T1.8 3'3" 95 mm 4.4
    200mm T2.2 4' 114 mm 5.1
  • Leitz Cine Zooms

    Leitz 55 125mm Zoom 1 Leitz 25 75mm Zoom 1

    The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25-75mm T2.8 3’ 114 mm 8.2
    55-125mm T2.8 3’5” 114 mm 9.7
  • Nikon - Zero Optik Primes

    Nikkor Zero Optix Primes Set Nikkor Zero Optix Primes Profile 20mm Nikkor Zero Optix Primes 24mm Nikkor Zero Optix Primes 28mm Nikkor Zero Optix Primes 35mm Nikkor Zero Optix Primes 58mm Nikkor Zero Optix Primes 85mm Nikkor Zero Optix Primes 135mm Nikkor Zero Optix Primes

    These Zero Optik Nikon Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15mm T4.0 1' 114mm 2.5 lbs
    20mm T3.0 10" 114mm 2.5 lbs
    24mm T2.2 1' 95mm 1.5 lbs
    28mm T2.2 1' 95mm 1.7 lbs
    35mm T1.5 TBD 95mm TBD
    55mm T1.3 TBD 95mm TBD
    58mm T1.3 1' 1" 95mm 2.1 lbs
    85mm T1.5 TBD 95mm TBD
    85mm T1.9 1' 10" 95mm 2.5 lbs
    105mm T1.9 TBD 95mm TBD
    135mm T2.1 TBD 95mm TBD
  • MasterBuilt Portrait Primes

    Masterbuilt Portrait Masterbuilt Portrait 32mm 1

    The Portrait series of the MasterBuilt family of lenses exhibit a more dramatic focus fall off and slightly lower contrast than the original lenses, creating a dreamy portrait look. They have a similar color temperature and vintage feel like the rest of the MasterBuilts and are available in three focal lengths. They also feature the same fast t-stops and uniform construction as the rest of the set.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    32mm T1.4 16" 114mm 4.2 lbs
    55mm T1.4 19" 114mm 4.6 lbs
    100mm T1.4 3' 9" 114mm 5.5 lbs