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  • MiniHawk Hybrid Anamorphic Prime Lenses

    MiniHawk Hybrid Anamorphic Prime Lenses

    Vantage produced the MiniHawk lenses as the first set of Spherical Prime lenses that can be considered “Hybrid” in nature.  They feature an oval iris design to emulate anamorphic oval bokeh while still using spherical optics.  Due to this hybrid design the focal lengths printed on each lens are anamorphic equivalents.  The actual angle of view and functional spherical focal length is wider than the printed anamorphic focal length.  Spherical focal lengths are noted next to the anamorphic ones below.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    35mm (17.5mm Spherical) T1.7 10” 110mm 4
    40mm (20mm Spherical) T1.7 10” 110mm 4
    50mm (25mm Spherical) T1.7 10” 110mm 3.3
    65mm (32.5mm Spherical) T1.7 10” 110mm 3.3
    75mm (37.5mm Spherical) T1.7 10” 110mm 3.3
    100mm (50mm Spherical) T1.7 10” 110mm 3.5
    135mm (67.5mm Spherical) T1.7 10” 110mm 3.5
    180mm (90mm Spherical) T1.7 10” 110mm 4.2

  • Leitz Cine Zooms

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    55-125mm T2.8 41" 114 mm 9.7
    25-75mm T2.8 3' 114 mm 8.2

  • MasterBuilt Primes

    The MasterBuilt Prime lenses were designed to produce images with vintage style, offering gradual focus fall off with great center sharpness.  Large format compatible, the lenses offer ultra-fast T1.4 apertures with evenly spaced focus and iris gearing in each lens.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.4 17" 114mm TBD
    25mm T1.4 12" 114mm TBD
    35mm T1.4 14" 114mm TBD
    50mm T1.4 16" 114mm TBD
    85mm T1.4 3' 114mm TBD
    105mm T1.4 3'9" 114mm TBD
    135mm T1.4 TBD 114mm TBD

  • Leitz Primes

    Leitz has created a new set of large format prime lenses.  The Leitz Primes provide an image circle large enough to cover Vistavision and offer a super fast aperture of T1.8 until 180mm.  They’re uniformly sized and designed for ease of use with evenly spaced focus and iris gears with a robust design.  They also feature a rear net holder and offer threading from front filter attachment (M112x1.5mm filters).

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1’ 2” 114mm 7.1
    21mm T1.8 1’ 10” 114mm 6.1
    25mm T1.8 1’ 10” 114mm 6.2
    29mm T1.8 1’ 2” 114mm 5.9
    35mm T1.8 1’ 6” 114mm 6.3
    40mm T1.8 1’ 2” 114mm 6.0
    50mm T1.8 1’ 7” 114mm 6.0
    65mm T1.8 2’ 2” 114mm 6.1
    75mm T1.8 2’ 6” 114mm 6.2
    100mm T1.8 3’ 11” 114mm 6.1
    135mm (Coming Soon) T1.8 3’ 11” 114mm 6.4
    180mm (Coming Soon) T2 4’ 11” 114mm 6.8

  • Angenieux Optimo Primes

    Angenieux Optimo Primes

    Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1'2" 95 4.2
    21mm T1.8 1'2" 95 3.96
    28mm T1.8 1'2" 95 3.75
    32mm T1.8 1'2" 95 3.75
    40mm T1.8 1'2" 95 3.75
    50mm T1.8 1'4" 95 3.75
    75mm T1.8 2' 95 3.75
    135mm T1.8 3'3" 95 4.4

  • RED Komodo 6K Digital Cinema Camera

    RED’s super compact camera features a 6K global shutter sensor and ultra lightweight design ideal for unique rigging solutions. The Komodo records Apple ProRes and REDCODE Raw formats to CFast media and features the same 16+ stops of dynamic range as the rest of RED’s product line.

    Sensor Size: Super 35 - 27.03 MM X 14.26 MM

    Maximum Resolution: 6K

    Sensor Frame Rates: Not Variable (Project rate or 40 FPS @ 6K)

    Weight: 2.10 lbs (Body Only)

     

  • RED Ranger Gemini 5K S35 Camera

    The RED Ranger Gemini features RED’s low light 5K sensor capable of dual native 800 and 3200 ISO and offers an array of on-body upgrades such as integrated I/O ports and a more robust heat management system. This makes the Ranger well suited for the demanding needs of top tier cinema production and provides a more robust package than the original RED DSMC2 body.

    Sensor Size: Super 35 – 30.72mm x 18.00mm

    Maximum Resolution: 5K

    Sensor Frame Rates: 1 – 240 FPS (75 FPS @ 8K 8:1 Compression Ratio)

    Weight: 7.3 lbs (Body Only)

     

  • Caldwell Chameleon XC Series T3.0

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    48mm T3 114mm TBD
    60mm T3 114mm TBD
    75mm T3 114mm TBD
    90mm T3 114mm TBD
    112mm T3 114mm TBD
    150mm T3 114mm TBD

  • Cooke Anamorphic 1.8x Full Frame Plus Prime Lenses

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    32mm T2.3 25" 136 mm 9.2
    135mm T2.3 46" 110 mm 11.0

  • ZEISS Contax Prime Lenses

    Available to rental in Canada only.

  • Tribe7 Blackwing7 Primes

    Designed through a collaboration between Bradford Young, ASC and Neil Fanthom, the Blackwing7's offer full frame/large format coverage and feature a robust design coupled with unique optical characteristics and customization options.  Three tuning options are available for the Blackwing7 lenses: A standard "S" tuning matching more traditional 20th century lenses. A medium "T" tuning providing a smoother image with slightly more flaring.  Finally there is an extreme "X" tuning option which offers a softer look with more extreme halation and aberration during flaring.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    27mm T1.9 13.5" 104mm 4.3
    37mm T1.9 18.5" 104mm 4.1
    47mm T1.9 18.5" 104mm 3.8
    57mm T1.9 18" 104mm 3.8
    77mm T1.9 2'2" 104mm 3.6
    107mm T1.9 2'4" 104mm 3.6
    137mm T1.9 3'1" 104mm 3.8

  • Zero Optik Nikon Prime Lenses

    These Zero Optik Nikkor Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    35mm T1.5 TBD 95mm TBD
    55mm T1.3 TBD 95mm TBD
    85mm T1.5 TBD 95mm TBD
    105mm T1.9 TBD 95mm TBD
    135mm T2.1 TBD 95mm TBD