• Leitz Cine Zooms

    The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25-75mm T2.8 3’ 114 mm 8.2
    55-125mm T2.8 3’5” 114 mm 9.7
  • Caldwell Chameleon XC Series Anamorphic Primes

    Caldwell Chameleon XC Series Anamorphic Primes

    The Caldwell Chameleon Anamorphic prime lenses offer a retro anamorphic look with modern mechanics. The entire 1.79x squeeze set, 48mm, 60mm, 75mm, 90mm, 112mm, & 150mm will cover full frame sensors and offer the traditional optical aberrations and flare characteristics unique to front anamorphic lenses. The Chameleon Primes employ a Stokes focus system that creates a fairly unique focusing experience compared to many other anamorphic primes. The aesthetic result is the compression of the subject in the vertical plane only. This creates an artistic “attention pull” without creating a “zoom” effect as well. Also, this system helps maintain a constant anamorphic compression across the entire field of view. This more uniform compression helps reduce the “mumps syndrome” that occurs in many other anamorphic lens designs.  The complete set can also be converted to Super 35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats. 

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    48mm T3 2’7” 114mm 6
    60mm T3 2’7” 114mm 6
    75mm T3 2’7” 114mm 6
    90mm T3 2’7” 114mm 6
    112mm T3 2’7” 114mm 6
    150mm T3 2’7” 114mm 6
  • Sony FX3 Camera Body

    The A7S II houses Sony’s 12.2 megapixel Exmor CMOS sensor and was designed with low light photography and videography in mind. It offers 4K video recording using Sony’s XAVC format.

    Sensor Size: Full Frame – 35.60mm x 23.80mm

    Maximum Resolution: 4K

    Sensor Frame Rates: 24/25/30 FPS 4K – 100/120 FPS 1080p

    Weight: 1.28 lbs (Body Only)

     

  • Olympus - Zero Optik Primes

    The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm T2.2 8" 95mm not listed
    24mm T2.2 10" 95mm not listed
    28mm T2.2 1' 95mm not listed
    35mm T2.2 not listed 95mm not listed
    40mm T2.2 not listed 95mm not listed
    50mm T1.2 not listed 95mm not listed
    85mm T2.2 2'6" 95mm not listed
  • Masterbuilt Soft Flare Primes

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.4 17" 5.1 114mm
    25mm T1.4 12" 4.6 114mm
    35mm T1.4 14" 4.6 114mm
    50mm T1.4 16" 4.6 114mm
    65mm T1.4 114mm
    85mm T1.4 3' 4.6 114mm
    105mm T1.4 45" 4.9 114mm
    135mm T1.4 3'10" 114mm
  • Cooke Anamorphic 1.8x Full Frame SF Primes

  • Angenieux Optimo Primes

    Angenieux Optimo Primes

    Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1'2" 95 mm 4.2
    21mm T1.8 1'2" 95 mm 3.96
    24mm 1.2' 1'2' 95 mm 3.7
    28mm T1.8 1'2" 95 mm 3.75
    32mm T1.8 1'2" 95 mm 3.75
    40mm T1.8 1'2" 95 mm 3.75
    50mm T1.8 1'4" 95 mm 3.75
    60mm T1.8 1’2″ 95 mm 3.75
    75mm T1.8 2' 95 mm 3.75
    100mm T1.8 2’4” 95 mm 3.96
    135mm T1.8 3'3" 95 mm 4.4
  • Atlas Orion Anamorphic Primes - Silver Edition

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    32mm T2 1.75" 114mm 4.7
    40mm T2 2' 114mm 5.2
    50mm T2 2.5" 114mm 5
    65mm T2 2.75" 114mm 5
    80mm T2 3' 114mm 6
    100mm T2 3.5" 114mm 6.7
  • ARRI Signature Zoom

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    45-135mm T2.8 19.4 114 mm 8.27
  • RED Komodo 6K S35

    RED’s super compact camera features a 6K global shutter sensor and ultra lightweight design ideal for unique rigging solutions. The Komodo records Apple ProRes and REDCODE Raw formats to CFast media and features the same 16+ stops of dynamic range as the rest of RED’s product line.

    Sensor Size: Super 35 - 27.03 MM X 14.26 MM

    Maximum Resolution: 6K

    Sensor Frame Rates: Not Variable (Project rate or 40 FPS @ 6K)

    Weight: 2.10 lbs (Body Only)

     

  • ZEISS Contax Primes

    Based on 1980's still lenses, these rehoused Contax/Zeiss Primes do not have consistent maximum aperture’s across the range. Optically fairly sharp and slightly lower contrast when compared to similar vintage still lenses, and looks similar in character to the Zeiss Super Speed’s. 

     

    Available to rental in Canada only.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm
    28mm
    35mm
    50mm
    85mm
    100mm
    135mm
  • Zero Optik Nikon Primes

    These Zero Optik Nikkor Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    35mm T1.5 TBD 95mm TBD
    55mm T1.3 TBD 95mm TBD
    85mm T1.5 TBD 95mm TBD
    105mm T1.9 TBD 95mm TBD
    135mm T2.1 TBD 95mm TBD
  • Leitz Primes

    Leitz has created a new set of large format prime lenses.  The Leitz Primes provide an image circle large enough to cover Vistavision and offer a super fast aperture of T1.8 until 180mm.  They’re uniformly sized and designed for ease of use with evenly spaced focus and iris gears with a robust design.  They also feature a rear net holder and offer threading from front filter attachment (M112x1.5mm filters).

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1’ 2” 114mm 7.1
    21mm T1.8 1’ 10” 114mm 6.1
    25mm T1.8 1’ 10” 114mm 6.2
    29mm T1.8 1’ 2” 114mm 5.9
    35mm T1.8 1’ 6” 114mm 6.3
    40mm T1.8 1’ 2” 114mm 6.0
    50mm T1.8 1’ 7” 114mm 6.0
    65mm T1.8 2’ 2” 114mm 6.1
    75mm T1.8 2’ 6” 114mm 6.2
    100mm T1.8 3’ 11” 114mm 6.1
    135mm (Coming Soon) T1.8 3’ 11” 114mm 6.4
    180mm (Coming Soon) T2 4’ 11” 114mm 6.8
  • Tribe7 Blackwing7 Primes

    Designed through a collaboration between Bradford Young, ASC and Neil Fanthom, the Blackwing7's offer full frame/large format coverage and feature a robust design coupled with unique optical characteristics and customization options.  Three tuning options are available for the Blackwing7 lenses: A standard "S" tuning matching more traditional 20th century lenses. A medium "T" tuning providing a smoother image with slightly more flaring.  Finally there is an extreme "X" tuning option which offers a softer look with more extreme halation and aberration during flaring.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    27mm T1.9 13.5" 104mm 4.3
    37mm T1.9 18.5" 104mm 4.1
    47mm T1.9 18.5" 104mm 3.8
    57mm T1.9 18" 104mm 3.8
    77mm T1.9 2'2" 104mm 3.6
    107mm T1.9 2'4" 104mm 3.6
    137mm T1.9 3'1" 104mm 3.8