The 27-128mm T3.6 Renaissance zoom is an enhanced 17-80mm Angenieux Optimo. Using the Optimo as a base lens, our Lens Team at Keslow Camera have modified it to increase various characteristics sought after by cinematographers, like increased edge falloff and slightly lowered contrast, with a beautiful painterly bokeh. The zoom has also been expanded to cover modern, full-frame camera sensors.

The MasterBuilt SuperWide is a single 14.5mm full frame prime lens manufactured for use with the entire MasterBuilt range of lenses. The prime has a superwide angle of view, with a fairly sharp and even field, slight distortion, and a pleasing multi chromatic flare. Featuring a fast T1.9 stop and full frame coverage, it’s the perfect wide lens for use alongside any MasterBuilt lens.

The Technovision Classic 35-70mm is one of the early full frame anamorphic lenses made by P+S Technik. Featuring a squeeze of 1.5x, the zoom covers large format sensors well. It exhibits unique anamorphic bokeh and horizontal flaring, with pleasing edge fall off and exaggerated character. It feels almost vintage, while still being fairly sharp and modern in its design.

Manufactured as still lenses in the 1960’s and 70’s, TLS has rehoused these Kowa’s with new 16 blade irises and modern housings. The lenses are clean and perform well across the entire stop range without being overly sharp. Flares are full bodied and beautiful in nature and the lenses exhibit a smooth yet defined bokeh. The lenses perform well on all full frame cameras.

Cooke’s S8/i primes are faster, lighter, and smaller than previous full frame Cooke lenses. They exhibit Cooke’s pleasing warmth and creative Cooke Look. Each lens features uniform high quality Cooke design and utilizes Cooke’s i/Data for intelligent metadata capture.

The Atlas Orion Silver Edition Anamorphics are a modified version of the original Atlas Orions. The Silver featuring a new coating process that produces monochromatic flares rather than the multi-colored flares of the original set. Orion Silvers perform optically similar to the original set and feature the same six focal lengths.

IB/E’s Raptor Macros offer four full frame prime lenses that exhibit superb close focus, 1:1 magnification, and a 50mm image circle designed to cover all modern digital cinema full frame cameras. Each Raptor Macro is designed with special apochromatic lens elements for better chromatic aberration correction and minimal spherical aberration.

ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.

The MasterBuilt Anastigmat is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll off and a warm aesthetic flare, with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.

The 37-102mm Angenieux Optimo Ultra Compact is part of a new generation of high-end lenses, fully designed for the FF/VV format. Lightweight and compact, this zoom is among the lightest on the market and has completely new optical design and mechanics. Features well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. It's appealing cinematic look has low distortion, no ramping, minimal breathing, and also has a close focus of 2ft / 0.6m, enabling extreme close-up shots. 

The Caldwell Chameleon Anamorphic prime lenses offer a retro anamorphic look with modern mechanics. The entire 1.79x squeeze set, 48mm, 60mm, 75mm, 90mm, 112mm, & 150mm will cover full frame sensors and offer the traditional optical aberrations and flare characteristics unique to front anamorphic lenses. The Chameleon Primes employ a Stokes focus system that creates a fairly unique focusing experience compared to many other anamorphic primes. The aesthetic result is the compression of the subject in the vertical plane only. This creates an artistic “attention pull” without creating a “zoom” effect as well. Also, this system helps maintain a constant anamorphic compression across the entire field of view. This more uniform compression helps reduce the “mumps syndrome” that occurs in many other anamorphic lens designs.  The complete set can also be converted to Super 35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats. 

The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.

Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

These Zero Optik Nikon Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.