The DZO Arles Primes are expressive vintage-inspired full frame cinema primes with superior optical characteristics. They exhibit subtle flares, soft contrast, good color rendition, and have fast T1.5 apertures across most of the range that produce bubbly round bokeh. Their robust compact build and large variety of focal lengths make them ideal for many types of shooting situations, and they feature uniform gear positions and 95mm front diameters for ease of use.

Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. Zero Optik has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production. The Zero Optik Canon FD's are available in PL mount.

The DZO Film Vespid Primes are high-performance full-frame cinema lenses, offering a wide range of focal lengths from 25mm to 125mm. They provide sharp, high-resolution images with minimal distortion and produce beautiful, cinematic bokeh. Their lightweight, weather-resistant build ensures reliability on set, while their sleek, modern design and standardized gear positions make them easy to use. Perfect for filmmakers seeking full frame versatility and in a compact package, the DZO Film Vespid Primes are available in both EF and PL mount.

The Petzvalux are a set of full frame, LPL-mount lenses that feature modern optics based on vintage Petzval lens designs. They feature a “tuning ring” on the front of the lens that provides a tuneable Petzval look. This allows the user to tune the intensity of the sharpness, fall-off, and Petzval bokeh effect. This set was designed by Ancient Optics to include additional focal lengths than are normally available in the Petzval family, adding a 27mm, 38mm, and 120mm.

The DZOFilm PAVO 2x Anamorphics are compact Super35 anamorphics with loads of character. They exhibit pleasing focus fall off in the outer field with a slight swirl and oval shape to the bokeh that is very unique. Available in both blue flare or neutral coatings, their flares are fractal in nature with anamorphic streaking characteristics. They are all relatively small and feature uniform mechanical designs. Built with precision optics to minimize distortion and chromatic aberration, the PAVO Anamorphics are both lightweight and weather-resistant, and are available in both PL & EF mounts, making them ideal for modern production workflows.

The Gnosis Macros are 1:1 magnification cinema macros designed for capturing sharp close-up details. Available in 24mm to 90mm focal lengths, all with fast T2.8 apertures. They deliver sharp, color-accurate images with minimal distortion and their lightweight design with standardized gear positions makes them easy to work with. The Gnosis Macros are available in PL, EF, and LPL lens mounts.

Based on the DZOFilm Vespid Primes, the Vespid Retros are modified to produce a more vintage look and feel in the same modern package as the originals. They still provide sharp, high-resolution images with minimal distortion, but with additional flare characteristics and lower contrast image production. They feature the same standardized gear positioning and weather-resistant build as the originals. Available in both EF and PL mounts, these primes are great for filmmakers that want a modern lens with a vintage appeal.

The DZOFilm Catta Ace Zooms are versatile, full-frame cinema lenses available in 18-35mm, 35-80mm and 70-135mm. With a consistent T2.9 aperture across the set, these lenses deliver sharp, high-resolution images with smooth bokeh and minimal chromatic aberration. Their lightweight, weather-resistant design is durable and features standardized front diameters and gear positions. Ideal for a range of shooting scenarios, the Catta Ace Zooms provide superior optical performance and a professional modern look. The Catta Ace Zooms are available in PL, EF, and LPL lens mounts.

Second Reef’s Coral Anamorphics are a unique set of 1.5x anamorphic lenses in PL mount that feature a special oval iris design which produces bokeh similar to a 2x anamorphic. They cover full frame sensors and produce strikingly beautiful images. The image is sharp, with attractive fall off and anamorphic flares. The lenses are relatively light and small for a full frame anamorphic, and they feature excellent close focus performance and Cooke /i lens data functionality.

Canon’s Cine-Servo line of lenses feature a built in servo handle. The 50-1000mm features a 20x zoom range with a 1.5x extender allowing the lens to reach up to 1500mm. Ideal for wildlife, sports, and documentary filmmaking, it delivers sharp, high-resolution images with minimal distortion, thanks to advanced Canon optical designs. The lens has a constant T5.0 aperture up to 560mm, ramping to T8.9 beyond that. The attached servo unit features precise servo controls for smooth zoom, focus, and iris adjustments.

Canon’s Rangefinder Primes are rehoused stills lenses from the 60’s. They feature dreamy single-layer coatings that produce beautiful big amber flares and lower contrast images. Their bokeh is a semi-cateye shape in the outer field when wide open. The speed of each lens varies, but each is relatively fast. Each lens is rehoused by TLS modern mechanical designs and standard front diameters.

Xelmus Anamorphics are 2x full frame anamorphic lenses designed in Ukraine. They exhibit some characteristics similar to vintage anamorphics such as Todd-AO or Cineovision, but with more sharpness, less focus fall off, and a more modern mechanical design. Their flares are a cool temperature with fractal diffraction spikes and vertical and horizontal elements. They render an almost watercolor like background when defocused, and produce attractive oval bokeh. Please note that the 32mm does not color full frame, and is Super35 only. The rest of the set is fully compatible in 2.39 on full frame sensors.

The Laowa Rangers are a pair of lightweight full frame zooms. Available in 28-75mm and 75-180mm T2.9, these zooms provide filmmakers with a compact and high quality zoom perfect for steadicam or handheld work. They produce a reasonably sharp and attractive image with rounded bokeh. The two zooms are optically similar in terms of performance and quality.

The Laowa 24mm T8 Pro2be is the second generation of Laowa probe. It offers a faster stop than the old model, with a larger, more robust design. It’s tack sharp, full frame compatible, and allows up to 2x macro magnification. The housing is waterproof up to 36cm from the front of the system.

Three housing types are available: Straight, 35-degree relay, and Periscope relay.

The Proteus Silver & Amber Anamorphics are a modern Super35 2x anamorphic lens set introduced by Laowa. They offer a sharp and clean image with pleasing skin tone reproduction and minimal optical aberration, all in a robust modern package. Each lens is tuned to a specific colored flare, with the Silver flare model offering a neutral white flare that captures the color of whatever light is producing the flare within the lens, the Amber flare model offering a warmer flare that adjusts the light to the color of the amber coating, and the Blue flare model offering a blue flare from whatever light flares the lens. (Silver Lenses Pictured)

The Ethereal Lens System was designed to create unique optical effects similar to a tilt shift lens. The system includes three lens focal lengths and can produce a variety of tilt shift effects.

The uncoated version of the ZEISS Super Speed offers the same unique look of the Super Speed, but with reduced coatings for more intense flaring and a lower contrast look.

The NEO-AO Anamorphics were designed to emulate vintage anamorphics from the mid-20th century, such as the TODD-AO and Cineovision anamorphics. They use a combination of Cooke Speed Panchro and Canon FD spherical groups married to an anamorphic optic to create their unique look. Each lens is mechanically robust, with uniform gear spacing and bullet proof construction.

The Leitz HUGO primes are an officially rehoused variant of the Leica M 0.8 Prime lenses. They feature the same optical characteristics as the M 0.8’s, including excellent image quality with enough imperfections to be aesthetically pleasing. They reproduce skin tones and render highlights beautifully, while exhibiting an attractive amount of edge falloff. The housings are of modern Leitz quality, with uniform focus and iris gears and an LPL mount. The set also includes an additional 50mm focal length Noctilux model with a faster T1 stop for super low light cinematography.

The Technovision Classic 35-70mm is one of the early full frame anamorphic lenses made by P+S Technik. Featuring a squeeze of 1.5x, the zoom covers large format sensors well. It exhibits unique anamorphic bokeh and horizontal flaring, with pleasing edge fall off and exaggerated character. It feels almost vintage, while still being fairly sharp and modern in its design.

The vintage Leica R lenses have been rehoused by Zero Optik to improve housing mechanics and provide a robust design for cinema use. They still exhibit the same optical sharpness, pleasing bokeh, and smooth fall-off present in their non-rehoused cousins.

The 27-128mm Keslow Renaissance Zoom T3.6 is an enhanced 17-80mm Angenieux Optimo. Using the Optimo as a base lens, our Lens Team modified it to increase various characteristics sought after by cinematographers, such as increased edge falloff and slightly lowered contrast, with a beautiful painterly bokeh. The zoom has been expanded to cover modern, full-frame camera sensors.

The Genesis Vintage ‘66 Primes are a modern lens featuring state of the art German mechanical design with vintage aesthetics. They render pleasing skin tones, a sharp clean bokeh, and vintage inspired flares while still being optically sharp and flat. All the lenses are quite compact in size and feature a uniform design.

Manufactured as still lenses in the 1960’s and 70’s, TLS has rehoused these Kowa’s with new 16 blade irises and modern housings. The lenses are clean and perform well across the entire stop range without being overly sharp. Flares are full bodied and beautiful in nature and the lenses exhibit a smooth yet defined bokeh. The lenses perform well on all full frame cameras.

The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.