Angenieux has a number of large format zooms. Two lightweight options are available in the 22-60mm T3 and 45-135mm T3 EZ-1 and EZ-2 Zooms as well as a large format 12:1 in the 36-435 T4.2 Angenieux Ultra. All of these zooms offer the same pleasing warm Angenieux look and reliability the industry has become accustomed to.

The 37-102mm Angenieux Optimo Ultra Compact is part of a new generation of high-end lenses, fully designed for the FF/VV format. Lightweight and compact, this zoom is among the lightest on the market and has completely new optical design and mechanics. Features well controlled optical performances at each focal length and focus distance by having a good balance between contrast and resolution. It's appealing cinematic look has low distortion, no ramping, minimal breathing, and also has a close focus of 2ft / 0.6m, enabling extreme close-up shots. 

ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.

Cooke designed the Varotal/i full frame zooms to match well with their S7/i and S8/i full frame primes. All zooms in the Varotal/i series exhibit the traditional “Cooke Look” with pleasing warmth and excellent skin tone. Each lens in the set covers full frame and features Cooke’s /i data protocol for intelligent lens communication.

Fujinon's Premista lightweight and compact full frame zoom lenses are designed to cover the newest large format digital cameras. They offer prime lens caliber optical quality and low distortion with minimal color aberrations and pleasant bokeh with excellent color rendition. These lenses feature ZEISS eXtended Data systems for delivering lens metadata to the camera.

The 27-128mm Keslow Renaissance Zoom T3.6 is an enhanced 17-80mm Angenieux Optimo. Using the Optimo as a base lens, our Lens Team modified it to increase various characteristics sought after by cinematographers, such as increased edge falloff and slightly lowered contrast, with a beautiful painterly bokeh. The zoom has been expanded to cover modern, full-frame camera sensors.

The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

The MasterBuilt Zoom lenses were designed to pair seamlessly with the MasterBuilt Classic Primes. Featuring the same soft edge, similar contrast, and a similar polishing process, the MasterBuilt Zooms exhibit the same vintage-like flares and characteristics as their prime cousins.