• Angenieux Optimo Primes

    Angenieux Prime Set Angenieux Prime Side Angenieux Prime 18mm Angenieux Prime 21mm Angenieux Prime 24mm Angenieux Prime 28mm Angenieux Prime 32mm Angenieux Prime 40mm Angenieux Prime 50mm Angenieux Prime 75mm Angenieux Optimo 100mm Angenieux Optimo 135mm

    Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1'2" 95 mm 4.2
    21mm T1.8 1'2" 95 mm 3.96
    24mm 1.2' 1'2' 95 mm 3.7
    28mm T1.8 1'2" 95 mm 3.75
    32mm T1.8 1'2" 95 mm 3.75
    40mm T1.8 1'2" 95 mm 3.75
    50mm T1.8 1'4" 95 mm 3.75
    60mm T1.8 1’2″ 95 mm 3.75
    75mm T1.8 2' 95 mm 3.75
    100mm T1.8 2’4” 95 mm 3.96
    135mm T1.8 3'3" 95 mm 4.4
    200mm T2.2 4' 114 mm 5.1
  • Ancient Optics Petzvalux Primes

    The Petzvalux are a set of full frame, LPL-mount lenses that feature modern optics based on vintage Petzval lens designs. They feature a “tuning ring” on the front of the lens that provides a tuneable Petzval look. This allows the user to tune the intensity of the sharpness, fall-off, and Petzval bokeh effect. This set was designed by Ancient Optics to include additional focal lengths than are normally available in the Petzval family, adding a 27mm, 38mm, and 120mm.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    27mm 1.9 12" 136mm 5.62
    38mm 1.7 14" 114mm 4.52
    55mm 1.7 2' 114mm 3.64
    80mm 1.9 2'9" 114mm 4.08
    120mm 1.9 3' 114mm 5.73
  • ARRI Signature Primes

    ARRI Signature Prime Set

    Signature Primes are ARRI’s large format lenses designed specifically for use with their Large Format camera system line.  The Signatures feature ARRI’s LPL mount, a robust lightweight housing, pleasing bokeh, smooth focus, and a warm cinematic tone.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    12mm T1.8 14” 134mm 6.2
    15mm T1.8 14” 156mm 6.1
    18mm T1.8 14” 114mm 4.4
    21mm T1.8 14" 114mm 4.2
    25mm T1.8 14" 114mm 4.2
    29mm T1.8 14" 114mm 4
    35mm T1.8 14" 114mm 4
    40mm T1.8 14" 114mm 4
    47mm T1.8 18" 114mm 4
    58mm T1.8 18" 114mm 4.2
    75mm T1.8 26" 114mm 4.2
    95mm T1.8 2’9” 114mm 4.2
    125mm T1.8 3’4” 114mm 5.1
    150mm T1.8 5’ 114mm 7.3
    200mm T2.5 6’ 114mm 6.13
    280mm T2.8 8’3” 134mm 9.48
  • Canon FD (GL Optics Rehoused)

    CANON FD 28MM 1 CANON FD 28MM 2 CANON FD 55MM 1 CANON FD 55MM 2 CANON FD 85MM 1 CANON FD 85MM 2 CANON FD SET

    Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. GL Optics has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14mm T2.8 8" 95mm 2.54
    20mm T2.9 10" 95mm 1.4
    24mm T1.5 1' 95mm 2.42
    28mm T2.1 11" 95mm 1.80
    35mm T2.1 1' 95mm 2.03
    55mm T1.3 1'8" 95mm 2.43
    85mm T1.3 3' 95mm 3.76
    100mm T2.1 3'3" 95mm 3.51
    135mm T2.1 4'3" 95mm 3.87
  • Canon FD (TLS Rehoused)

    Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. TLS has rehoused these lenses into modern cinema housings, offering a more robust build quality meant to withstand the rigors of modern cinema production.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14mm 2.8 8" 110mm 2.6
    28mm 2 12" 110mm 1.8
    55mm 1.3 22" 110mm 2.6
    100mm 2 2'2" 110mm 3.5
    135mm 2.1 3'8" 110mm 4.4
    200mm 2.9 7'6" 110mm 4.2
  • Canon FD SSC (TLS Rehoused)

    2024 07 27 A7iii Broomberg Lens Test 213 2024 07 27 A7iii Broomberg Lens Test 161 2024 07 27 A7iii Broomberg Lens Test 164 2024 07 27 A7iii Broomberg Lens Test 174 2024 07 27 A7iii Broomberg Lens Test 176 2024 07 27 A7iii Broomberg Lens Test 208 2024 07 27 A7iii Broomberg Lens Test 178 2024 07 27 A7iii Broomberg Lens Test 177 2024 07 27 A7iii Broomberg Lens Test 183 2024 07 27 A7iii Broomberg Lens Test 185 2024 07 27 A7iii Broomberg Lens Test 181 2024 07 27 A7iii Broomberg Lens Test 189 2024 07 27 A7iii Broomberg Lens Test 193 2024 07 27 A7iii Broomberg Lens Test 195 2024 07 27 A7iii Broomberg Lens Test 199 2024 07 27 A7iii Broomberg Lens Test 202 2024 07 27 A7iii Broomberg Lens Test 156

    The SSC Canon FD’s feature the superb Super Spectra Coating from Canon. Designed in the early 1970’s, the Super Spectra Coating is a multi-layer coating that delivers optimum color balance and helps eliminate ghosting and flare aberrations present on the older non-SSC FD’s. This benefit is especially noticeable on today's modern digital sensors. The FD-X lens in this set is a modified 24mm Canon FD with a Angenieux 0.75x Wide Angle Adapter which allows for a wider 18mm field of view. These FD’s feature durable, reliable TLS rehousings for the modern era.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm FD-X 1.6 11" 143mm 4.75
    20mm SSC 2.9 10" 110mm 2.42
    24mm SSC 1.5 12" 110mm 2.86
    28mm SSC 2.1 12" 110mm 2.64
    35mm SSC 2.1 12" 110mm 2.86
    55mm SSC 1.3 2' 110mm 2.5
    85mm SSC 1.3 3' 110mm 3.74
    100mm 2.1 2' 2" 110mm 3.3
    135mm 2.1 3' 8" 110mm 3.68
  • Canon FD (Zero Optik Rehoused) Mixed Set

    DSC00015

    Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. Zero Optik has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production. The Zero Optik Canon FD's are available in PL mount.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    20mm SSC 3.2 10" 95mm 1.42
    24mm FD-L 1.6 1' 95mm 1.75
    28mm SSC 2.2 1' 95mm 1.60
    35mm SSC Convex 2.2 1' 95mm 1.81
    55mm SSC Asph 1.5 1'2" 95mm 2
    85mm FD-L 1.3 2'11" 95mm 2.26
    100mm LTM 2.2 2'4" 95mm 2.29
    135mm nFD 2.1 4' 95mm 2.50
  • Canon K-35 Primes (TLS Conversion)

    TLSCanonK35Set v2
    Canon’s original cinema lenses from the 1970’s, the K-35s were heavily based on the Canon FD still photography lenses. Featuring the same warm tones and smoothness as the FDs, with a new iris blade design and aspheric optics, along with a new Super Spectral Coating which produces pleasing bokeh flaring. These lenses were so popular during the 70’s that they won Canon an Academy Award for optical design in 1977. (Note: Only the 24mm - 85mm are compatible for full frame cinematography)
    The TLS Conversion corrects the mechanical shortcomings of the 50-year-old lenses and features uniform focus and iris gears, as well as modern cinema housings with internal focusing mechanisms. The TLS K-35s are a perfect modern reimagining of a true classic.
    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.5 1' 110mm 3.8
    24mm T1.6 1' 110mm 2.8
    35mm T1.3 1' 110mm 3.7
    55mm T1.4 22" 110mm 2.5
    85mm T1.4 2'9" 110mm 3.3
  • Canon Rangefinder Primes (TLS Rehoused)

    2024 07 27 A7iii Broomberg Lens Test 133 2024 07 27 A7iii Broomberg Lens Test 125 2024 07 27 A7iii Broomberg Lens Test 135 2024 07 27 A7iii Broomberg Lens Test 53 2024 07 27 A7iii Broomberg Lens Test 47 2024 07 27 A7iii Broomberg Lens Test 52 2024 07 27 A7iii Broomberg Lens Test 56 2024 07 27 A7iii Broomberg Lens Test 65 2024 07 27 A7iii Broomberg Lens Test 60 2024 07 27 A7iii Broomberg Lens Test 71 2024 07 27 A7iii Broomberg Lens Test 77 2024 07 27 A7iii Broomberg Lens Test 81 2024 07 27 A7iii Broomberg Lens Test 79 2024 07 27 A7iii Broomberg Lens Test 23 2024 07 27 A7iii Broomberg Lens Test 84 2024 07 27 A7iii Broomberg Lens Test 93 2024 07 27 A7iii Broomberg Lens Test 85 2024 07 27 A7iii Broomberg Lens Test 101 2024 07 27 A7iii Broomberg Lens Test 95 2024 07 27 A7iii Broomberg Lens Test 109 2024 07 27 A7iii Broomberg Lens Test 105 2024 07 27 A7iii Broomberg Lens Test 113 2024 07 27 A7iii Broomberg Lens Test 117

    Canon’s Rangefinder Primes are rehoused stills lenses from the 60’s. They feature dreamy single-layer coatings that produce beautiful big amber flares and lower contrast images. Their bokeh is a semi-cateye shape in the outer field when wide open. The speed of each lens varies, but each is relatively fast. Each lens is rehoused by TLS modern mechanical designs and standard front diameters.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm 4 8" 110mm 2.6
    25mm 2.1 8" 110mm 2.68
    28mm 2.1 8" 110mm 2.68
    35mm 1.6 12" 110mm 2
    40mm 1.8 11" 110mm 1.95
    50mm 1.1 16" 110mm 2.25
    58mm 1.4 19" 110mm 2.1
    85mm 1.6 2'2" 110mm 3.34
    100mm 2.1 2'2" 110mm 3.44
    135mm 2.8 3'6" 110mm 3.58
  • Canon Type SK

    Canon Type SK 1 v2 Canon Type SK 2 v2 Canon Type SK 25mm v2 Canon Type SK 35mm v2 Canon Type SK 50mm v2 Canon Type SK 60mm v2 Canon Type Sk 85mm v2 Canon Type SK 100mm v2

    Released in the 1960’s, the Type SK are still photography lenses rehoused into matched cinema housings. The lenses are sharp, especially for a vintage lens. They produce a pleasing lower contrast image, with smooth bokeh and beautiful warm flares.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    20mm T1.9 8" 114mm 4 lbs
    25mm T1.6 9" 110mm 2.95 lbs
    28mm T1.9 10" 110mm 2.19 lbs
    35mm T1.6 12" 110mm 1.55 lbs
    40mm T1.9 14" 110mm 1.57 lbs
    45mm T1.7 10" 110mm 1.6 lbs
    50mm T1.6 12" 110mm 2.06 lbs
    60mm T1.6 1'2" 110mm 2.06 lbs
    85mm T1.6 1'8" 110mm 2.82 lbs
    100mm T2.1 2'3" 110mm 2.48 lbs
  • Cooke S8/i Primes

    Cooke S8 Set 25mm Cooke S8 25mm Cooke S8 2 32mm Cooke S8 40mm Cooke S8 50mm Cooke S8 75mm Cooke S8 100mm Cooke S8 135mm Cooke S8

    Cooke’s S8/i primes are faster, lighter, and smaller than previous full frame Cooke lenses. They exhibit Cooke’s pleasing warmth and creative Cooke Look. Each lens features uniform high quality Cooke design and utilizes Cooke’s i/Data for intelligent metadata capture.

    *60, 90, and 150mm Macros can be added to the set by request. 

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T2.2 11" 125mm 4.80 lbs
    25mm T1.4 1' 10" 104mm 5.45 lbs
    32mm T1.4 2' 3" 104mm 5.36 lbs
    35mm T1.4 2' 3" 104mm 5.3 lbs
    40mm T1.4 2' 3" 104mm 5.22 lbs
    50mm T1.4 2' 3" 104mm 4.76 lbs
    75mm T1.4 2' 9" 104mm 5.47 lbs
    100mm T1.4 2' 9" 104mm 5.40 lbs
    135mm T1.4 4' 104mm 7.14 lbs
  • Cooke S7/i Primes

    CookeS7Set

    The S7’s are Cooke’s large format spherical lens. Featuring Cooke's well-known robust design, the S7s offer the same “Cooke Look” and warm tones as their predecessors. These are a great addition to the Cooke family of lenses.

    *60, 90, and 150mm Macros can be added to the set by request.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16mm T2.0 16" 136mm 8.82 lbs
    18mm T2.0 16" 110mm 7.7 lbs
    21mm T2.0 14" 110mm 7.3 lbs
    25mm T2.0 14" 110mm 7.3 lbs
    27mm T2.0 14" 110mm 7.3 lbs
    32mm T2.0 14" 110mm 7.5 lbs
    40mm T2.0 18" 110mm 7.7 lbs
    50mm T2.0 20" 110mm 7.5 lbs
    65mm T2.0 19" 110mm 6.6 lbs
    75mm T2.0 19" 110mm 6.6 lbs
    100mm T2.0 2'6" 110mm 7.3 lbs
    135mm T2.0 3'3" 110mm 8.2 lbs
    180mm T2.0 4'25" 110mm 7.9 lbs
    300mm T3.3 5'9" 110mm 9.7 lbs
  • Cooke FF Macro Primes

    60mm Cooke S7 Macro 2 60mm Cooke S7 Macro Cooke FF Macros

    The Cooke FF Macros were designed to integrate seamlessly into the Cooke S7 & S8 sets. These macros are sharp and color matched to the rest of the S7/S8's and provide optimal performance for spherical full frame macro cinematography.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    60mm Macro T2.5 2.2" 87mm 4.9 lbs
    90mm Macro T2.5 4.5" 87mm 5.5 lbs
    150mm Macro T2.5 6.8" 87mm 6.6 lbs
  • Dalsa 4K Leica R

    Built by Dalsa back around 2007, the Dalsa 4K lenses were built using sets of Leica R’s as the doner lens. They perform very similarly to Leica R lenses, exhibiting excellent sharpness, smooth background defocus, pleasing skin tones, and sturdy construction.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    24mm T2.8 1' 9" 95mm 1.6 lbs
    28mm T2.8 1' 9" 95mm 1.7 lbs
    35mm T1.4 2' 3" 95mm 2.4 lbs
    50mm T1.4 2' 95mm 1.9 lbs
    80mm T1.4 2' 3" 95mm 2.5 lbs
    100mm T2.8 2' 3" 95mm 2.6 lbs
    180mm T2 4' 6" 114mm 5.6 lbs
    200mm T2 8'
  • DZOFilm Arles Vista Vision Primes

    DSC00020

    The DZO Arles Primes are expressive vintage-inspired full frame cinema primes with superior optical characteristics. They exhibit subtle flares, soft contrast, good color rendition, and have fast T1.5 apertures across most of the range that produce bubbly round bokeh. Their robust compact build and large variety of focal lengths make them ideal for many types of shooting situations, and they feature uniform gear positions and 95mm front diameters for ease of use.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    25mm 1.4 1'2" 95mm 3.28
    35mm 1.4 1'2" 95mm 3.63
    50mm 1.4 1'7" 95mm 3.72
    75mm 1.4 2'6" 95mm 3.66
    100mm 1.4 2'11" 95mm 4.03
  • DZOFilm Gnosis Macro Primes

    DSC00006 v2

    The Gnosis Macros are 1:1 magnification cinema macros designed for capturing sharp close-up details. Available in 24mm to 90mm focal lengths, all with fast T2.8 apertures. They deliver sharp, color-accurate images with minimal distortion and their lightweight design with standardized gear positions makes them easy to work with. The Gnosis Macros are available in PL, EF, and LPL lens mounts.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    24mm 2.8 6.1" 114mm 2.78
    32mm 2.8 6.6" 114mm 3.21
    65mm 2.8 9.36" 114mm 3.19
    90mm 2.8 10.2" 114mm 2.82
  • DZOFilm Vespid Primes

    DSC00047

    The DZO Film Vespid Primes are high-performance full-frame cinema lenses, offering a wide range of focal lengths from 25mm to 125mm. They provide sharp, high-resolution images with minimal distortion and produce beautiful, cinematic bokeh. Their lightweight, weather-resistant build ensures reliability on set, while their sleek, modern design and standardized gear positions make them easy to use. Perfect for filmmakers seeking full frame versatility and in a compact package, the DZO Film Vespid Primes are available in both EF and PL mount.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    12mm 2.8 8" 80mm 1.6
    16mm 2.8 10" 80mm 2.05
    21mm 2.1 11" 80mm 1.94
    25mm 2.1 12" 80mm 2.25
    35mm 2.1 12" 80mm 2.12
    40mm 2.1 12" 80mm 2
    50mm 2.1 1'6" 80mm 1.88
    75mm 2.1 2' 80mm 1.95
    100mm 2.1 2'4" 80mm 2.08
    125mm 2.1 2'7" 80mm 2.16
  • DZOFilm Vespid Retro Primes

    DSC00063

    Based on the DZOFilm Vespid Primes, the Vespid Retros are modified to produce a more vintage look and feel in the same modern package as the originals. They still provide sharp, high-resolution images with minimal distortion, but with additional flare characteristics and lower contrast image production. They feature the same standardized gear positioning and weather-resistant build as the originals. Available in both EF and PL mounts, these primes are great for filmmakers that want a modern lens with a vintage appeal.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    16mm 2.8 10" 80mm 2.05
    25mm 2.1 12" 80mm 2.25
    35mm 2.1 12" 80mm 2.12
    50mm 2.1 1'6" 80mm 1.88
    75mm 2.1 2' 80mm 1.95
    100mm 2.1 2'4" 80mm 2.08
    125mm 2.1 2'7" 80mm 2.16
  • Gecko-Cam Genesis G35 Vintage '66 Primes

    Gecko Genesis G35 Prime Set v3 Gecko Genesi G35 Prime Side Gecko Genesis G35 Prime 16mm Gecko Genesis G35 Prime 20mm Gecko Genesis G35 Prime 85mm Gecko Genesis G35 Prime 135mm Gecko Genesis G35 Primes Lifestyle

    The Genesis Vintage ‘66 Primes are a modern lens featuring state of the art German mechanical design with vintage aesthetics. They render pleasing skin tones, a sharp clean bokeh, and vintage inspired flares while still being optically sharp and flat. All the lenses are quite compact in size and feature a uniform design.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14.5mm T3 11" 114mm 2.5 lbs
    16mm T2.4 11" 95mm 2.5 lbs
    20mm T1.8 8" 95mm 2.5 lbs
    25mm T1.4 10" 95mm 2.5 lbs
    35mm T1.4 12" 95mm 3.5 lbs
    50mm T1.4 17" 95mm 2.5 lbs
    85mm T1.4 3' 8" 95mm 2.65 lbs
    100mm Macro T2.9 T2.9 12" 95mm
    135mm T2 2' 6" 95mm 3.5 lbs
  • Gecko-Cam Genesis G65 ‘66 Primes

    The Genesis G65 ‘66 Primes are larger format cousins to the G35 Vintage ‘66 Primes, able to cover sensors as large as the ALEXA 65 sensor. They’re a modern lens featuring state of the art German mechanical design with vintage aesthetics. They render pleasing skin tones, a sharp clean bokeh, and vintage inspired flares while still being optically sharp and flat. All lenses feature uniform gear positioning and robust housing design.
    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    24mm T2.8 17" 95mm 3lbs
    32mm T2.3 17" 95mm 3lbs
    40mm T2.3 17" 95mm 3lbs
    50mm T2.3 2' 7" 95mm 3lbs
    60mm T2.3 2' 3" 95mm 3lbs
    80mm T2.3 2' 9" 95mm 3lbs
    110mm T2.3 3' 10" 95mm 4.5lbs
    145mm T2.3 6' 2" 95mm 5.5lbs
  • IB/E Raptor Macros

    IB/E’s Raptor Macros offer four full frame prime lenses that exhibit superb close focus, 1:1 magnification, and a 50mm image circle designed to cover all modern digital cinema full frame cameras. Each Raptor Macro is designed with special apochromatic lens elements for better chromatic aberration correction and minimal spherical aberration.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    60mm T2.9 (T5.3 at Close Focus) 7.48" 95mm 2.54 lbs
    100mm T2.9 (T5.3 at Close Focus) 12.3" 95mm 3.3 lbs
    150mm T2.9 (T5.3 at Close Focus) 15" 95mm 4.2 lbs
    180mm T2.9 (T5.3 at Close Focus) 18.5" 95mm 6.4lbs
  • IronGlass Primes - Blue Flare

    Based on old Soviet era still photography lenses, the IronGlass rehoused Primes are a variety of different lenses married into a cinema style set. Each lens has either a blue or amber coating and features an oval baffle and plastic filament to create an anamorphic like effect with oval bokeh and streak flaring.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    28mm f/3.5 8" 75mm 1.43 lbs
    37mm f/2.8 2' 75mm .68 lbs
    58mm f/2 19" 75mm .70 lbs
    85mm f/2 29" 75mm 1.04 lbs
    135mm f/2.8 4' 75mm 1.65 lbs
  • IronGlass Primes - Gold Flare

    Based on old Soviet era still photography lenses, the IronGlass rehoused Primes are a variety of different lenses married into a cinema style set. Each lens has either a blue or amber coating and features an oval baffle and plastic filament to create an anamorphic like effect with oval bokeh and streak flaring.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    28mm f/3.5 8" 75mm 1.43 lbs
    37mm f/2.8 2' 75mm .68 lbs
    58mm f/2 19" 75mm .70 lbs
    85mm f/2 32" 75mm 1.04 lbs
    135mm f/2.8 4' 75mm 1.23 lbs
  • IronGlass Primes - Orange Flare

    Based on old Soviet era still photography lenses, the IronGlass rehoused Primes are a variety of different lenses married into a cinema style set. Each lens has either a blue or amber coating and features an oval baffle and plastic filament to create an anamorphic like effect with oval bokeh and streak flaring.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    37mm f/2.8 2' 75mm .68 lbs
    58mm f/2 19" 75mm .70 lbs
    85mm f/2 32" 75mm 1.04 lbs
    135mm f/3.5 4' 75mm 1.23 lbs
  • Kowa FF Primes

    Kowa FF 1 Kowa FF 2

    Manufactured as still lenses in the 1960’s and 70’s, TLS has rehoused these Kowa’s with new 16 blade irises and modern housings. The lenses are clean and perform well across the entire stop range without being overly sharp. Flares are full bodied and beautiful in nature and the lenses exhibit a smooth yet defined bokeh. The lenses perform well on all full frame cameras.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm T4 12" 110mm 2.25 lbs
    28mm T3.6 9" 110mm 2.06 lbs
    35mm T2.9 11" 110mm 2.02 lbs
    50mm T1.9 16" 110mm 2 lbs
    85mm T2.9 2' 3" 110mm 2.68 lbs
    100mm T3.6 3' 110mm 2.78 lbs
    135mm T3.9 3' 9" 110mm 3.12 lbs
  • Leica R - GL Optics Primes

    LEICA R 35MM 3 v2 LEICA R 35MM 2 v2 LEICA R 15MM 3 v2 LEICA R 15MM 2 LEICA R 15MM 1 LEAICA R 35MM 1

    The vintage Leica R lenses have been rehoused by GL Optics to improve housing mechanics and provide a robust design for cinema use. They still exhibit the same optical sharpness, pleasing bokeh, and smooth fall-off present in their non-rehoused cousins.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15mm T3.5 6" 85mm 2.8 lbs
    19mm T2.8 11" 95mm 1.6 lbs
    28mm T2.8 9" 95mm 1.8 lbs
    35mm T1.4 2' 95mm 3.2 lbs
    50mm T1.4 1'8" 95mm 2.1 lbs
    80mm T1.4 2'3" 95mm 3 lbs
    100mm T2.8 1'6" 95mm 5.8 lbs
    135mm T2.8 5' 95mm 4.2 lbs
  • Leica R - TLS/Cinescope

    A TLS/Cinescape rehoused lens, the Leica R Macro is a still photography lens that has been converted for use with cinema cameras and features excellent close focus, 0.8 gearing for focus motor attachment, and a PL mount.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm T2.9 9" 110mm 2 lbs
    24mm T2.9 10" 110mm 2 lbs
    28mm T2.9 9" 110mm 2 lbs
    35mm T1.5 1' 8" 110mm 3.2 lbs
    50mm T1.5 1' 5" 110mm 2.3 lbs
    60mm Macro T2.9 11" 110mm 3.3 lbs
    80mm T1.5 1' 10" 110mm 3.7 lbs
    100mm Macro T2.9 1' 5" 110mm 4.4 lbs
    135mm T2.9 3' 4" 110mm 3.4 lbs
  • Leica R - Zero Optik Primes

    IMG 9474 1

    The vintage Leica R lenses have been rehoused by Zero Optik to improve housing mechanics and provide a robust design for cinema use. They still exhibit the same optical sharpness, pleasing bokeh, and smooth fall-off present in their non-rehoused cousins.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    19mm T3 1' 95mm 2 lbs
    24mm T3 1' 95mm 1.5 lbs
    28mm T3.1 1' 95mm 2 lbs
    35mm T1.6 1' 8" 95mm 2.5 lbs
    50mm T1.5 1' 95mm 2.5 lbs
    60mm Macro T2.9 10.5" 95mm 2.5 lbs
    80mm T1.6 1' 8" 95mm 2.5 lbs
    90mm T2.1 2' 95mm 2.5 lbs
    100mm Macro T2.9 17" 95mm 3 lbs
    135mm T2.9 2' 11" 95mm 3 lbs
  • Leitz M 0.8 Primes

    Leica M 0.8 Lenses

    The Leica M 0.8 lenses are an updated version of the original Leica M prime lenses. Featuring gearing for cinema use in 0.8 pitch and the same Leica M Mount, the M 0.8 Primes offer cinematographers a unique look for large format cinematography.

    DSMC® Al Leitz-M Mount included with rental.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm f/1.4 2'6" 80mm 1
    24mm f/1.4 2'6" 80mm 1
    28mm f/1.4 2'6" 80mm 1
    35mm f/1.4 2'6" 80mm 0.8
    50mm f/0.95 Noctilux 3'4" 80mm 1.8
    75mm f/2.0 2'4" 80mm 1.06
    90mm f/2.0 3'4" 80mm 1.65
  • Leitz HUGO Primes

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    The Leitz HUGO primes are an officially rehoused variant of the Leica M 0.8 Prime lenses. They feature the same optical characteristics as the M 0.8’s, including excellent image quality with enough imperfections to be aesthetically pleasing. They reproduce skin tones and render highlights beautifully, while exhibiting an attractive amount of edge falloff. The housings are of modern Leitz quality, with uniform focus and iris gears and an LPL mount. The set also includes an additional 50mm focal length Noctilux model with a faster T1 stop for super low light cinematography.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.5 9" 95mm 1.04 lbs
    21mm T1.5 1' 95mm 1.87 lbs
    24mm T1.5 1' 95mm 1.9 lbs
    28mm T1.5 1' 2" 95mm 1.8 lbs
    35mm T1.5 1' 2" 95mm 1.8 lbs
    50mm T1.5 1' 8" 95mm 1.85 lbs
    50mm-N T1 1' 8" 95mm 2.55 lbs
    75mm T1.5 2' 6" 95mm 3.09 lbs
    90mm T1.5 2' 10" 95mm 3.02 lbs
  • Leitz Thalias

    Thalia group Thalia 100mm horizontal left Thalia 35mm horizontal right

    The Thalia primes offer a cinematic look with soft round bokeh and a distinct character and their optical design renders a layered focus roll off which creates a unique added dimension by pulling the subject out of the background. They’re smooth and clear without being overly sharp like many modern cinema lenses. Their large image circle covers formats up to Alexa 65 and anything in between.

    *The 90mm Thalia-T lens exists within the Thalia set as a portrait style effects lens. It exhibits more dramatic fall off and a more dream-like dramatic bokeh style to the background wide open. At a T5.8 the lens takes on a higher contrast look.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    24mm T3.6 1'4" 95mm 3.13 lbs
    30mm T2.9 1'8" 95mm 3.3 lbs
    35mm T2.6 1'10" 95mm 3.1 lbs
    45mm T2.9 2' 95mm 3.2 lbs
    55mm T2.8 2'4" 95mm 3.6 lbs
    70mm T2.6 1'8" 95mm 2.3 lbs
    *90mm T2.2 3' 95mm 2.3 lbs
    100mm T2.2 2'4" 95mm 2.6 lbs
    120mm T2.6 22.5" 95mm 3.66 lbs
    180mm T3.6 5' 95mm 3.57 lbs
  • Leitz Primes

    Leitz Prime Set v4

    Leitz has created a new set of large format prime lenses.  The Leitz Primes provide an image circle large enough to cover Vistavision and offer a super fast aperture of T1.8 until 180mm.  They’re uniformly sized and designed for ease of use with evenly spaced focus and iris gears with a robust design.  They also feature a rear net holder and offer threading from front filter attachment (M112x1.5mm filters).

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.8 1’ 2” 114mm 7.1
    21mm T1.8 1’ 10” 114mm 6.1
    25mm T1.8 1’ 10” 114mm 6.2
    29mm T1.8 1’ 2” 114mm 5.9
    35mm T1.8 1’ 6” 114mm 6.3
    40mm T1.8 1’ 2” 114mm 6.0
    50mm T1.8 1’ 7” 114mm 6.0
    65mm T1.8 2’ 2” 114mm 6.1
    75mm T1.8 2’ 6” 114mm 6.2
    100mm T1.8 3’ 11” 114mm 6.1
    135mm (Coming Soon) T1.8 3’ 11” 114mm 6.4
    180mm (Coming Soon) T2 4’ 11” 114mm 6.8
  • MasterBuilt Anastigmat Prime

    160mm Masterbuilt Anastigmat 1 160mm Masterbuilt Anastigmat 2

    The MasterBuilt Anastigmat is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll off and a warm aesthetic flare, with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    160mm T1.8 4'7" 114mm 6.4 lbs
  • MasterBuilt Classic Primes

    Master Built Prime Classic

    The MasterBuilt Prime lenses were designed to produce images with vintage style, offering gradual focus fall off with great center sharpness.  Large format compatible, the lenses offer ultra-fast T1.4 apertures with evenly spaced focus and iris gearing in each lens.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.4 18” 114mm 5.8 lbs
    25mm T1.4 14” 114mm 4.7 lbs
    35mm T1.4 16” 114mm 4.2 lbs
    40mm T1.4 18” 114mm 4.8 lbs
    50mm T1.4 19” 114mm 4.6 lbs
    65mm T1.4 28” 114mm 5 lbs
    85mm T1.4 3’3” 114mm 4.6 lbs
    105mm T1.4 3’9” 114mm 5.5 lbs
    135mm T1.4 4'7" 114mm 6.4 lbs
  • MasterBuilt Portrait Primes

    Masterbuilt Portrait Masterbuilt Portrait 32mm 1

    The Portrait series of the MasterBuilt family of lenses exhibit a more dramatic focus fall off and slightly lower contrast than the original lenses, creating a dreamy portrait look. They have a similar color temperature and vintage feel like the rest of the MasterBuilts and are available in three focal lengths. They also feature the same fast t-stops and uniform construction as the rest of the set.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    32mm T1.4 16" 114mm 4.2 lbs
    55mm T1.4 19" 114mm 4.6 lbs
    100mm T1.4 3' 9" 114mm 5.5 lbs
  • MasterBuilt Soft Flare Primes

    MasterBuilt Soft Flares

    The MasterBuilt Soft Flare's offer a softer edged lower contrast look compared to the original MasterBuilt lenses, giving them a more vintage feeling for large format cinematography. The Soft Flares still feature the same special polishing process that gives these lenses their unique flares.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.4 18" 114mm 5.8 lbs
    25mm T1.4 14" 114mm 4.7 lbs
    28mm T1.4 14" 114mm 4.7 lbs
    35mm T1.4 16" 114mm 4.2 lbs
    40mm T1.4 18” 114mm 4.8 lbs
    50mm T1.4 19" 114mm 4.6 lbs
    65mm T1.4 2'4” 114mm 5 lbs
    85mm T1.4 3'3" 114mm 4.6 lbs
    105mm T1.4 3'9" 114mm 5.5 lbs
    135mm T1.4 4'7" 114mm 6.4 lbs
  • MasterBuilt SuperWide LF Prime

    Masterbuilt Superwide 2 Masterbuilt SuperWide 3 Masterbuilt SuperWide Prime Lifestyle

    The MasterBuilt SuperWide is a single 14.5mm full frame prime lens manufactured for use with the entire MasterBuilt range of lenses. The prime has a superwide angle of view, with a fairly sharp and even field, slight distortion, and a pleasing multi chromatic flare. Featuring a fast T1.9 stop and full frame coverage, it’s the perfect wide lens for use alongside any MasterBuilt lens.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14.5mm T1.9 10" 136mm 3.6 lbs
  • Nikon - Zero Optik Primes

    Nikkor Zero Optix Primes Set Nikkor Zero Optix Primes Profile 20mm Nikkor Zero Optix Primes 24mm Nikkor Zero Optix Primes 28mm Nikkor Zero Optix Primes 35mm Nikkor Zero Optix Primes 58mm Nikkor Zero Optix Primes 85mm Nikkor Zero Optix Primes 135mm Nikkor Zero Optix Primes

    These Zero Optik Nikon Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15mm T4.0 1' 114mm 2.5 lbs
    20mm T3.0 10" 114mm 2.5 lbs
    24mm T2.2 1' 95mm 1.5 lbs
    28mm T2.2 1' 95mm 1.7 lbs
    35mm T1.5 1' 95mm 1.9 lbs
    45mm T2.8 1' 3" 95mm 1.3 lbs
    55mm T1.3 1' 95mm 2 lbs
    58mm T1.3 1' 1" 95mm 2.1 lbs
    85mm T1.5 2' 10" 95mm 2.4 lbs
    85mm T1.9 1' 10" 95mm 2.5 lbs
    105mm T1.9 2' 6" 95mm 2.3 lbs
    135mm T2.1 4' 95mm 2.8 lbs
  • Nikkor Telephoto Primes

    NIKKOR 600MM 2 v2 NIKKOR T2 200MM 2 v2 NIKKOR 800MM 2 NIKKOR 400MM 2

    The Nikkor Telephoto primes are still photography lenses that have been repurposed for cinema use with modern PL mounts installed for ease of use on digital cinema cameras.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    200mm T2.0 9’ 136mm 6.6
    200mm T4 9’ 136mm 6.6
    200mm Macro T4 5' 52mm 2
    300mm T2 13' 194mm 17.3
    400mm T2.8 15' 175mm 12
    600mm T4 25' 185mm 14.4
    800mm T5.6 25' 175mm 13.7
  • Olympus - Zero Optik Primes

    Olympus Zero Optiz Prime Set Olympus Zero Optix Prime Profile 21mm Olympus Zero Optix Prime 24mm Olympus Zero Optix Prime 28mm Olympus Zero Optix Prime 35mm Olympus Zero Optix Prime 40mm Olympus Zero Optix Prime 50mm Olympus Zero Optix Prime 85mm Olympus Zero Optix Prime

    The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm T2.2 8" 95mm 1.34 lbs
    24mm T2.2 10" 95mm 1.63 lbs
    28mm T2.2 1' 95mm 1.57 lbs
    35mm T2.2 9" 95mm 1.43 lbs
    40mm T2.2 11" 95mm 1.34 lbs
    50mm T1.3 11" 95mm 1.8 lbs
    60mm T1.7 1' 2" 95mm 1.76 lbs
    85mm T2.2 2' 11" 95mm 2.07 lbs
    100mm T2.1 2' 4" 95mm 2.53 lbs
    135mm T2.9 2' 11" 95mm 2.25 lbs
    180mm T2.9 4' 10" 95mm 3.66 lbs
  • SIGMA FF High Speed Primes

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    SIGMA’s large format FF High Speed Prime lenses introduce a cost effective option for large format cinematography without sacrificing image quality. These compact, high speed primes are sharp, neutral in temperature and feature SIGMA’s quality cinema housings at a reasonable price.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14mm T2.0 11” 95mm 2.95
    20mm T1.5 11” 95mm 2.72
    24mm T1.5 10” 95mm 2.26
    28mm T1.5 12" 95mm 2.87
    35mm T1.5 1’ 95mm 2.30
    40mm T1.5 1'4" 95mm 3.24
    50mm T1.5 1’4” 95mm 2.67
    65mm T1.5 2'2" 95mm 3.3
    85mm T1.5 2'10" 95mm 2.96
    105mm T1.5 3'4" 95mm 3.75
    135mm T2.0 2'11" 95mm 3.14
  • SIGMA FF Classic Primes

    Sigma Classic Set Photo

    SIGMA created the FF Classic Primes to further accentuate the flares of their original prime set by making changes to their coatings. These compact, high speed primes are sharp, neutral in temperature while being lower contrast than the originals and feature SIGMA’s quality cinema housings at a reasonable price.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    14mm T3.2 11″ 95mm 2.8 lbs
    20mm T2.5 11″ 95mm 2.6 lbs
    24mm T2.5 10″ 95mm 2.2 lbs
    28mm T2.5 1' 95mm 2.75 lbs
    35mm T2.5 1′ 95mm 2.2 lbs
    40mm T2.5 1′4" 95mm 3.22 lbs
    50mm T2.5 1′4″ 95mm 2.6 lbs
    85mm T2.5 2'10" 95mm 3 lbs
    105mm T2.5 3′4″ 95mm 3.72 lbs
    135mm T3.2 2′11″ 95mm 3.1 lbs
  • Tokina AT-X Macro

    The AT-X Macro is a full frame macro prime from Tokina designed to capture ultra high quality close up images in a cinema package. With excellent optical design, the AT-X Macro is able to capture macro images at a distance of 11.8 inches and features minimal breathing and beautiful bokeh due a 9-blade iris design. Lens construction is high quality, with a de-clicked iris and all-metal cinema style housing and 0.8 pitch gearing.
    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    100mm T2.9 11.8" 85mm 2.9 lbs
  • Tokina Vista ONE Primes

    Tokina’s Vista One primes are sharp, full frame prime lenses that feature a single coating design to maximize creative potential without sacrificing image quality. They have attractive flares and decent contrast with minimal chromatic aberration. Their rounded iris design produces beautiful bubbly bokeh and their fast T1.5 stop makes them excellent for low-light situations. They feature uniform mechanical design and gearing positions, making them ideal for professional use.
    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.5 17.7" 114mm 6.19 lbs
    25mm T1.5 13.8" 114mm 5.11 lbs
    35mm T1.5 16" 114mm 4.59 lbs
    50mm T1.5 19" 114mm 4.94 lbs
    85mm T1.5 37.5" 114mm 5.05 lbs
    105mm T1.5 3' 9" 114mm 5.93 lbs
    135mm T1.5 4' 7" 114mm 6.88 lbs
  • Tribe7 Blackwing7 Primes

    Tribe7 Blackwing Set Silver Housing Tribe7 Blackwing Silver Housing 137mm Tribe7 Blackwing Silver Housing 107mm Tribe7 Blackwing Silver Housing 57mm Tribe7 Blackwing Silver Housing 47mm Tribe7 Blackwing Silver Housing 77mm Tribe7 Blackwing Silver Housing 37mm Tribe7 Blackwing Silver Housing 3 Tribe7 Blackwing Silver Housing 27mm Tribe7 Blackwing Silver Housing 20 Tribe7 Blackwing Silver Housing 2 Tribe7 Blackwing Solo 2 Tribe7 Blackwing 57mm Tribe7 Blackwing 137mm Tribe7 Blackwing 77mm Tribe7 Blackwing 107mm Tribe7 Blackwing 37mm Tribe7 Blackwing Solo Tribe7 Blackwing Set Tribe7 Blackwing 47mm

    Designed through a collaboration between Bradford Young, ASC and Neil Fanthom, the Blackwing7's offer full frame/large format coverage and feature a robust design coupled with unique optical characteristics and customization options. Three standard production tuning options are available for the Blackwing7 lenses and feature black housings. 

    • The Straight "S" tuning matching more traditional 20th century lenses and exhibiting medium focus fall off. 

     

    • The Transient "T" tuning providing a smoother image with slightly more focus fall off and flaring. 

     

    • The extreme eXpressive "X" tuning option which offers a softer look with more extreme halation and aberration during flaring as well as the most focus fall off of the three tunings.

     

    • The XT Tuning (X-Tuned lenses with more subtle T-flare) are custom tuned lenses that are single coated (the same as with T and X lenses), with edge uncoated (X). They have the same sharpness, warmth, lifted shadows, and focus falloff that we have come to expect from the binaries, with more subtle flares. The lenticular, rainbow flare, is only present in extreme situations and it’s far more subtle and controlled compared to the binaries. Without the rainbow pupil flare, you can see the more subtle purple and blue ghost effects caused when flaring the Blackwings lovely single layer coatings. 

     

    • The "B" tuned Blackwings have the same multi-coated lens elements from the "S" tuned range, so they perform the same in terms of light management and flare control. "B" tuned lenses exhibit a green/blue ghost flare and the optics have the edge-uncoating from the "X" tuned range, so they are lower in contrast. These lenses have the same optical prescription as the "T" tuned lenses giving them similar characteristics when stopped down.

     

    • Prior to release of these production tunings Tribe7 produced the Binary Blackwings, which feature a silver housing and are similar in tuning to the "T" tuning production lenses. Tribe7 continues to work on additional tuning combinations that may become available in the future.

     

    •  T-Stops can vary from T1.8 to T2.0 based on the generation of the lens.

     

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    20.7mm T1.9 7.5" 104mm 3.6 lbs
    23.7mm T1.9 14" 104mm 3.3 lbs
    27mm T1.9 13.5" 104mm 4.3 lbs
    37mm T1.9 18.5" 104mm 4.1 lbs
    47mm T1.9 18.5" 104mm 3.8 lbs
    57mm T1.9 18" 104mm 3.8 lbs
    77mm T1.9 2'2" 104mm 3.6 lbs
    107mm T1.9 2'4" 104mm 3.6 lbs
    137mm T1.9 3'1" 104mm 3.8 lbs
  • ZEISS Contax Primes

    Based on 1980's still lenses, these rehoused Contax/Zeiss Primes do not have consistent maximum aperture’s across the range. Optically fairly sharp and slightly lower contrast when compared to similar vintage still lenses, and looks similar in character to the Zeiss Super Speed’s. 

     

    Available to rental in Canada only.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    21mm T2.9 N/A 95mm N/A
    28mm T2.1 N/A 95mm N/A
    35mm T1.5 N/A 95mm N/A
    50mm T1.5 N/A 95mm N/A
    85mm T1.5 N/A 95mm N/A
    100mm T2.1 N/A 95mm N/A
    135mm T2.1 N/A 95mm N/A
  • ZEISS Supreme Primes

    ZEISS SUPREME PRIME 25MM 1 ZEISS SUPREME PRIME 25MM 3 ZEISS SUPREME PRIME 50MM 1 ZEISS SUPREME PRIME 50MM 3 ZEISS SUPREME PRIME 85MM 1 ZEISS SUPREME PRIME 85MM 3 ZEISS SUPREME PRIME SET

    ZEISS engineered the Supreme Prime’s with consistency in mind. Each lens is color matched and features a lightweight ergonomic design produced with modern film sets in mind. With a T-Stop of 1.5 the Supreme Primes are remarkably fast as well. All lenses in the family are designed to cover the full format camera sensors of today.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    15mm T1.8 14" 114mm 4.94 lbs
    18mm T1.5 14" 114mm 5 lbs
    21mm T1.5 13.7" 95mm 3.55 lbs
    25mm T1.5 10" 95mm 3.13 lbs
    29mm T1.5 13" 95mm 3.55 lbs
    35mm T1.5 13" 95mm 3.09 lbs
    40mm T1.5 16" 95mm 3.28 lbs
    50mm T1.5 18" 95mm 2.69 lbs
    65mm T1.5 2' 95mm 3.59 lbs
    85mm T1.5 2'9" 95mm 3.13 lbs
    100mm T1.5 3’9” 95mm 3.74 lbs
    135mm T1.5 2’ 7” 114mm 5 lbs
    150mm T1.8 4'11" 114mm 5 lbs
    200mm T2.2 6.6' 114mm 6.33 lbs
  • ZEISS Supreme Radiance Primes

    Zeiss Supreme Radiance Prime Set v4

    The Supreme Primes Radiance are a modification of the original Supreme Prime. They offer the same features as the original Supremes, but feature a different coating process which enhances and controls flares without loss of contrast or T-stop.

    Focal Length Aperture Close Focus Front Diameter Weight (lbs)
    18mm T1.5 14'' 114mm 5
    21mm T1.5 14'' 95mm 3.3
    25mm T1.5 10" 95mm 3.13
    29mm T1.5 13" 95mm 3.55
    35mm T1.5 13" 95mm 3.09
    40mm T1.5 17" 95mm 3.28
    50mm T1.5 18" 95mm 2.69
    65mm T1.5 2' 95mm 3.59
    85mm T1.5 2'9' 95mm 3.13
    100mm T1.5 3'9" 95mm 3.74
    135mm T1.5 4'6" 114mm 5