Articles by Ryan Rosenblum
The Cinematography of "The Paper" with DP Chloe Weaver
We caught up with DP Chloe Weaver (episodes 4-10) to discuss the journey of bringing THE PAPER to life, from reinventing the iconic mockumentary style of THE OFFICE, to working closely with an all-star cast and crew.
The Cinematography of "Boots" (Part Two) with DP Pedro Gomez Millan, AMC
For part two of our coverage of Netflix's "Boots," we connected with DP Pedro Gomez Millan, AMC (Episodes 6 & 8) to discuss the season, from filming epic action (including food fights), to capturing intimate moments that form the heart of the series' story.
The Cinematography of "Boots" (Part One) with DP Bruce Francis Cole
In honor of the series premiere of "Boots," we connected with DP Bruce Francis Cole (Episodes 1-4, 5, 7) to discuss the season, from shooting the series in the elements on location in New Orleans, to finding inspiration in some of the iconic films of the 1980s and 90s.
The Cinematography of "Twisted Metal Season 2" (Part Two) with DP Fraser Brown, CSC
For the second installment of our feature on Peacock's "Twisted Metal" season two, we connected with DP Fraser Brown, CSC (Episodes 3-4, 7-8, 11-12) to discuss his approach to "Twisted Metal" — including unique first-person camera rigs, flashbacks to the 16th century, and channeling 80s horror vibes.
The Cinematography of "Twisted Metal Season 2" (Part One) with DP Spencer Combs
For the second season of Peacock's "Twisted Metal," the series underwent a major visual overhaul. We connected with DP Spencer Combs (Episodes 1-2, 5-6, 9-10) to discuss reinventing the look of the series.
The Cinematography of "The Pickup" with DP Larry Blanford
We spoke with DP Larry Blanford about making THE PICKUP a reality, from shooting on an LED volume, to working with an extensive second-unit team for dramatic car stunts.
The Career of Dana Gonzales, ASC — From "Fargo" to "Alien: Earth"
On the eve of the premiere of his latest work, ALIEN: EARTH, proudly supported in Thailand by Keslow Camera, we connected with illustrious DP, producer, and director Dana Gonzales, ASC to discuss his career and history with Keslow Camera.
The Cinematography of "Untamed" (Part Two) with DP Brendan Uegama, CSC
We spoke with middle block DP Brendan Uegama, CSC (Episodes 3-4) to continue our exploration behind the making of UNTAMED - shooting claustrophobic caves, filming from helicopter-to-helicopter, collaborating with DP Michael McDonough, ASC, BSC, and more.
The Cinematography of "Untamed" (Part One) with DP Michael McDonough, ASC, BSC
In part one of our feature on Netflix's UNTAMED, we dive deep into the process of crafting the season - setting the series' look and feel, shooting Vancouver for Yosemite, capturing death-defying stunts in the elements, and more.
The Cinematography of "40 Acres" with DP Jeremy Benning, ASC, CSC
Nominated for “Theatrical Feature Cinematography” at the 2025 Canadian Society of Cinematographers Awards, Keslow Camera connected with DP Jeremy Benning, ASC, CSC, to discuss all things 40 ACRES.
The Cinematography of "Final Destination Bloodlines" with DP Christian Sebaldt, ASC
“Final Destination Bloodlines” the sixth installment in the long-running Final Destination franchise, takes audiences back to the very beginning.
The Cinematography of David Cronenberg's "The Shrouds" with DP Douglas Koch, CSC
“The Shrouds,” the 23rd feature film from maestro David Cronenberg, is a deeply personal exploration of grief through the lens of Cronenberg’s unmistakably singular vision of technological body horror.