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• Nikkor Macro

  Originally a still photography lens, the 200mm Nikkor Macro has been converted for cinema use with a PL mount. The Nikkor Macro features excellent sharpness, contrast, and close focus.

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• Infinity Long Distance Macro Lens

  

  A very unique photography tool, the Infinity Long Distance Macro was designed to allow macro photography without the subject being extremely close to the lens. This system allows the camera to be many feet away from a subject while still providing up to 10x magnification close-up.

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• Canon K-35 Macro Zoom

  

  Introduced by Canon to serve as a complimentary zoom to their K35 Primes, the 25-120mm K35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

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• IB/E Raptor Macros

  

  IB/E’s Raptor Macros offer four full frame prime lenses that exhibit superb close focus, 1:1 magnification, and a 50mm image circle designed to cover all modern digital cinema full frame cameras. Each Raptor Macro is designed with special apochromatic lens elements for better chromatic aberration correction and minimal spherical aberration.

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• RED DSMC3 V-Raptor 8K VV

  

  The V-Raptor is the first DSMC3 camera from RED. It features the new V-Raptor 8K VV large format sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The DSMC3 platform is more compact than the previous DSMC2 platform, offering filmmakers a more versatile package.

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• ARRI Signature Zoom 1.7x Extender

  The ARRI Signature Zoom 1.7x Extender is the perfect tool to expand the range of your 65-300mm Signature Zoom or 280mm Signature Prime. The extender maintains optimal sharpness, contrast, and lens characteristics while only causing a loss of 1.6 stops of light. It features an LPL mount and allows pass-through of LDS-2 lens data on supported cameras.

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• Angenieux Optimo Ultra Zoom

  

  Angenieux has a number of large format zooms. Three lightweight options are available in the 22-60mm T3 and 45-135mm T3 EZ-1 and EZ-2 Zooms as well as the 21-56mm and 37-102mm Lightweight Ultra Zoom and the large format 12:1 in the 36-435 T4.2 Angenieux Ultra. All of these zooms offer the same pleasing warm Angenieux look and reliability the industry has become accustomed to.

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• Sony Venice 2

  

  The Sony Venice 2 introduces a 8.6K Full Frame sensor with dual 800 and 3200 base ISO modes. It features the same built-in full spectrum ND filters as the original Venice. The R7 Raw Recorder is now built into the body of the camera, foregoing the use of SxS cards and proxy recording for the more robust X-OCN raw codec. The first generation 6K sensor module from the Venice is compatible with the Venice 2 as well.

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• Cooke FF Macro Primes

  

  The Cooke FF Macros were designed to integrate seamlessly into the Cooke S7 & S8 sets. These macros are sharp and color matched to the rest of the S7/S8's and provide optimal performance for spherical full frame macro cinematography.

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• MasterBuilt Portrait Primes

  

  The Portrait series of the MasterBuilt family of lenses exhibit a more dramatic focus fall off and slightly lower contrast than the original lenses, creating a dreamy portrait look. They have a similar color temperature and vintage feel like the rest of the MasterBuilts and are available in three focal lengths. They also feature the same fast t-stops and uniform construction as the rest of the set.

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