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Keslow Interface Sync System (KISS Box)
Keslow Camera is keeping up with the new wave of technologies! We have designed and built in-house the Keslow Interface Sync System (KISS Box). This allows production to use a sync sound film camera against the Live Volume Wall using a Genlock signal to drive ArriCam LT and ArriCam ST cameras. It is compatible with environments of not only 24 frames per second, but other popular sync sound frame rates such as 23.976 up to 30 fps. Built into a digital world, the KISS Box will allow you to use the Genlock signal to drive the cameras. Capturing your shots just got a whole lot easier.
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Leitz Summilux-C Macro
Leitz’ flagship Super 35 lenses, the Summilux-C’s have become staples of the film business with their pleasing skin tones and medium contrast. They feature a fast aperture through the focal range of T1.4 and virtually no breathing. A unique focus design and use of exotic aspheric elements enable smooth focus pulls and exceptional performance in a compact package.
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Sony FX9 Camera Body
Sony’s FX9 is a camcorder sized full frame cinema camera. Featuring Sony’s E-Mount it can easily be adapted to most lens mount types for maximum versatility. It’s Exmor R sensor offers 15+ stops of dynamic range and a dual ISO mode for both 800 ISO and 4000 ISO base shooting. The body is uniquely designed for run and gun style shooting and features a variety of built in ND’s and production functionality such as onboard audio management. The Sony FX9 integrates well into the entire cine line of Sony Cameras, from the Venice all the way to the FX3.
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Leitz HUGO Primes
The Leitz HUGO primes are an officially rehoused variant of the Leica M 0.8 Prime lenses. They feature the same optical characteristics as the M 0.8’s, including excellent image quality with enough imperfections to be aesthetically pleasing. They reproduce skin tones and render highlights beautifully, while exhibiting an attractive amount of edge falloff. The housings are of modern Leitz quality, with uniform focus and iris gears and an LPL mount. The set also includes an additional 50mm focal length Noctilux model with a faster T1 stop for super low light cinematography.
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LOMO Standard Speed Spherical Primes
The Standard Speed LOMO primes were produced in the 1950’s and exhibit unique vintage characteristics. Known for their softer lower contrast image, the LOMO sphericals produce a beautiful dreamy vintage image that is unique among vintage primes from the era. The lenses are mechanically vintage as well, with telescoping focus groups.
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Sony F800
The F800 is Sony’s premier camcorder camera. It features a 3CCD CMOS high frame rate sensor in a shoulder-mountable camera package, ideal for single operator use with a variety of on-camera features such as 120P high frame rate recording, high quality onboard audio recording, built in cross-conversion capabilities, and multiple recording format options to maximize the camera's ability to serve different global markets.
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Sony PMW-500
The PMW-500 is Sony’s first XDCAM camcorder designed to provide operators excellent ergonomics on a camcorder with solid state media recording. It features a 3CCD CMOS sensor and is ideal for single operator use with a variety of on-camera features such as high quality onboard audio recording, built in up/down cross-conversion capabilities, as well as slow/quick motion features for maximum creative versatility.
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Panasonic Varicam LT
The VariCam LT features the same 4K CMOS as the VariCam 35, but offers an all-in-one design with reduced recording options compared to the VariCam 35. The LT also includes the same dual native 800 and 5000 ISO modes and ProRes and AVC Intra recording as the VariCam 35
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Gecko-Cam Genesis G65 Vintage ‘66 Primes
The Genesis G65 Vintage ‘66 Primes are larger format cousins to the G35 Vintage ‘66 Primes, able to cover sensors as large as the ALEXA 65 sensor. They’re a modern lens featuring state of the art German mechanical design with vintage aesthetics. They render pleasing skin tones, a sharp clean bokeh, and vintage inspired flares while still being optically sharp and flat. All lenses feature uniform gear positioning and robust housing design.
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Tokina Vista ONE Primes
Tokina’s Vista One primes are sharp, full frame prime lenses that feature a single coating design to maximize creative potential without sacrificing image quality. They have attractive flares and decent contrast with minimal chromatic aberration. Their rounded iris design produces beautiful bubbly bokeh and their fast T1.5 stop makes them excellent for low-light situations. They feature uniform mechanical design and gearing positions, making them ideal for professional use.
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