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• Olympus - Zero Optik Primes

  

  The Zero Optik Olympus Primes are a set of rehoused still photography lenses from the 1970’s. Unique among photo lenses for their combination of compact size, uniform T2.2 apertures, and consistent performance. They produce sharp images with warm smooth flares, without being too sterile.

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• MasterBuilt Soft Flare Primes

  

  The MasterBuilt Soft Flare's offer a softer edged lower contrast look compared to the original MasterBuilt lenses, giving them a more vintage feeling for large format cinematography. The Soft Flares still feature the same special polishing process that gives these lenses their unique flares.

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• Cooke Anamorphic 1.8x Full Frame SF Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Sony FX3 Camera Body

  

  The Sony FX3 Cine camera advances the line of small mirrorless cameras like the Sony A7. It incorporates many more cinema focused features, such as higher bitrate flavors of 4K XAVC and the ability to record ProRes RAW using the Atomos Ninja line of recorders. The FX3 also features additional hard mounting points for rigging and a more robust cooling system to enable longer record cycles.

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• MasterBuilt Zooms

  

  The MasterBuilt Zoom lenses were designed to pair seamlessly with the MasterBuilt Classic Primes. Featuring the same soft edge, similar contrast, and a similar polishing process, the MasterBuilt Zooms exhibit the same vintage-like flares and characteristics as their prime cousins.

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• Leitz Cine Zooms

  

  The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

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• Canon Type SK

  

  Released in the 1960’s, the Type SK are still photography lenses rehoused into matched cinema housings. The lenses are sharp, especially for a vintage lens. They produce a pleasing lower contrast image, with smooth bokeh and beautiful warm flares.

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• Cooke 1.8x Full Frame SF Plus Anamorphic Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Hawk V-Lite Macro Anamorphic Vintage ’74

  Vantage designed the Hawk V-Lite Macro to match the rest of the Hawk V-Lite Vintage ‘74 set. The 55mm focal length provides a high quality macro option to the already tried and true Hawk V-Lite set and features the same coating changes present on the rest of the Vintage ‘74 set.

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• CCI Swing Shift Macro

  

  The Clairmont Swing Shift Macro lens mounts to the CCI Swing Shift Bellows system and allows ultra close focus swing shift images to be captured.

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