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• Cooke Anamorphic 1.8x Full Frame Plus Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Laowa Ranger Zooms

  

  The Laowa Rangers are a pair of lightweight full frame zooms. Available in 28-75mm and 75-180mm T2.9, these zooms provide filmmakers with a compact and high quality zoom perfect for steadicam or handheld work. They produce a reasonably sharp and attractive image with rounded bokeh. The two zooms are optically similar in terms of performance and quality.

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• 8mm Nikkor Fisheye T2.8

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• 6mm Nikkor Fisheye T2.8

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• 8mm Nikkor Fisheye T3.2

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• ZEISS Supreme Radiance Primes

  

  The Supreme Primes Radiance are a modification of the original Supreme Prime. They offer the same features as the original Supremes, but feature a different coating process which enhances and controls flares without loss of contrast or T-stop.

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• Scorpio Full Frame 2x Anamorphic Primes

  

  Servicevision made the Scorpio Anamorphic Primes for use with large format cameras, perfect for use with the Sony Venice, RED Monstro, or ALEXA LF sensors. The Scorpio Anamorphics produce excellent field sharpness, warmth, and close focus not found in most anamorphic designs. The set requires a 2.39:1 crop of the full frame sensor area.

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• ARRI Signature Zooms

  

  ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.

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• ARRI Macro

  

  The ARRI Macro set was co-designed by ARRI and Zeiss in a collaboration that strived to make a modern, sharp, clean macro lens. Each lens in the set offers superb optical performance, and the longer focal lengths will even cover larger sensors.

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• Cooke Macro Anamorphic

  

  The Cooke Anamorphic Macro lens matches the rest of the Cooke 2x Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth.

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