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• Tribe7 Blackwing7 Primes

  

  Designed through a collaboration between Bradford Young, ASC and Neil Fanthom, the Blackwing7's offer full frame/large format coverage and feature a robust design coupled with unique optical characteristics and customization options. Three standard production tuning options are available for the Blackwing7 lenses and feature black housings. 

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• Fujinon Premista Zooms

  

  Fujinon's Premista lightweight and compact full frame zoom lenses are designed to cover the newest large format digital cameras. They offer prime lens caliber optical quality and low distortion with minimal color aberrations and pleasant bokeh with excellent color rendition. These lenses feature ZEISS eXtended Data systems for delivering lens metadata to the camera.

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• MiniHawk Hybrid Anamorphic Primes

  

  Vantage produced the MiniHawk lenses as the first set of Spherical Prime lenses that can be considered “Hybrid” in nature.  They feature an oval iris design to emulate anamorphic oval bokeh while still using spherical optics.  Due to this hybrid design the focal lengths printed on each lens are anamorphic equivalents.  The actual angle of view and functional spherical focal length is wider than the printed anamorphic focal length.  Spherical focal lengths are noted next to the anamorphic ones below.

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• Nikon - Zero Optik Primes

  

  These Zero Optik Nikon Primes are based on vintage full frame Nikon still photography lenses, but have been rehoused with cinema style gearing on the iris and focus for use on todays modern film sets.

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• MasterBuilt Classic Primes

  

  The MasterBuilt Prime lenses were designed to produce images with vintage style, offering gradual focus fall off with great center sharpness.  Large format compatible, the lenses offer ultra-fast T1.4 apertures with evenly spaced focus and iris gearing in each lens.

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• Leitz Primes

  

  Leitz has created a new set of large format prime lenses.  The Leitz Primes provide an image circle large enough to cover Vistavision and offer a super fast aperture of T1.8 until 180mm.  They’re uniformly sized and designed for ease of use with evenly spaced focus and iris gears with a robust design.  They also feature a rear net holder and offer threading from front filter attachment (M112x1.5mm filters).

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• IB/E Smart Director’s Viewfinder - Digital

  IB/E designed the Smartfinder to offer filmmakers a compact versatile digital director’s viewfinder. Utilizing an iPhone Plus, the Smartfinder accepts PL mount lenses and can generate custom framelines and formats for both Full Frame or Super 35 lenses.

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• Artemis Prime Director’s Viewfinder - Digital

  The Artemis Prime Director’s Viewfinder utilizes a special optical relay attached to the back of a 10.5” iPad Pro that allows PL or LPL Mounted lenses to be mounted to the iPads camera and pass images directly into the iPad. This allows unique functionality not available on optical viewfinders, such as storyboarding, frameline creation, and custom formats for both Full Frame or Super 35 lenses.

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• Sigma Director’s Viewfinder - Digital

  Sigma designed the FP camera with an optional feature that adds an electronic viewfinder to the camera body and allows the camera to be used with PL Mount lenses via an adapter. The camera then functionally operates as a digital director’s viewfinder that works with Full Frame or Super 35 lenses.

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• Lindsey Optics Director’s Viewfinder - Optical

  The Lindsey Optics Full Frame Optical Viewfinder provides optical through the lens viewing for an unprecedented range of formats from Super-35 to Red Monstro and ARRI Alexa 65.

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