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• Clairmont 1000mm Telephoto

  

  Clairmont Camera produced a very fast 1000mm T4.5 telephoto lens for specialty cinematography needs. It’s well suited for extreme long shots and can be doubled to a whopping 2000mm if desired.

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• Clairmont Vintage Portrait

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• Scorpio Anamorphic Zoom

  

  Servicevision produced the 138-405mm Scorpiolens Anamorphic Zoom alongside their Scorpio Anamorphic Primes. This zoom will match that prime set well and provide similar anamorphic flares and effects.

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• RED DSMC2 Monstro 8K VV

  

  The Monstro is an 8K Full Frame sensor inspired by the classic Vista Vision film format. Embedded in REDs carbon fiber DSMC2 platform, the DSMC2 Monstro offers cinematographers in a compact package with room for adaption to any role.

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• Cooke Mini S4/i Primes - Regular & Uncoated

  

  A low cost alternative from Cooke, the Mini S4/i’s T2.8 lenses offer similar optical properties as the Cooke S4/i’s, but in a smaller less expensive design. These are color-matched to other Cooke lenses and provide DP’s with a lower barrier to entry from a budgetary perspective without sacrificing the aesthetics that Cooke’s are known for. These lenses also feature the Cooke i/ Data protocol for delivering lens data to the camera system.

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• Cooke S7/i Primes

  

  The S7’s are Cooke’s large format spherical lens. Featuring Cooke's well-known robust design, the S7s offer the same “Cooke Look” and warm tones as their predecessors. These are a great addition to the Cooke family of lenses.

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• Sony Venice

  

  The Sony Venice offers a 6K Full Frame sensor with dual 500 and 2500 ISO modes, built-in full spectrum ND filters, and the optional extension module that allows the mounting of the camera's sensor block in cramped environments. Coupled with Sony’s R7 Raw Recorder the Sony Venice is capable of shooting the new X-OCN raw video format in addition to onboard XAVC and ProRes recording.

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• Canon Cinema Zoom

  

  Canon has recently re-entered the cinema lens market after decades-long hiatus. Their new Cinema Zooms are high quality, offering Canon’s classic warmth and sharpness without sacrificing contrast or image quality. The 17-120mm Cinema Zoom features a servo-handle that provides easy handheld single operator control for documentary and live production.

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• ZEISS Ultra Primes (LDS) - Uncoated

  

  This uncoated version of the ZEISS Ultra Prime lens set offers a lower contrast alternative to the original Ultra Prime. These uncoated versions also feature ARRI’s LDS (Lens Data System) for transmitting lens information to the camera system. Uncoated elements also allow these lenses to flare more easily and increase the characteristics of their flares.

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• Cooke SK4 Primes

  

  Cooke developed the SK4 primes for use with 16mm film cameras. The limited set of focal lengths: 6mm, 9.5mm, and 12mm, is meant to step up to the Super 35 Cooke S4 lenses to complete a full set of lenses on 16mm. The SK4’s offer Cooke’s historic look, featuring a warmth and unique bokeh unlike any other lenses.

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