Search Results for ""

• Hawk V-Series Anamorphic Primes

  

  The V-Series Hawk lenses were produced by Vantage in the early 2000’s. They are an evolution of the C-Series and exhibit some similar aesthetic properties as the C-Series lenses, although the V-Series are larger and their housings are more highly engineered with internal focusing mechanisms. The V-Series are a perfect option for those trying to marry modern and vintage looks.

  Learn more

• ARRI ALEXA LF

  

  ARRI’s full sized Full Frame camera produces 4.5K images using the A2X revision of their ALEV III sensor. ALEXA LF footage matches all other ALEXA footage while providing a wider frame for composing more cinematic images. The LF utilizes the same SXR media as the ALEXA SXT and shoots both ARRIRAW and Apple ProRes formats.

  Learn more

• RayBenders

  

  Much like the Kooky Cookes, the Raybenders are based on a Cooke S4 lens and modified by Keslow Camera to produce unique effects. These lenses render a softer outer field while maintaining a sharp center. Overall contrast is reduced and some veiling glare is present. 18mm, 27mm, 40mm, 50mm, and 65mm Raybenders are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.

  Learn more

• Kooky Cookes

  

  Keslow Camera specially designed the Kooky Cooke’s using Cooke S4 lenses. These lenses produce unique flare effects. A wide range of Kooky Cooke’s are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.

  Learn more

• Distortion Lenses

  

  These Distortion Lenses can be mounted to ZEISS Super/Standard Speeds (focal lengths 18-32mm) to allow multiple unique optical distortion effects to be applied to a scene.

  Learn more

• Peephole Lens

  Learn more

• Canon FD (GL Optics Rehoused)

  

  Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. GL Optics has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production.

  Learn more

• ZEISS Supreme Primes

  

  ZEISS engineered the Supreme Prime’s with consistency in mind. Each lens is color matched and features a lightweight ergonomic design produced with modern film sets in mind. With a T-Stop of 1.5 the Supreme Primes are remarkably fast as well. All lenses in the family are designed to cover the full format camera sensors of today.

  Learn more

• RED DSMC2 Gemini 5K S35

  

  Gemini is RED’s low light 5K sensor, offering an expanded range of ISO options beyond what their previous sensors were capable of. It features dual native 800 and 3200 ISO and is capable of 16.5+ stops of dynamic range, making this sensor a perfect match for low light scenarios.

  Learn more

• SIGMA FF High Speed Primes

  

  SIGMA’s large format FF High Speed Prime lenses introduce a cost effective option for large format cinematography without sacrificing image quality. These compact, high speed primes are sharp, neutral in temperature and feature SIGMA’s quality cinema housings at a reasonable price.

  Learn more