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• Cooke Anamorphic Zooms

  

  Cooke introduced the 35-140mm Cooke Anamorphic Zoom as a compliment to their Cooke Anamorphic Primes. This zoom will match the Cooke Anamorphics, as well as other Cooke lenses.

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• Super Baltar Primes (TLS Conversion)

  

  The Super Baltar lenses were released in the 1960’s and became the go to lenses for many films made throughout the ‘70’s. Godfather 1 & 2 were shot on Super Baltar’s, as were a number of other famous films. Baltar’s exhibit unique flares and lower contrast than modern lenses. The TLS Conversion has been rehoused into a modern style aluminum housing with matching gear spacing and uniform front diameters.

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• Kowa Cine Prominar Spherical Primes (TLS Conversion)

  

  The Kowa Cine Prominars originated in Japan in the 1960’s. The Cine Prominar’s are optically sharp for their age and offer a cool lower contrast image with interesting flares. The TLS conversion has been performed on these lenses to modernize them for the needs of cinema production, with more robust internal focusing mechanism and uniform focus and iris gears.

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• Hawk V-Lite Vintage '74 Anamorphic Primes

  

  The Vintage ’74 Hawk V-Lites are a revised version of the original Hawk V-Lite Lenses. The ‘74’s feature a vintage coating style that greatly accentuates the anamorphic effects and flares of the lenses, making them perform more like vintage anamorphics from an older era. The housings of the V-Lite 74’s are functionally identical to the standard Hawk V-Lites.

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• Canon Telephotos

  

  Canon has produced a number of long telephoto lenses over the years. Many of these lenses have been retooled with PL mounts for cinema work, and are available in a wide range of focal lengths. Many of these lenses have had their housings modified with gears for use with motors and follow focuses.

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• Canon K-35 Primes (TLS Conversion)

  

  Canon’s original cinema lenses from the 1970’s, the K-35s were heavily based on the Canon FD still photography lenses. Featuring the same warm tones and smoothness as the FDs, with a new iris blade design and aspheric optics, along with a new Super Spectral Coating which produces pleasing bokeh flaring. These lenses were so popular during the 70’s that they won Canon an Academy Award for optical design in 1977. (Note: Only the 24mm - 85mm are compatible for full frame cinematography)

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• Cooke TelePanchro Primes (TLS Conversion)

  

  Cooke TelePanchros are a long lens complement to the Cooke Speed Panchros. The TelePanchros are known for their warm tone, unique bokeh, and smooth focus like their prime lens siblings. The TLS conversion has been performed on the TelePanchros to modernize them with new housings.

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• 6x6 LED RGB Variable Contrast Filter Tray

  Similar to the 4x5 RGB Varicon only larger, the 6x6 Varicon allows an Ultra Con filter to be color adjusted for multiple contrast control effects as well as color tone effects to be applied to the scene. It allows the operator to control the contrast level of a scene by raising or lowering the intensity of the light.

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• ARRI / ZEISS Master Macro

  

  The last lens in the Master Prime set, the 100mm T2.0 Master Macro is a unique piece of optical engineering, offering 1:1 magnification. Featuring the same color and contrast matching as the rest of the Master Prime set, as well as virtually zero breathing.

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• Cooke Anamorphic/i SF Primes

  

  Based on the Cooke Anamorphics, the Special Flare (SF) Anamorphics offer the same great qualities of the Cooke Anamorphics, but with revised coatings to dramatically increase the anamorphic flare effects of the lenses, without losing any of the Cooke qualities their original anamorphics were known for.

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