Search Results for ""

• ARRI/Fujinon Alura Zooms

  

  A joint venture between ARRI and Fujinon, the Alura Zooms are robust, sharp, high quality lenses designed for the rigors of cinema production. Offering four focal lengths, two lightweight and two studios zooms, this range provides flexibility to filmmakers.

  Learn more

• Canon Century Converted Zooms

  

  Century Optics rehoused two Canon 35mm SLR lenses for use on cinema productions.  The new housings offer uniform focus, iris, and zoom gears as well as a robust design intended to meet the demands of cinema production, with both a 17-35mm and 28-70mm being available.  A 150-600mm long telephoto lens is also available for Super35 format cinematography.

  Learn more

• Canon K-35 Zoom

  

  Introduced by Canon to serve as a complimentary zoom to their K-35 Primes, the 25-120mm K-35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

  Learn more

• Fujinon Cabrio Zooms

  

   Fujinon introduced their Cabrio line of zoom lenses to offer a lower cost alternative to their Fujinon Premiere zooms. The Cabrio’s offer three lightweight zoom options as well as a larger studio zoom. They offer a neutral color temperature, sharp focus, and minimal breathing. We also have available an uncoated 19-90mm Cabrio, which provides a lower contrast image with more dramatic flaring.

  Learn more

• Angenieux Anamorphic Zooms

  

  Angenieux has expanded their lens catalogue with an array of anamorphic lenses, from lightweight offerings to large 10:1 studio zooms. A 0.75x wide angle adapter is available for the compact versions. Each Angenieux anamorphic offers the same great contrast, warmth, and cinematic nature of their other lenses and are designed to intercut with their spherical siblings.

  Learn more

• Angenieux Converted Anamorphic Zooms

  

  The Converted Anamorphic zooms are regular spherical Angenieux Zooms with anamorphic rear elements attached. These zooms will provide a 2x squeeze to the image, but will not produce the same extreme anamorphic flares or bokeh traditional among the native anamorphic zooms produced by Angenieux.

  Learn more

• ZEISS Super Speed Primes - Uncoated

  

  The uncoated version of the ZEISS Super Speed offers the same unique look of the Super Speed, but with reduced coatings for more intense flaring and a lower contrast look.

  Learn more

• ARRI Ultra Wide Zoom

  

  ARRI’s first venture into lens design without the aid of a name brand company, the Ultra Wide Zoom is an optical engineering feat. It’s ultra wide focal length of 9.5-18mm exhibits very little distortion and covers up to ALEXA 3.4K Open Gate.

  Learn more

• Leitz Summicron-C Primes

  

  Leitz’ new Summicron-C prime lenses are color matched to the Summilux-C lenses, designed to be used in conjunction with their more expensive big brothers. These new Leitz’s are also 30% smaller and 20% lighter than the Summilux-C Primes. Mechanically these lenses are on par with the Summilux-C’s, designed with a premium feel in mind.

  Learn more

• Elite Anamorphic Primes

  

  The Elites are Russian lenses produced in the late 20th century as a spiritual successor to older Russian anamorphic lenses. While they can be considered vintage in their coatings and look, their housings are more modern in design. These lenses are well known for their extreme anamorphic flare effects, and mild distortion at the wider focal lengths, which give them a character unlike other anamorphic lenses on the market today.

  Learn more