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• ARRI ALEXA 35 Xtreme

  

  ARRI builds on the legacy of their Xtreme camera line with the introduction of the ALEXA 35 Xtreme. Opening up a variety of high speed frame rates using the new Sensor Overdrive Mode and ARRICORE Codec, the 35 Xtreme improves on all aspects of the original ALEXA 35 without sacrificing size or weight. The Xtreme also reduces power consumption by 10% and improves a variety of other features such as pre-record time and Wi-Fi performance.

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• Nikon Nikkor AI-S (Whitepoint Optics Rehoused)

  

  Based on the popular AI-S stills primes from the 1980’s, Whitepoint Optics has rehoused these classic lenses into modern cinema housings. These beautiful lenses are sharp near the center with gradual fall off and water color like defocus. Their bokeh is bubbly and well defined, with good flare control for lenses from that era. The housings feature modern uniform front sizes and gear positioning.

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• NiSi Aureus Primes

  

  AUREUS PRIME, NiSi's new full-frame cinema lens collection, is unified by a constant T1.4 aperture. This ultra-fast T-stop ensures exceptional low-light performance and precise depth of field control, creating pleasing background separation even on the 18mm wide-angle. Optically, the series is engineered for professional-grade results, featuring high sharpness, zero focus breathing, and negligible chromatic aberration. Designed for efficiency, all lenses share identical physical dimensions, weight, and gear placements, allowing for rapid swaps. Each lens features a robust metal housing, a 90mm front diameter, and an 86mm filter thread. A swappable rear mount also accepts internal filters, such as ND or diffusion, leaving front-mounted accessories undisturbed.

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• ARRI Enso Prime Lenses

  

  The Ensō Primes are the second set of large format primes introduced by ARRI. They’re smaller and lighter than the larger ARRI Signature Primes, but still feature beautiful bokeh, gentle focus fall off, minimal breathing, and well controlled flares. They will pair well with the Signature Primes if you need a smaller, more compact set of primes to go alongside them. They’re also LPL Mount as well, which makes using them alongside ARRI’s line of cameras and lenses very easy.

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• Canon FD 50-300mm Zoom - Ancient Optics

  

  Covering a broad range of focal lengths, the Canon 50-300mm FD, rehoused by GL Optics for Ancient Optics, stands out as a flexible full-frame optic from the analog era, designed to bridge the gaps between a traditional set of fixed focal length lenses. This glass provides a significant 6x magnification factor, allowing users to shift effortlessly from a natural field of view into deep telephoto territory without the bulk typically associated with such a powerful zoom.

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• Leica M Summilux/Noctilux (Zero Optik Rehoused)

  

  Featuring expert rehousing by Zero Optik, these contemporary Leica M-mount aspherical optics deliver crisp, high-performance imagery and reliable uniformity tailored for the demands of modern cinema. While they offer the technical precision required for high-end productions (including LPL mounts), they maintain a signature vintage soul, characterized by graceful subject isolation and a gentle roll-off.

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• Laowa Zero-D

  

  Boasting a record-breaking 122° field of vision for an f/2.8 optic, this Laowa PL-mount lens offers an expansive perspective that is virtually unmatched in the cinema world. Its versatility makes it a premier choice for capturing vast environments, intricate structural designs, and indoor spaces, while its performance truly shines in the demanding realm of wide-field astrophotography.

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• Panasonic AW-UE150 UHD 4K 20x PTZ Camera

  

  The Panasonic AW-UE150AKPJ is a flagship PTZ solution designed to elevate broadcast and live productions with stunning UHD 4K 60p imagery. Built around a substantial 1" MOS sensor, it pairs a powerful 20x optical zoom with an expansive 75.1° field of view, ensuring comprehensive coverage even in tight spaces. Its robust connectivity suite—including 12G-SDI, HDMI, Fiber, and high-bandwidth NDI—allows for seamless integration into any professional infrastructure, while PoE++ support simplifies installation by handling power and data over a single cable.

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• Leitz HEKTOR Primes

  

  The HEKTOR Primes are inspired by the classic M lenses from the 30’s and 50’s. Designed by Leitz to be cinema ready for mirrorless cameras, the HEKTOR Primes feature uniform gear positions, an ultra compact size and weight, and feature excellent optics throughout the entire set. They combine beautiful flares with excellent field curvature and fall off, with limited optical aberrations.

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• Zeiss Jena Primes (IronGlass Rehoused)

  

  Zeiss Jena Primes were a product of post-war Europe, being produced in East Germany as a spin off of the legendary Carl Zeiss company. Optically the Jena Primes are excellent, producing a sharp image with unique flares, and a subtle fall off on full frame. These Jena’s have been rehoused by IronGlass with modern cinema housing, providing even gear positioning and front diameters for modern filmmakers.

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