Search Results for ""

• Atlas Mercury Anamorphic Primes

  

  The Atlas Mercury lenses are 1.5x squeeze anamorphics designed for full-frame sensors. They combine modern precision with vintage character, rendering beautiful unique images. A semi-cats eye bokeh with a soft, watercolor-like texture and subtle horizontal flares produce images that are unique compared to other full frame anamorphic’s. Each lens features a compact uniform design for seamless handling on set, making them easy to use and reliable.

  Learn more

• Cooke SP3 Primes

  

  Cooke’s SP3 Primes are small lightweight full-frame mirrorless camera prime lenses with cinema optical and mechanical design. They feature Cooke’s well known warmth and excellent optical characteristics, including beautiful bubbly bokeh and pleasing skin tone rendering. Each lens features uniform design, and is available in Sony E-Mount or Canon RF Mount.

  Learn more

• Fujinon Duvo Zooms (Full Frame)

  

  Fujinon Duvo’s are the next generation of broadcast production centric zooms designed for both Super 35 and Full Frame use. Each lens features the ability to expand image coverage from Super 35 to Full Frame using a built-in expander. Optically these lenses are sharp and cinematic, with beautiful bokeh. They feature a built in servo system as well as Cooke /i and Zeiss eXtended Data for lens data.

  Learn more

• Fujinon Duvo Zooms (Super 35)

  

  Fujinon Duvo’s are the next generation of broadcast production centric zooms designed for both Super 35 and Full Frame use. Each lens features the ability to expand image coverage from Super 35 to Full Frame using a built-in expander. Optically these lenses are sharp and cinematic, with beautiful bokeh. They feature a built in servo system as well as Cooke /i and Zeiss eXtended Data for lens data.

  Learn more

• Gecko-Cam Genesis Opia Primes

  

  The Genesis Opia's provide a classic cinema look in a modern package. With uniform gear positions and front diameters, the entire set is well designed for modern cinema workflows. They feature constant T2.0 stops across the entire range, and offer excellent color rendering with creamy smooth bokeh. These Opia’s feature a single coating to increase flare characteristics.

  Learn more

• Optika Elite Prime

  

  The 12mm Elite offers cinematographers the ability to achieve a fisheye look. While this lens is extremely distorted due to its wide nature, it's a perfect fit when the effect is desired.

  Learn more

• DZOFilm X-Tract Probe

  

  The X-tract 18-28mm T8 wide-angle probe zoom series redefines the possibilities of macro cinematography. Featuring a combination of 0°, 90°, and 360° lenses, it offers boundless creative flexibility. Designed for full-frame, it is fully compatible with S35 formats, providing an equivalent 22-35mm T8 range in Arri Alexa 35 Open Gate mode, ideal for commercial filmmaking. The 0° and 90° probe zoom lenses allow effortless adjustment of focal length and perspectives, even in confined spaces, creating enhanced spatial depth and dimensionality. The 360° periscope model features a 16cm crossarm and 30cm lens arm, and allows user to unlock three shooting modes for creative flexibility: Front Mode (0°): 30cm probe shaft moves in a 55cm arc for smooth vertical shots in tight spaces. Oblique Mode (0-180°): Dual rotation rings enable Dutch angles and horizon adjustments without quality loss. Rear Mode (180°): Foldable design with 360° rotation for dramatic "barrel roll" effects in confined areas. This flexibility empowers filmmakers with exceptional adaptability and creative expression.

  Learn more

• Canon FD (Whitepoint Optics Rehoused)

  

  Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. Whitepoint Optics has rehoused these lenses into modern cinema housings, offering a more robust build quality meant to withstand the rigors of modern cinema production.

  Learn more

• Lomo Round Front Anamorphic Lenses (TLS Rehoused)

  

  The Lomo Round Front Anamorphics are Russian lenses that date back to the 1970’s. Known for their unique anamorphic optics, these Round Front Lomo’s have been expertly rehoused by TLS. This rehousing revives the lenses, making them cleaner than many unrehoused sets that have fallen into disrepair. They exhibit softness at the edges, but are relatively sharp towards the center of the frame. The housings are modern as well, removing the telescoping present on the original housings, and adding standard gear positioning and standard front diameters for most focal lengths.

  Learn more

• ASC Todd-AO 65mm Primes

  

  Originally built in the early 1950s, the legendary Todd-AO 65mm Primes helped create such classics as Oklahoma!, Around the World in 80 Days, The Sound of Music, South Pacific, Cleopatra, The Alamo, Hello, Dolly! and Patton. After decades in disrepair, they were eventually donated to the American Society of Cinematographers, and forgotten in the ASC Clubhouse basement... until now.

  Learn more