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• Leitz Cine Zooms

  

  The Leitz Cine Zoom set consists of the 25-75mm and 55-125mm. Both zooms are a fast T2.8 and designed to cover full frame formats. They are color matched with the Leitz Primes and feature no light loss over the entire zoom range when zooming. They exhibit exceptionally low distortion, minimal breathing, and no visible chromatic aberration.

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• Canon Type SK

  

  Released in the 1960’s, the Type SK are still photography lenses rehoused into matched cinema housings. The lenses are sharp, especially for a vintage lens. They produce a pleasing lower contrast image, with smooth bokeh and beautiful warm flares.

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• Cooke 1.8x Full Frame SF Plus Anamorphic Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Hawk V-Lite Macro Anamorphic Vintage ’74

  Vantage designed the Hawk V-Lite Macro to match the rest of the Hawk V-Lite Vintage ‘74 set. The 55mm focal length provides a high quality macro option to the already tried and true Hawk V-Lite set and features the same coating changes present on the rest of the Vintage ‘74 set.

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• CCI Swing Shift Macro

  

  The Clairmont Swing Shift Macro lens mounts to the CCI Swing Shift Bellows system and allows ultra close focus swing shift images to be captured.

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• Nikkor Macro

  Originally a still photography lens, the 200mm Nikkor Macro has been converted for cinema use with a PL mount. The Nikkor Macro features excellent sharpness, contrast, and close focus.

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• Infinity Long Distance Macro Lens

  

  A very unique photography tool, the Infinity Long Distance Macro was designed to allow macro photography without the subject being extremely close to the lens. This system allows the camera to be many feet away from a subject while still providing up to 10x magnification close-up.

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• Canon K-35 Macro Zoom

  

  Introduced by Canon to serve as a complimentary zoom to their K35 Primes, the 25-120mm K35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

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• IB/E Raptor Macros

  

  IB/E’s Raptor Macros offer four full frame prime lenses that exhibit superb close focus, 1:1 magnification, and a 50mm image circle designed to cover all modern digital cinema full frame cameras. Each Raptor Macro is designed with special apochromatic lens elements for better chromatic aberration correction and minimal spherical aberration.

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• RED DSMC3 V-Raptor 8K VV

  

  The V-Raptor is the first DSMC3 camera from RED. It features the new V-Raptor 8K VV large format sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The DSMC3 platform is more compact than the previous DSMC2 platform, offering filmmakers a more versatile package.

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