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ARRI Signature Zoom 1.7x Extender
The ARRI Signature Zoom 1.7x Extender is the perfect tool to expand the range of your 65-300mm Signature Zoom or 280mm Signature Prime. The extender maintains optimal sharpness, contrast, and lens characteristics while only causing a loss of 1.6 stops of light. It features an LPL mount and allows pass-through of LDS-2 lens data on supported cameras.
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Angenieux Optimo Ultra Zoom
Angenieux has a number of large format zooms. Three lightweight options are available in the 22-60mm T3 and 45-135mm T3 EZ-1 and EZ-2 Zooms as well as the 21-56mm and 37-102mm Lightweight Ultra Zoom and the large format 12:1 in the 36-435 T4.2 Angenieux Ultra. All of these zooms offer the same pleasing warm Angenieux look and reliability the industry has become accustomed to.
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Sony Venice 2
The Sony Venice 2 introduces a 8.6K Full Frame sensor with dual 800 and 3200 base ISO modes. It features the same built-in full spectrum ND filters as the original Venice. The R7 Raw Recorder is now built into the body of the camera, foregoing the use of SxS cards and proxy recording for the more robust X-OCN raw codec. The first generation 6K sensor module from the Venice is compatible with the Venice 2 as well.
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Cooke FF Macro Primes
The Cooke FF Macros were designed to integrate seamlessly into the Cooke S7 & S8 sets. These macros are sharp and color matched to the rest of the S7/S8's and provide optimal performance for spherical full frame macro cinematography.
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MasterBuilt Portrait Primes
The Portrait series of the MasterBuilt family of lenses exhibit a more dramatic focus fall off and slightly lower contrast than the original lenses, creating a dreamy portrait look. They have a similar color temperature and vintage feel like the rest of the MasterBuilts and are available in three focal lengths. They also feature the same fast t-stops and uniform construction as the rest of the set.
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MasterBuilt Anastigmat Prime
The MasterBuilt Anastigmat is a single 160mm focal length prime that provides a sharp, even image with attractive focus roll off and a warm aesthetic flare, with minimal chromatic aberration. The lens renders a painterly background and a sharp foreground. Available in LPL mount only.
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ARRI ALEXA 35
The ALEXA 35 introduces ARRI’s first Super35 4K sensor. The camera is equipped with a new body style, excellent high speed capabilities, and ARRI’s Texture functionality which acts as a digital film stock offering filmmakers an added layer of visual customization for their project. The camera shoots both ARRIRAW and ProRes and utilizes high speed Codex Compact Drives in both 1TB and 2TB flavors.
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Cooke S8/i Primes
Cooke’s S8/i primes are faster, lighter, and smaller than previous full frame Cooke lenses. They exhibit Cooke’s pleasing warmth and creative Cooke Look. Each lens features uniform high quality Cooke design and utilizes Cooke’s i/Data for intelligent metadata capture.
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P+S Technik Technovision 35-70mm FF Anamorphic Zoom
The Technovision Classic 35-70mm is one of the early full frame anamorphic lenses made by P+S Technik. Featuring a squeeze of 1.5x, the zoom covers large format sensors well. It exhibits unique anamorphic bokeh and horizontal flaring, with pleasing edge fall off and exaggerated character. It feels almost vintage, while still being fairly sharp and modern in its design.
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Keslow Renaissance Zoom
The 27-128mm Keslow Renaissance Zoom T3.6 is an enhanced 17-80mm Angenieux Optimo. Using the Optimo as a base lens, our Lens Team modified it to increase various characteristics sought after by cinematographers, such as increased edge falloff and slightly lowered contrast, with a beautiful painterly bokeh. The zoom has been expanded to cover modern, full-frame camera sensors.
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