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• Scorpio Full Frame 2x Anamorphic Primes

  

  Servicevision made the Scorpio Anamorphic Primes for use with large format cameras, perfect for use with the Sony Venice, RED Monstro, or ALEXA LF sensors. The Scorpio Anamorphics produce excellent field sharpness, warmth, and close focus not found in most anamorphic designs. The set requires a 2.39:1 crop of the full frame sensor area.

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• SIGMA FF Classic Primes

  

  SIGMA created the FF Classic Primes to further accentuate the flares of their original prime set by making changes to their coatings. These compact, high speed primes are sharp, neutral in temperature while being lower contrast than the originals and feature SIGMA’s quality cinema housings at a reasonable price.

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• ARRI Signature Zooms

  

  ARRI designed the Signature Zooms to perfectly match the Signature Prime set of lenses. Built with LPL mounts for optimal full frame performance, the 16-32mm T2.8, 45-135mm T2.8, and 65-300mm T2.8 zooms are both fast and well-balanced for their size. They feature the same pleasing bokeh, smooth focus, and the warm cinematic tone of the prime lens set.

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• ARRI Macro

  

  The ARRI Macro set was co-designed by ARRI and Zeiss in a collaboration that strived to make a modern, sharp, clean macro lens. Each lens in the set offers superb optical performance, and the longer focal lengths will even cover larger sensors.

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• Cooke Macro Anamorphic

  

  The Cooke Anamorphic Macro lens matches the rest of the Cooke 2x Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth.

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• ARRI/ZEISS Master Macro

  

  The last lens in the Master Prime set, the 100mm T2.0 Master Macro is a unique piece of optical engineering, offering 1:1 magnification. Featuring the same color and contrast matching as the rest of the Master Prime set, as well as virtually zero breathing.

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• Cooke Macro Anamorphic SF

  The Cooke Anamorphic SF Macro lens matches the rest of the Cooke 2x SF Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth in addition to the SF flares.

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• Zeiss Macro

  Zeiss made the 60mm Macro around the same time as the Standard Speed set. The lens fits well into that set and offers similar optical performance as the Standard Speeds.

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• Leica R Macro - TLS/Cinescope

  

  A TLS/Cinescape rehoused lens, the Leica R Macro is a still photography lens that has been converted for use with cinema cameras and features excellent close focus, 0.8 gearing for focus motor attachment, and a PL mount.

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• Hawk V-Lite Macro Anamorphic

  Vantage designed the Hawk V-Lite Macro to match the rest of the standard Hawk V-Lite set. The 55mm focal length provides a high quality macro option to the already tried and true Hawk V-Lite set.

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