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• ZEISS Contax Primes

  Based on 1980's still lenses, these rehoused Contax/Zeiss Primes do not have consistent maximum aperture’s across the range. Optically fairly sharp and slightly lower contrast when compared to similar vintage still lenses, and looks similar in character to the Zeiss Super Speed’s. 

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• RED Komodo 6K S35

  

  RED’s super compact camera features a 6K global shutter sensor and ultra lightweight design ideal for unique rigging solutions. The Komodo records Apple ProRes and REDCODE Raw formats to CFast media and features the same 16+ stops of dynamic range as the rest of RED’s product line.

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• Angenieux Optimo Primes

  

  Angenieux's new Optimo Primes offer filmmakers small lightweight full frame cinema primes made specifically to match Angenieux's line of cinema zooms. The Optimo Primes feature a unique design that allows the iris assembly, an internal glass element, and a rear filter to be swapped out, providing filmmakers with a versatile tool for creating dynamic images. The lenses are fast ranging from T1.8 for most focal lengths to T2 and T2.2 for the 18mm and 200mm respectively. Each lens features Cooke i/Data and ARRI LDS for lens metadata capture.

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• Caldwell Chameleon XC Series Anamorphic Primes

  

  The Caldwell Chameleon Anamorphic prime lenses offer a retro anamorphic look with modern mechanics. The entire 1.79x squeeze set, 48mm, 60mm, 75mm, 90mm, 112mm, & 150mm will cover full frame sensors and offer the traditional optical aberrations and flare characteristics unique to front anamorphic lenses. The Chameleon Primes employ a Stokes focus system that creates a fairly unique focusing experience compared to many other anamorphic primes. The aesthetic result is the compression of the subject in the vertical plane only. This creates an artistic “attention pull” without creating a “zoom” effect as well. Also, this system helps maintain a constant anamorphic compression across the entire field of view. This more uniform compression helps reduce the “mumps syndrome” that occurs in many other anamorphic lens designs.  The complete set can also be converted to Super 35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats. 

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• Cooke Anamorphic 1.8x Full Frame Plus Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Laowa Ranger Zooms

  

  The Laowa Rangers are a pair of lightweight full frame zooms. Available in 28-75mm and 75-180mm T2.9, these zooms provide filmmakers with a compact and high quality zoom perfect for steadicam or handheld work. They produce a reasonably sharp and attractive image with rounded bokeh. The two zooms are optically similar in terms of performance and quality.

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• 8mm Nikkor Fisheye T2.8

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• 6mm Nikkor Fisheye T2.8

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• 8mm Nikkor Fisheye T3.2

  

  These lenses have been designed specifically for use in fisheye photography. Many have been converted to PL mount and geared for cinema use. These lenses provide an ultra wide globe like effect, unique to fisheye lenses.

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• ZEISS Supreme Radiance Primes

  

  The Supreme Primes Radiance are a modification of the original Supreme Prime. They offer the same features as the original Supremes, but feature a different coating process which enhances and controls flares without loss of contrast or T-stop.

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