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• Canon Cinema Zoom

  

  Canon has recently re-entered the cinema lens market after decades-long hiatus. Their new Cinema Zooms are high quality, offering Canon’s classic warmth and sharpness without sacrificing contrast or image quality. The 17-120mm Cinema Zoom features a servo-handle that provides easy handheld single operator control for documentary and live production.

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• ZEISS Ultra Primes (LDS) - Uncoated

  

  This uncoated version of the ZEISS Ultra Prime lens set offers a lower contrast alternative to the original Ultra Prime. These uncoated versions also feature ARRI’s LDS (Lens Data System) for transmitting lens information to the camera system. Uncoated elements also allow these lenses to flare more easily and increase the characteristics of their flares.

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• Cooke SK4 Primes

  

  Cooke developed the SK4 primes for use with 16mm film cameras. The limited set of focal lengths: 6mm, 9.5mm, and 12mm, is meant to step up to the Super 35 Cooke S4 lenses to complete a full set of lenses on 16mm. The SK4’s offer Cooke’s historic look, featuring a warmth and unique bokeh unlike any other lenses.

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• Hawk V-Series Anamorphic Primes

  

  The V-Series Hawk lenses were produced by Vantage in the early 2000’s. They are an evolution of the C-Series and exhibit some similar aesthetic properties as the C-Series lenses, although the V-Series are larger and their housings are more highly engineered with internal focusing mechanisms. The V-Series are a perfect option for those trying to marry modern and vintage looks.

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• ARRI ALEXA LF

  

  ARRI’s full sized Full Frame camera produces 4.5K images using the A2X revision of their ALEV III sensor. ALEXA LF footage matches all other ALEXA footage while providing a wider frame for composing more cinematic images. The LF utilizes the same SXR media as the ALEXA SXT and shoots both ARRIRAW and Apple ProRes formats.

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• RayBenders

  

  Much like the Kooky Cookes, the Raybenders are based on a Cooke S4 lens and modified by Keslow Camera to produce unique effects. These lenses render a softer outer field while maintaining a sharp center. Overall contrast is reduced and some veiling glare is present. 18mm, 27mm, 40mm, 50mm, and 65mm Raybenders are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.

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• Kooky Cookes

  

  Keslow Camera specially designed the Kooky Cooke’s using Cooke S4 lenses. These lenses produce unique flare effects. A wide range of Kooky Cooke’s are available. We can even produce unique adjustments to these lenses based on the needs of individual cinematographers.

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• Distortion Lenses

  

  These Distortion Lenses can be mounted to ZEISS Super/Standard Speeds (focal lengths 18-32mm) to allow multiple unique optical distortion effects to be applied to a scene.

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• Peephole Lens

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• Canon FD (GL Optics Rehoused)

  

  Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. GL Optics has rehoused these lenses into modern cinema housings, offering uniform focus and iris gears as well as a more robust build quality meant to withstand the rigors of modern cinema production.

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