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• Leitz Summicron-C Primes

  

  Leitz’ new Summicron-C prime lenses are color matched to the Summilux-C lenses, designed to be used in conjunction with their more expensive big brothers. These new Leitz’s are also 30% smaller and 20% lighter than the Summilux-C Primes. Mechanically these lenses are on par with the Summilux-C’s, designed with a premium feel in mind.

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• Elite Anamorphic Primes

  

  The Elites are Russian lenses produced in the late 20th century as a spiritual successor to older Russian anamorphic lenses. While they can be considered vintage in their coatings and look, their housings are more modern in design. These lenses are well known for their extreme anamorphic flare effects, and mild distortion at the wider focal lengths, which give them a character unlike other anamorphic lenses on the market today.

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• Hawk C-Series Anamorphic Primes

  

  The C-Series are some of the first sets of Hawk lenses produced by Vantage back in the 90’s. They’re compact form factor makes them easier to work with than some anamorphic lenses. They’re softer than more modern anamorphics while still providing enough sharpness to render a scene and render beautiful skin tones. Their anamorphic focus effects and flares are particularly appealing, as they emulate much older anamorphic designs without the flaws inherent in vintage lenses.

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• Canon K-35 Anamorphic Primes

  

  The Canon K-35 anamorphics are a marriage of the classic Canon K-35 primes to a 2x squeeze anamorphic front optical group, to create fast, sharp, beautiful anamorphic lenses.

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• ARRI ALEXA Mini

  

  ARRI’s small Super 35 format camera offers a compact camera solution within the ARRI ecosystem. Using the same 4:3 ALEV III sensor as other Super 35 ARRI cameras, the ALEXA Mini will fit well into ARRI based production workflows. The Mini is capable of producing 3.4K images or a 4K UHD upres.

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• ZEISS Compact Zooms

  

  ZEISS engineered their Compact Zooms as a large format zoom option to compliment the Compact Prime and Supreme Prime lenses. Available in 15-30mm T2.9, 28-80mm T2.9, and 70-200mm T2.9, these zooms are well suited for large format cinematography and come in lightweight compact housings making them easy to use in a variety of setups.

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• ARRI Anamorphic Zooms

  

  Based on their spherical Ultra Wide Zoom, the ARRI Ultra Wide Anamorphic Zoom is just as well designed as it’s spherical cousin. This is a very low distortion wide angle lens, especially in the anamorphic format.

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• Todd-AO Anamorphic Primes

  

  Originally introduced as part of the Todd-AO film format and camera systems back in the 1950’s, the Todd-AO anamorphics are very unique in their optical properties. They exhibit extreme anamorphic effects and offer milky, low-contrast images with a warm color tone. Their housings have been adapted for modern cinema use with new focus and iris geared pitch rings.

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• Sony a7S II

  

  The A7S II houses Sony’s 12.2 megapixel Exmor CMOS sensor and was designed with low light photography and videography in mind. It offers 4K video recording using Sony’s XAVC format.

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