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• Caldwell Chameleon SC Series Anamorphic Primes

  The Caldwell Chameleon’s offer a retro anamorphic look with modern conveniences. The entire set of 1.79x squeeze anamorphic’s will cover full frame sensors and offer optical and flare characteristics that are inspired by anamorphic’s from the past century. The entire set is also convertible to Super35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats.

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• Sony Burano

  

  The Sony Burano offers a 8K Full Frame sensor with dual 800 and 3200 ISO modes, a built-in electronic variable ND filters, and internal image stabilization with both PL and E-Mount lenses. All camera controls are accessible by the operator, requiring no additional assistance to operate. This is perfect for documentary or live production environments. The Burano can record Sony’s raw X-OCN LT format internally and features a compact design well suited for lightweight operation conditions.

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• RED DSMC3 V-Raptor XL [X] 8K VV

  

  The V-Raptor XL [X] introduces a global shutter to the V-Raptor XL ecosystem of cameras. It features the new V-Raptor [X] 8K VV large format sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The XL body features integrated power outputs, additional SDI outputs, dedicated timecode, genlock, and control ports, and a shimmable PL Mount. Features an all-new, built-in electronic ND system which allows cinematographers to precisely select their density in ¼, 1/3, and full stop increments for no-compromise exposure management. The new global shutter allows for smoother motion on high speed objects without any distortion or jello-effect.

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• RED DSMC3 V-Raptor [X] 8K VV

  

  The V-Raptor [X] introduces a global shutter to the V-Raptor ecosystem of cameras. It features the new V-Raptor [X] 8K VV large format global shutter sensor, boasting 17+ stops of dynamic range and a maximum frame rate in 8K 17:9 of 120FPS. The DSMC3 platform is more compact than the previous DSMC2 platform, offering filmmakers a more versatile package, and the global shutter allows for smoother motion on high speed objects without any distortion or jello-effect.

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• KesLOW Angle Mirror

  The KesLOW Angle Mirror is an optical device that allows the camera to capture an image at an angle away from the position of the lens. A high grade front surface mirror is used to reduce aberrations and provide a clear image. Lenses as wide as 21mm can be used on full frame cameras, or 16mm for Super35 camera, depending on the model of lens used. The housing of the KesLOW Angle Mirror is made of carbon fiber, reducing the overall weight of the system. It is mounted to 15mm studio rods, and allows multiple angles.

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• Canon Rangefinder Primes (TLS Rehoused)

  

  Canon’s Rangefinder Primes are rehoused stills lenses from the 60’s. They feature dreamy single-layer coatings that produce beautiful big amber flares and lower contrast images. Their bokeh is a semi-cateye shape in the outer field when wide open. The speed of each lens varies, but each is relatively fast. Each lens is rehoused by TLS modern mechanical designs and standard front diameters. This set includes the iconic Canon "Dream Lens."

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• Canon FD (TLS Rehoused)

  

  Originally introduced in the 1970’s the Canon FD’s were still photography lenses well known for their warm pleasing tones and smooth nature. TLS has rehoused these lenses into modern cinema housings, offering a more robust build quality meant to withstand the rigors of modern cinema production.

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• Canon FD SSC (TLS Rehoused)

  

  The SSC Canon FD’s feature the superb Super Spectra Coating from Canon. Designed in the early 1970’s, the Super Spectra Coating is a multi-layer coating that delivers optimum color balance and helps eliminate ghosting and flare aberrations present on the older non-SSC FD’s. This benefit is especially noticeable on today's modern digital sensors. The FD-X lens in this set is a modified 24mm Canon FD with a Angenieux 0.75x Wide Angle Adapter which allows for a wider 18mm field of view. These FD’s feature durable, reliable TLS rehousings for the modern era.

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• Canon Cine-Servo Zoom

  

  Canon’s Cine-Servo line of lenses feature a built in servo handle. The 50-1000mm features a 20x zoom range with a 1.5x extender allowing the lens to reach up to 1500mm. Ideal for wildlife, sports, and documentary filmmaking, it delivers sharp, high-resolution images with minimal distortion, thanks to advanced Canon optical designs. The lens has a constant T5.0 aperture up to 560mm, ramping to T8.9 beyond that. The attached servo unit features precise servo controls for smooth zoom, focus, and iris adjustments.

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• Second Reef Coral 1.5x Anamorphic Primes

  

  Second Reef’s Coral Anamorphics are a unique set of 1.5x anamorphic lenses in PL mount that feature a special oval iris design which produces bokeh similar to a 2x anamorphic. They cover full frame sensors and produce strikingly beautiful images. The image is sharp, with attractive fall off and anamorphic flares. The lenses are relatively light and small for a full frame anamorphic, and they feature excellent close focus performance and Cooke /i lens data functionality.

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