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• MasterBuilt SuperWide LF Prime

  

  The MasterBuilt SuperWide is a single 14.5mm full frame prime lens manufactured for use with the entire MasterBuilt range of lenses. The prime has a superwide angle of view, with a fairly sharp and even field, slight distortion, and a pleasing multi chromatic flare. Featuring a fast T1.9 stop and full frame coverage, it’s the perfect wide lens for use alongside any MasterBuilt lens.

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• Sony Venice Rialto 2 Extension System

  

  The Sony Venice Rialto 2 was designed with the 8K Sensor Block from the Venice 2 in mind. There are two models available, one with a 9.8 foot cable cable and one with a 39 foot cable. The Rialto 2 is compatible with both the Venice 1 and Venice 2 as well as both the 8K and 6K Sensor modules. All recording functionality is retained when in Rialto mode. The new extension module is perfect for unique rigging situations.

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• Sony FX6 Camera Body

  

  The Sony FX6 is a camcorder sized full frame cinema camera. It features a Sony E-Mount for maximum flexibility with lens adaption, a variety of built in ND filters, XAVC-I recording, onboard audio recording capabilities, and 15+ stops of dynamic range. It is a perfect camera to supplement the Sony Venice when size and portability are needed.

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• Bright Tangerine Prodigy Air Deflector

  

  The Bright Tangerine Prodigy is a new take on spray deflection. The Prodigy uses a high powered air deflection system to remove liquid and other debris from the front of the lens. It clamps onto the front of the lens and features two 4x5 filter trays as well as an expandable Reveal third stage slot. Perfect for achieving a clear shot in any condition.

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• Gecko-Cam Genesis G35 Vintage '66 Primes

  

  The Genesis Vintage ‘66 Primes are a modern lens featuring state of the art German mechanical design with vintage aesthetics. They render pleasing skin tones, a sharp clean bokeh, and vintage inspired flares while still being optically sharp and flat. All the lenses are quite compact in size and feature a uniform design.

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• Keslow Interface Sync System (KISS Box)

  

  Keslow Camera is keeping up with the new wave of technologies! We have designed and built in-house the Keslow Interface Sync System (KISS Box). This allows production to use a sync sound film camera against the Live Volume Wall using a Genlock signal to drive ArriCam LT and ArriCam ST cameras. It is compatible with environments of not only 24 frames per second, but other popular sync sound frame rates such as 23.976 up to 30 fps. Built into a digital world, the KISS Box will allow you to use the Genlock signal to drive the cameras. Capturing your shots just got a whole lot easier.

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• Leitz Summilux-C Macro

  

  Leitz’ flagship Super 35 lenses, the Summilux-C’s have become staples of the film business with their pleasing skin tones and medium contrast. They feature a fast aperture through the focal range of T1.4 and virtually no breathing. A unique focus design and use of exotic aspheric elements enable smooth focus pulls and exceptional performance in a compact package.

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• Leica R - Zero Optik Primes

  

  The vintage Leica R lenses have been rehoused by Zero Optik to improve housing mechanics and provide a robust design for cinema use. They still exhibit the same optical sharpness, pleasing bokeh, and smooth fall-off present in their non-rehoused cousins.

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• Cineovision Anamorphic Primes

  

  Dating back to the 1970’s, Cineovision Anamorphics are vintage lenses with more character than many lenses of the era. They render warm pleasing skin tones with unique anamorphic bokeh. They defocus in a painterly manner and produce star-like horizontal anamorphic flares. Cineovisions err on the softer side and feature a sharper center with more fall off on the edges than modern anamorphic lenses.

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• Sony FX9 Camera Body

  

  Sony’s FX9 is a camcorder sized full frame cinema camera. Featuring Sony’s E-Mount it can easily be adapted to most lens mount types for maximum versatility. It’s Exmor R sensor offers 15+ stops of dynamic range and a dual ISO mode for both 800 ISO and 4000 ISO base shooting. The body is uniquely designed for run and gun style shooting and features a variety of built in ND’s and production functionality such as onboard audio management. The Sony FX9 integrates well into the entire cine line of Sony Cameras, from the Venice all the way to the FX3.

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