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• ARRI Signature Primes

  

  Signature Primes are ARRI’s large format lenses designed specifically for use with their Large Format camera system line.  The Signatures feature ARRI’s LPL mount, a robust lightweight housing, pleasing bokeh, smooth focus, and a warm cinematic tone.

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• Angenieux Optimo Ultra Zooms

  

  Angenieux new Ultra 12:1 replaces the traditional workhorse 24-290mm. The new Ultra offers improved optical performance and a unique Integrated Rear Optics system, which allows the lens sensor coverage and focal length to be adjusted. Available in 24-290, 26-320, and 36-435 and able to cover Super35 all the way to Large Format, the Optimo Ultra is a very versatile tool.

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• Nikkor Telephoto Primes

  

  The Nikkor Telephoto primes are still photography lenses that have been repurposed for cinema use with modern PL mounts installed for ease of use on digital cinema cameras.

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• Cooke Panchro Classic Primes

  

  The Panchro Classics are a modern reimagining of the original Cooke Speed Panchro primes. These new lenses are based on the original lens design schematics and use modern coatings to emulate the look of their vintage predecessors. The Classics feature the same i/ Data system as many other Cooke lenses. These are a true modernization without sacrificing the look of the original Speed Panchros.

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• Sony Venice Rialto Extension System

  

  The Sony Rialto Extension System allows the Sony Venice camera body to be separated and extended away from the 6K Sensor block. This allows the lens and sensor to be placed in tight spaces, or handheld more easily for complex action scenes. The Rialto features a nine foot cable as well as an available nine foot extension cable. This allows the Rialto to be placed up to 18 feet away from the Sony Venice camera body. All of the Venice's functionality is maintained while in Rialto mode.

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• Hawk V-Plus Vintage '74 Anamorphic Zooms

  

  Adding to their Vintage ’74 set Vantage produced the Hawk V-Plus Vintage ’74 Zooms. Available in the same focal lengths as the regular Hawk V-Plus lenses, the Vintage ’74 versions offer the same vintage coatings that greatly accentuate the anamorphic effects and flares of the lenses. These will match the normal V-Lite Vintage ‘74’s well.

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• Angenieux Zooms

  

  The 25-250mm HR Angenieux Lens was an industry standard workhorses for decades. Still in use because of its lower contrast warm vintage appeal, the HR zoom is a great option for taking the edge off of modern digital cinema sensors.

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• Canon K-35 Zooms

  

  Introduced by Canon to serve as a complimentary zoom to their K-35 Primes, the 25-120mm K-35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

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• ZEISS Ultra Primes (LDS)

  

  The LDS Ultra Primes are optically identical to the normal Ultra Primes, but integrate ARRI’s LDS (Lens Data System) to provide lens information to the camera system. This is key for visual effects heavy productions and also a great creature comfort for any job.

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• Duclos Tokina Zoom

  

  Duclos Lenses in Los Angeles designed a new housing for the Tokina 11-16mm still photography lens. The lens has a declicked iris and gears added to the focus, iris, and zoom rings. This is an extremely versatile wide angle lens that features low distortion and breathing for a still photography lens.

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