Search Results for "hawk anamorphic"
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Cooke Macro Anamorphic SF
The Cooke Anamorphic SF Macro lens matches the rest of the Cooke 2x SF Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth in addition to the SF flares.
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Scorpio Anamorphic FF Macro
Servicevisions 60mm Scorpio Anamorphic Macro was designed alongside the rest of the Scorpio Anamorphic set. Like the regular Scorpio primes the Macro exhibits excellent field sharpness and warmth.
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Cooke Anamorphic 1.8x Full Frame SF Primes
Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.
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Cooke 1.8x Full Frame SF Plus Anamorphic Primes
Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.
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P+S Technik Technovision 35-70mm FF Anamorphic Zoom
The Technovision Classic 35-70mm is one of the early full frame anamorphic lenses made by P+S Technik. Featuring a squeeze of 1.5x, the zoom covers large format sensors well. It exhibits unique anamorphic bokeh and horizontal flaring, with pleasing edge fall off and exaggerated character. It feels almost vintage, while still being fairly sharp and modern in its design.
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STATERA Anamorphic Primes - Ancient Optics
The Statera lenses are large format 1.5x anamorphics, designed with brand-new optical elements crafted specifically for this series. Behind each anamorphic group sits a vintage taking lens, contributing to the distinct look, but the focus is on their innovative modern design. Drawing inspiration from anamorphic lenses like Cineovision, JDC, and Nipponscope, the Stateras use a variable diopter focusing mechanism that inherently minimizes distortion. The oval bokeh is uniquely pronounced at the edges due to the field curvature of the vintage taking lens, making the 1.5x squeeze resemble the character of a 2x squeeze. While they nod to vintage aesthetics, the Stateras are built for modern durability and sharpness, housed in robust, modern casings.
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Lomo Anamorphic Primes
The Lomo Anamorphics are Russian lenses that date back to the 1970’s. Lomo’s are well known in the business for exhibiting messy and unique anamorphic and optical effects. Their characteristics make them more akin to art lenses than cinema lenses, but their unique look makes them appealing for certain types of work.
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Todd-AO Anamorphic Primes
Originally introduced as part of the Todd-AO film format and camera systems back in the 1950’s, the Todd-AO anamorphics are very unique in their optical properties. They exhibit extreme anamorphic effects and offer milky, low-contrast images with a warm color tone. Their housings have been adapted for modern cinema use with new focus and iris geared pitch rings.
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Cooke Anamorphic/i SF Primes
Based on the Cooke Anamorphics, the Special Flare (SF) Anamorphics offer the same great qualities of the Cooke Anamorphics, but with revised coatings to dramatically increase the anamorphic flare effects of the lenses, without losing any of the Cooke qualities their original anamorphics were known for.
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Clairmont Anamorphics Primes
The Clairmont Anamorphics are a rehoused version of the classic Kowa Anamorphic lenses, with a new 32mm focal length designed around a wide angle adapter which is built onto a 40mm Kowa Anamorphic. These lenses feature modern housings designed especially for cinema application and feature uniform focus and iris gearing across the entire set.
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