Search Results for "hawk anamorphic"

  • Cooke 1.8x Full Frame Plus Anamorphic Primes

    Cooke 1.8x Full Frame Plus Anamorphic Primes

    Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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  • Cooke Macro Anamorphic SF

    The Cooke Anamorphic SF Macro lens matches the rest of the Cooke 2x SF Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth in addition to the SF flares.

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  • Scorpio Anamorphic FF Macro

    Scorpio Anamorphic FF Macro

    Servicevisions 60mm Scorpio Anamorphic Macro was designed alongside the rest of the Scorpio Anamorphic set. Like the regular Scorpio primes the Macro exhibits excellent field sharpness and warmth.

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  • Cooke Anamorphic 1.8x Full Frame Plus Primes

    Cooke Anamorphic 1.8x Full Frame Plus Primes

    Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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  • Cooke Anamorphic Zooms

    Cooke Anamorphic Zooms

    Cooke introduced the 35-140mm Cooke Anamorphic Zoom as a compliment to their Cooke Anamorphic Primes. This zoom will match the Cooke Anamorphics, as well as other Cooke lenses.

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  • Cooke Macro Anamorphic

    Cooke Macro Anamorphic

    The Cooke Anamorphic Macro lens matches the rest of the Cooke 2x Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth.

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  • Angenieux Anamorphic Zooms

    Angenieux Anamorphic Zooms

    Angenieux has expanded their lens catalogue with an array of anamorphic lenses, from lightweight offerings to large 10:1 studio zooms. A 0.75x wide angle adapter is available for the compact versions. Each Angenieux anamorphic offers the same great contrast, warmth, and cinematic nature of their other lenses and are designed to intercut with their spherical siblings.

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  • Cooke Anamorphic Primes

    Cooke Anamorphic Primes

    The Cooke Anamorphic lenses feature the same great “Cooke Look” their lenses are known for, but in a true anamorphic package. These lenses produce a truly cinematic frame by marrying a warm Cooke color pallet. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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  • STATERA Anamorphic Primes - Ancient Optics

    STATERA Anamorphic Primes - Ancient Optics

    The Statera lenses are large format 1.5x anamorphics, designed with brand-new optical elements crafted specifically for this series. Behind each anamorphic group sits a vintage taking lens, contributing to the distinct look, but the focus is on their innovative modern design. Drawing inspiration from anamorphic lenses like Cineovision, JDC, and Nipponscope, the Stateras use a variable diopter focusing mechanism that inherently minimizes distortion. The oval bokeh is uniquely pronounced at the edges due to the field curvature of the vintage taking lens, making the 1.5x squeeze resemble the character of a 2x squeeze. While they nod to vintage aesthetics, the Stateras are built for modern durability and sharpness, housed in robust, modern casings.

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  • Scorpio Full Frame 2x Anamorphic Primes

    Scorpio Full Frame 2x Anamorphic Primes

    Servicevision made the Scorpio Anamorphic Primes for use with large format cameras, perfect for use with the Sony Venice, RED Monstro, or ALEXA LF sensors. The Scorpio Anamorphics produce excellent field sharpness, warmth, and close focus not found in most anamorphic designs. The set requires a 2.39:1 crop of the full frame sensor area.

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