Search Results for "hawk anamorphic"

• Kowa Anamorphic Primes

  

  Originating in Japan in the 1970’s, the 2x Kowa Anamorphic Lenses are limited in focal lengths, but particularly unique in their size, design, and optical characteristics. They feature traditional vintage anamorphic characteristics such as long horizontal flares and large oval bokeh. A wide angle adapter may be attached to the 40mm to convert it to a 32mm equivalent.

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• Cooke Anamorphic Primes

  

  The Cooke Anamorphic lenses feature the same great “Cooke Look” their lenses are known for, but in a true anamorphic package. These lenses produce a truly cinematic frame by marrying a warm Cooke color pallet. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Angenieux Anamorphic Zooms

  

  Angenieux has expanded their lens catalogue with an array of anamorphic lenses, from lightweight offerings to large 10:1 studio zooms. A 0.75x wide angle adapter is available for the compact versions. Each Angenieux anamorphic offers the same great contrast, warmth, and cinematic nature of their other lenses and are designed to intercut with their spherical siblings.

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• Canon K-35 Anamorphic Primes

  

  The Canon K-35 anamorphics are a marriage of the classic Canon K-35 primes to a 2x squeeze anamorphic front optical group, to create fast, sharp, beautiful anamorphic lenses.

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• ARRI Anamorphic Zooms

  

  Based on their spherical Ultra Wide Zoom, the ARRI Ultra Wide Anamorphic Zoom is just as well designed as it’s spherical cousin. This is a very low distortion wide angle lens, especially in the anamorphic format.

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• Cooke Anamorphic Zooms

  

  Cooke introduced the 35-140mm Cooke Anamorphic Zoom as a compliment to their Cooke Anamorphic Primes. This zoom will match the Cooke Anamorphics, as well as other Cooke lenses.

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• Cooke 1.8x Full Frame Plus Anamorphic Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Cooke Anamorphic 1.8x Full Frame Plus Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Scorpio Full Frame 2x Anamorphic Primes

  

  Servicevision made the Scorpio Anamorphic Primes for use with large format cameras, perfect for use with the Sony Venice, RED Monstro, or ALEXA LF sensors. The Scorpio Anamorphics produce excellent field sharpness, warmth, and close focus not found in most anamorphic designs. The set requires a 2.39:1 crop of the full frame sensor area.

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• Cooke Macro Anamorphic

  

  The Cooke Anamorphic Macro lens matches the rest of the Cooke 2x Anamorphic set and provides cinematographers with a high quality 65mm macro that is sharp with decent contrast and exhibits the traditional Cooke warmth.

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