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Cooke Zooms
Cooke made an array of different zoom lenses during the 20th century. Each zoom offers the classic warm Cooke Look their lenses are known for, without being overly sharp or high contrast like modern zoom lenses.
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ARRI/Fujinon Alura Zooms
A joint venture between ARRI and Fujinon, the Alura Zooms are robust, sharp, high quality lenses designed for the rigors of cinema production. Offering four focal lengths, two lightweight and two studios zooms, this range provides flexibility to filmmakers.
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Angenieux Zooms - Vintage
The 25-250mm HR and HP Angenieux Lenses were industry standard workhorses for decades. Still in use because of their lower contrast warm vintage appeal, the HR and HP zooms are a great option for taking the edge off of modern digital cinema sensors.
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Canon Century Converted Zooms
Century Optics rehoused two Canon 35mm SLR lenses for use on cinema productions. The new housings offer uniform focus, iris, and zoom gears as well as a robust design intended to meet the demands of cinema production, with both a 17-35mm and 28-70mm being available. A 150-600mm long telephoto lens is also available for Super35 format cinematography.
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Canon K-35 Zoom
Introduced by Canon to serve as a complimentary zoom to their K-35 Primes, the 25-120mm K-35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.
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Fujinon Cabrio Zooms
Fujinon introduced their Cabrio line of zoom lenses to offer a lower cost alternative to their Fujinon Premiere zooms. The Cabrio’s offer three lightweight zoom options as well as a larger studio zoom. They offer a neutral color temperature, sharp focus, and minimal breathing. We also have available an uncoated 19-90mm Cabrio, which provides a lower contrast image with more dramatic flaring.
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Angenieux Anamorphic Zooms
Angenieux has expanded their lens catalogue with an array of anamorphic lenses, from lightweight offerings to large 10:1 studio zooms. A 0.75x wide angle adapter is available for the compact versions. Each Angenieux anamorphic offers the same great contrast, warmth, and cinematic nature of their other lenses and are designed to intercut with their spherical siblings.
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Angenieux Converted Anamorphic Zooms
The Converted Anamorphic zooms are regular spherical Angenieux Zooms with anamorphic rear elements attached. These zooms will provide a 2x squeeze to the image, but will not produce the same extreme anamorphic flares or bokeh traditional among the native anamorphic zooms produced by Angenieux.
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ZEISS Super Speed Primes - Uncoated
The uncoated version of the ZEISS Super Speed offers the same unique look of the Super Speed, but with reduced coatings for more intense flaring and a lower contrast look.
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ARRI Ultra Wide Zoom
ARRI’s first venture into lens design without the aid of a name brand company, the Ultra Wide Zoom is an optical engineering feat. It’s ultra wide focal length of 9.5-18mm exhibits very little distortion and covers up to ALEXA 3.4K Open Gate.
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