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• Leitz Summilux-C Primes

  

  Leitz’ flagship Super 35 lenses, the Summilux-C’s have become staples of the film business with their pleasing skin tones and medium contrast. They feature a fast aperture through the focal range of T1.4 and virtually no breathing. A unique focus design and use of exotic aspheric elements enable smooth focus pulls and exceptional performance in a compact package.

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• Super Baltar Primes

  

  The Super Baltar lenses were released in the 1960’s and became the go to lenses for many films made throughout the ‘70’s. Godfather 1 & 2 were shot on Super Baltar’s, as were a number of other famous films. Baltar’s exhibit unique flares and lower contrast than modern lenses.

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• Vantage ONE® T1 Primes

  

  Vantage is known for anamorphic lenses, but they entered the spherical lens world with their Vantage One Prime Lenses. These lenses, named after their ultra fast t-stop of T1.0, are particularly unique when compared to most modern lenses. Wide open these primes exhibit very unique qualities, from soft edge focus to lower contrast. Simply deepen the T-Stop to attain the desired amount of aberration. These lenses are distinctly unique and well suited for low light cinematography.

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• Cooke Speed Panchro Primes (TLS Conversion)

  

  Cooke Panchros were first introduced in the 1930’s. Known for their warm golden tone, unique bokeh, and smooth focus the Panchros have been a favorite for decades. The TLS conversion has been performed on the Panchros to improve them with new housings for modern cinematography work.

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• Hawk V-Plus Anamorphic Zooms

  

  The Hawk V-Plus Anamorphic Zooms were produced as companion lenses to the Hawk V-Series Anamorphic Primes. Well suited for matching the aesthetics of the V-Series, these zooms are available in two focal lengths: 45-90mm and 80-180mm.

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• Cooke Anamorphic Primes

  

  The Cooke Anamorphic lenses feature the same great “Cooke Look” their lenses are known for, but in a true anamorphic package. These lenses produce a truly cinematic frame by marrying a warm Cooke color pallet. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• Phantom Flex4K

  

  The Phantom Flex4K is a specialized high frame rate camera designed with cinema production workflow in mind and is capable of recording 1,000 frames per second in 4K or nearly 2,000 frames per second in 1080p HD.

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• ARRI / ZEISS Master Anamorphic Primes

  

  A joint collaboration between ARRI and ZEISS, the Master Anamorphic lenses are an anamorphic counterpart to the Master Prime lenses. Master Anamorphic’s are known for their near-perfect image quality, with no breathing and minimal anamorphic characteristics common in most anamorphic lenses. This perfect image quality limits their anamorphic flare and bokeh characteristics. If those characteristics are desired, the Master Anamorphics have a Flare Module that can be installed to accentuate those effects, producing a more natural anamorphic look.

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• Fujinon Premier Zooms

  

  The Fujinon Premier zooms are extremely high quality lenses, exhibiting nearly zero breathing, sharp focus, and neutral color temperature throughout the entire range. Available in two lightweight and two studio designs, the Premieres offer exceptional performance for high end cinema production.

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• Angenieux Optimo Zooms

  

  Angenieux zooms have become the industry standard zoom lens throughout the years. The Optimo line of lenses is well known for their reliability, pleasing image quality, and color matching across the range of lenses.

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