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• Angenieux Zooms - Uncoated

  

  The uncoated Angenieux zooms feature uncoated elements that result in increased flaring and higher contrast loss from light sources. This helps create a more vintage look than normally possible with a modern coated lens.

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• ZEISS Standard Speed Primes - Uncoated

  

  Uncoated Zeiss Standard Speeds provide a more vintage look than the normal Standard Speeds. They exhibit excess flaring and an increase in contrast loss when flared.

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• Canon/Century Tilt Focus

  

  Century Optics retooled the original Canon Tilt Focus lenses for cinema work by adding an ARRI PL Mount and gearing to the lenses. These are perfect for cinematographers looking to add a unique effect to their project.

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• Innovision Probe II Plus T6.3

  

  The Innovision Probe II Plus is a faster, T6.3, optically improved follow up to their original probe system. It’s very small diameter makes the Probe II Plus well suited for tabletop and miniature work and offers a number of lenses plus a 90-degree relay.

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• Cooke SF Anamorphic Zooms

  

  Similar to the Cooke Anamorphic SF Primes, the Cooke Anamorphic SF Zoom is a Special Flare version of their regular anamorphic zoom. This lens was designed to fit with the SF Anamorphic prime set and offers the same extreme flare and anamorphic characteristics as the prime set.

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• Sigma Zooms

  

  Sigma produced the High-Speed Cine Zooms with the intention of providing a high quality, reasonably priced alternative to other high end zoom lenses. The Sigma’s offer outstanding resolution and sharpness in a compact package and a fast t-stop of T2.

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• Laowa Probe

  

  Venus Optics Laowa 24mm f/14 Probe features an integrated lens light for illuminating the subject using the slow f/14 stop. The probe is extremely sharp and allows focusing millimeters away from an object. It is available in PL mount and covers large format sensors.

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• Cooke 1.8x Full Frame Plus Anamorphic Primes

  

  Cooke’s full frame anamorphic prime’s feature a 1.8x squeeze factor to allow these lenses to fully cover large format sensors like those found in the ALEXA LF and Sony Venice. These lenses produce Cookes warm color pallet with unique anamorphic effects caused by the uncommon squeeze factor. They also feature the Cooke i/Data protocol for sending lens metadata to the camera system.

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• cmotion Cinefade VariND

   The CineFade VariND System allows the operator to create a depth of field ramp by using two polarizers, one static and one motorized. The effect is created by an iris motor ramping exposure at the same time that the variable ND polarizers increase or decrease ND value. The system can also be used as a variable ND without the depth of field effect.

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• ARRI ALEXA Mini LF

  

  The ALEXA Mini LF is a perfect match to the original ALEXA LF. Using the same sensor technology in a compact form factor, the Mini LF provides filmmakers with up to 40fps recording in 4.5K Open Gate, or 60fps recording in 16:9 UHD and 2.39:1 Scope 4.5K. It also features a number of improvements over the original ALEXA Mini, including additional I/O ports, a Compact Capture Drive Bay, and the new MVF-2 Viewfinder.

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