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• Arriflex 435

  

  The Arriflex 435’s are film workhorses of the movie industry. The 435 ES is capable of shooting 1-150 frames per second and represents a gold standard in 35mm camera design. The ES also features an electronic shutter that is able to adjust its angle while filming.

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• Arriflex 435 Xtreme 3-Perf

  

  Our Arriflex 435 Xtreme has a 3-Perf movement and is capable of frame rates from 1-150 frames per second and includes the Functional Expansion Module to expand functionality through a Lens Data System, electronic control, wireless control features, and smoother ramping options.

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• Arriflex 235

  

  A lightweight 35mm Arriflex, the 235 is capable of 1-75 frames per second and is ideal for compact shooting scenarios like steadicam, car rigs, and underwater applications. The 235 still features ARRI’s world class design and robustness.

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• Arriflex 35 IIC Hand Crank Modification

  

  A modification of the Arriflex 35 IIC, this model has a hand crank installed for vintage film feel and effects production. In addition, we have engineered a custom HD SDI IVS.

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• ARRICAM Studio ST

  

  The Arricam Studio is a marvel of engineering, offering a modular design and sync sound capabilities not commonly found in larger film cameras. The Arricam is capable of utilizing the HD-IVS for video monitoring and features a variable shutter and speed ramping abilities. Capable of capturing 1-60 frames per second.

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• ARRICAM Lite LT

  

  The Arricam Lite or LT is the smaller cousin to the Arricam Studio. Offering a lighter package with the same brilliant modular design. The Arricam is capable of utilizing the HD-IVS for video monitoring and features a variable shutter and speed ramping abilities. Capable of capturing 1-48 frames per second and recording sync sound.

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• Arriflex 416

  

  The Arriflex 416 Plus is the pinnacle of 16mm camera design. Capable of capturing 1-75 frames per second, the 416 Plus offers a mirrored shutter with multiple degree adjustments and features a digital video assist system for monitoring.

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• Canon Zooms

  

  Canon produced a number of 16mm format zoom lenses throughout the 20th century. Many are still available for rental for use on 16mm format film cameras as well as 16mm cropped modes on digital cinema cameras. Compact and high quality even by today's standards, the Canon zooms are a great fit for the right production.

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• Angenieux Zooms

  

  Angenieux’s 16mm format zoom lenses are classics, well known for their work on television series throughout the 60’s, 70’s and 80’s. Still desired for their smoothness and warm qualities and desired by modern filmmakers for their vintage look.

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• Leitz Telephoto Lens System

  

  The Leitz APO-Telyt-R Telephoto Lens Module System allows the user to change between multiple focal lengths using front and rear modules without the need for multiple individual large lenses. The system is corrected for chromatic and spherical aberration using apochromatic lens elements and features a rear filter insert for Series 6 filters to be used.

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