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• Sony Venice Rialto Extension System

  

  The Sony Rialto Extension System allows the Sony Venice camera body to be separated and extended away from the 6K Sensor block. This allows the lens and sensor to be placed in tight spaces, or handheld more easily for complex action scenes. The Rialto features a nine foot cable as well as an available nine foot extension cable. This allows the Rialto to be placed up to 18 feet away from the Sony Venice camera body. All of the Venice's functionality is maintained while in Rialto mode.

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• Hawk V-Plus Vintage '74 Anamorphic Zooms

  

  Adding to their Vintage ’74 set Vantage produced the Hawk V-Plus Vintage ’74 Zooms. Available in the same focal lengths as the regular Hawk V-Plus lenses, the Vintage ’74 versions offer the same vintage coatings that greatly accentuate the anamorphic effects and flares of the lenses. These will match the normal V-Lite Vintage ‘74’s well.

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• Angenieux Zooms

  

  The 25-250mm HR Angenieux Lens was an industry standard workhorses for decades. Still in use because of its lower contrast warm vintage appeal, the HR zoom is a great option for taking the edge off of modern digital cinema sensors.

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• Canon K-35 Zooms

  

  Introduced by Canon to serve as a complimentary zoom to their K-35 Primes, the 25-120mm K-35 zoom features the same warm image and pleasing bokeh as its prime cousins. It also features a macro toggle that allows the lens to function as a macro lens.

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• ZEISS Ultra Primes (LDS)

  

  The LDS Ultra Primes are optically identical to the normal Ultra Primes, but integrate ARRI’s LDS (Lens Data System) to provide lens information to the camera system. This is key for visual effects heavy productions and also a great creature comfort for any job.

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• Duclos Tokina Zoom

  

  Duclos Lenses in Los Angeles designed a new housing for the Tokina 11-16mm still photography lens. The lens has a declicked iris and gears added to the focus, iris, and zoom rings. This is an extremely versatile wide angle lens that features low distortion and breathing for a still photography lens.

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• Angenieux Zooms - Uncoated

  

  The uncoated Angenieux zooms feature uncoated elements that result in increased flaring and higher contrast loss from light sources. This helps create a more vintage look than normally possible with a modern coated lens.

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• ZEISS Standard Speed Primes - Uncoated

  

  Uncoated Zeiss Standard Speeds provide a more vintage look than the normal Standard Speeds. They exhibit excess flaring and an increase in contrast loss when flared.

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• Canon/Century Tilt Focus

  

  Century Optics retooled the original Canon Tilt Focus lenses for cinema work by adding an ARRI PL Mount and gearing to the lenses. These are perfect for cinematographers looking to add a unique effect to their project.

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• Innovision Probe II Plus T6.3

  

  The Innovision Probe II Plus is a faster, T6.3, optically improved follow up to their original probe system. It’s very small diameter makes the Probe II Plus well suited for tabletop and miniature work and offers a number of lenses plus a 90-degree relay.

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