This month’s Post magazine’s cover story, “Gripping HD – More series than ever are going digital”, features a blurb on A&E’s “The Cleaner”, which, as the article states, was shot on Keslow Camera’s RED Ones.
Some great quotes from the article:
“One of the things that was huge was the ‘umbilical cord’ issue with the [Panavision] Genesis. There wasn’t anybody who didn’t agree that [the RED] was a hundred times easier to use.”
“…with the show’s second season came an increased challenge to cut costs while keeping quality high. The RED One, he says, seemed to be the answer.”
Click the image for the PDF article.
